Memoir (Cento)
Your hands touched
everything. Will you
be a fountain
or a sea?
A woman sleeps next to me
on the earth. Now
nothing else keeps my eyes
in the cloud.
Each rock is news.
A cento is composed of lines from poems by other
poets. This cento originated from pieces in:
77 Poems, Alberto de Lacerda
Because the Sea is Black, Blaga Dimitrova
Body Rags, Galway Kinnell
Song of the Simple Truth, Julia de Burgos
Love Poems, Anne Sexton
For further information and examples of the form, you might peruse the Academy of American Poets site: http://www.poets.org/poetsorg/text/poetic-form-cento
Like this, fascinating technique!
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It is a fascinating technique. The trick, for me, is to find appropriate lines from disparate sources, and assemble them in such a way as to make a poem that sounds like something I could have written. It helps to have a healthy number of books lying around. 🙂
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You put this together remarkably well, I would not have known these line came from different sources if you didn’t say so. Well done! Plus, it gives another excuse to have more books, great old books of poetry, I must have a thousand!
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Therein lies the challenge (and the fun)! As if I need any excuses to add books to my collection…
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Stunning poem! I love the Cento technique, having read others’ works, but I’ve never produced one myself. I just may have to try this! BTW, Anne Sexton’s Love Poems is one of my favorite collections of poems.
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You must try it! The first one took me a lot longer than I expected, and it, unfortunately, was not very good. I’ve consigned it to oblivion.
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I will definitely try it… I hope to try all forms of poetry at least once in my writing life. Have a blessed evening!
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Good for you!
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I agree Robert. I’ve been doing this with my poems. It has had some rewarding results. Thanks for this post.
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Complacency is the enemy! I’m forever on the prowl for interesting techniques and ideas to keep the juices flowing (or at least oozing).
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https://dreamwiththedreamers.wordpress.com/
Come follow me!
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Reblogged this on Fear God and commented:
Beautiful pictures. Absolutely love them. Thank you for sharing.
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Thank you for reblogging. The photos are from morguefiles.com.
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great form of poetry, I love new techniques too. I often will take a line for a poem I like by another author and use it as the first or last line of my poem. thank you for posting. great job.
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Oh, yes. I’ve found other poets’ lines immensely helpful as starting points, even if I don’t use them.
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I think it is a great way to be inspired and like you said, whether you use the lines or not.
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I have written entire poems, starting with a line that resonated with me in some special way, only to find in the end that the line didn’t quite fit the poem. But it got me to that point!
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Cool idea. And i guess it isnt considered plagiarism if u give credit?
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The cento is a time-honored form. I added a link to the Academy of American Poets site, which offers a definition and example. And yes, as long as you credit the poets (and don’t lift entire poems) it isn’t considered plagiarism. A recent book, Wolf Centos, by Simone Muench, is comprised entirely of centos. It’s quite wonderful.
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What a great idea. Poetry like life is collective work. We did not invent the words nor the feelings that evoke, but we share and stake a claim. As a really new poet (it always enchanted by intimidated me), all these variations and forms are such a gift. Like new toys that I must open and try .
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Yes, you must open and try them!
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This looks enjoyable and challenging! I’ll have to try this when I have some
down time. You did a great job with this. There are times, in my own writing, where I try to piece one poem together from notes or poems that I’ve written and I can notice the seams showing. That is not the case, here. Thanks for sharing!
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Thanks, Jason. I’d like to see if I can put together a cento-like piece from some of my discarded lines. One of these days.
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Lovely, Robert…Stunning, every line..and more than the sum of its parts. Judy https://grieflessons.wordpress.com/
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Finding the parts is the fun part. Thank you.
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Learn something new each day…
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I know I try to. 🙂
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Reblogged this on Eadar Doodles + Cheese and commented:
Generationkathy – check out this Cento using some Anne Sexton lines. 🙂
I need to go back and follow the blog – O at the Edges.
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Thank you for reblogging this, and for the follow!
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I’m happy you found us this morning so I could read your Cento. Good stuff!
My friend and I spent some time a few years ago piecing together Centos and she happens to have cited Anne Sexton in a poem recently. (About Van Gogh I think, so art all around.) Your Cento seemed a serendipitous find 🙂
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Another lovely offering, Robert. And I so appreciate the gentle education that accompanies this and some of your other work. I did not know what a cento is.
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Thank you, Cate. For years I mispronounced cento. I thought it was pronounced “chento,” like the Italian word for 100, which is spelled the same. And then one day I realized that etymology made absolutely no sense, and I looked up the pronunciation. Ha!
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I adore the Cento, and I’m happy to see one of my WordPress poet friends putting the form to such lovely use! The idea of making a “patchwork” resonates with me — when first I read the description of the Cento, the technique of patching together lines created by other poets, it reminded me of my Grandmother’s (very pragmatic and creative) hobby of making patchwork quilts.
Each quilt she made was pieced together from favorite possessions, treasured things, such as a lacy handkerchief or childhood dress, or winter coat. Those special gifts, though they were too worn to be functional any longer, got salvaged and made into a new treasure.
I see this form, the Cento, as the highest form of compliment to featured poets, and I see it (especially as you have done here) as the highest form of creativity at work. Well done!
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Thanks, Kathy. I, too, consider the cento a form of compliment. Why else use their words?
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I’ve found a few published collections of Cento poetry for sale online, but haven’t been able to purchase them yet. Do you have any knowledge of such authors’ process for crediting previously published poets? I’d love to build a collection of my own, but cannot find any reference for how this is done.
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I’ve noticed that in at least one journal publication, Simone Muench includes a “credits” section with each poem and simply lists the authors, with no mention of poem or book. I’ll probably follow this model, keeping, of course, a detailed list in my personal notes.
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Beautifully done. 🙂
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Thank you!
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I shall never see the rocks the same, ever again. 🙂
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But they’ll see you, Sherrie!
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Oh boy. Now I want to try one!
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You must! I can’t wait to see it.
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Done!
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Love it!
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Pingback: Discovering the Cento « buildingapoem
How cool!
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It is, isn’t it? And challenging, too.
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You left your avatar print on a silly poem I wrote, that’s how I found you. I am new as a reader on wordpress; I’ve been a writer here for 3 years. Time constraints and I chose to be a writer, first. I have much to learn from reading. I am a literacy coach and we are studying memoirs in the 5th grade with students. What an awesome form this is, the centi, and I will take this with me tomorrow to share. Not to be too long winded, but after reading your work, I feel a bit foolish with my entry, but not too foolish as now I’ve found you!
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Your post cracked me up Holly! I enjoyed it. And yes, the cento is a wonderful, intricate and interesting form. I hope you try it out.
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Neat! I’m going to need to try that. It could be a good way to expose myself to other people’s poems. 🙂
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You must try it! I find myself looking even more closely at the poems from which I’ve taken lines.
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Breathtaking. I really enjoyed the imagery you used and the way your story plays out. I look forward to reading more.
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Thanks very much, Ann. The imagery is, of course, not mine, but originated with the poets whose lines I harvested.
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