Earth’s Damp Mound
for P.M.
I. February 1998.
That week it rained white petals
and loss completed its
turn, the words finding themselves
alone, without measure,
without force, and no body to compare.
Though strangers spoke I could not.
Is this destiny, an unopened
mouth filled with
pebbles, a pear tree
deflowered by the wind? The earth’s
damp mound settles among your bones.
II. Count the Almonds
What bitterness
preserves your sleep,
reflects the eye’s
task along the inward thread?
Not the unspoken, but the unsayable.
Curious path, curious seed.
A shadow separates
to join another, and in the darker
frame carries the uncertain
further, past silence, past touch,
leaving its hunger alert and unfed,
allowing us our own protections.
III. The Bowl of Flowering Shadows
Reconciled, and of particular
grace, they lean, placing emphasis on balance,
on layer and focus, on depth of angle
absorbing the elegant darkness,
a lip, an upturned glance, the mirror.
What light caresses, it may destroy.
Even the frailest may alter intent.
So which, of all those you might recall,
if your matter could reform
and place you back into yourself,
would you choose? Forgive me
my selfishness, but I must know.
IV. Requiem
Then, you said, the art of nothingness
requires nothing more
than your greatest effort.
And how, seeing yours, could we,
the remaining, reclaim our
space without encroaching on what
you’ve left? One eye closes, then
the other. One mouth moves and another
speaks. One hears, one listens, the eternal
continuation. Rest, my friend. After.
Prentiss Moore influenced my reading and writing more than he ever realized. We spent many hours talking, eating, arguing, drinking, laughing. Always laughing – he had one of those all-encompassing laughs that invited the world to join in. And it frequently did. Through Prentiss I met in person one of my literary heroes, Gustaf Sobin, whose work Prentiss had of course introduced me to. Those few hours spent with the two of them driving around in my pickup truck, discussing poetry, the Texas landscape, horticulture and the vagaries of the publishing world, are hours I’ll always hold close.
Earth’s Damp Mound first appeared in the anthology Terra Firma, and is included in my chapbook, If Your Matter Could Reform.
I love these lines especially:
“So which, of all those you might recall,
if your matter could reform
and place you back into yourself,
would you choose? ”
Wonderful poem.
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Thank you. Much appreciated.
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Mystical!
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Thanks, Linda.
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Such talent.
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Thank you.
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How timely. I was out early this morning and everything was soaking wet from last nights rain, including all the garden beds “earth’s damp mound”. An early spell of warmth, an overcast, introspect day and yourwords to savor with my coffee. Thanks,
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It’s a gray day here, too, with a few tentative rain drops scattered about.
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Beautiful poetry 🙂
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Thank you. I hear that coffee enhances poetry. 🙂
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My beverage of choice 🙂 Perhaps I should call that section of my blog “Caffeinated Poetry” 🙂
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Much of mine is fueled by caffeine, too.
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You always hit a nerve. This is exquisite.
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Thanks, Illian.
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Wonderful remembrance, Robert, Moving me to recall a few of my own this morning. Thank you.
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Many losses since then, including the pear tree. More to come, alas.
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I like this series a lot. It speaks to me.
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Thanks very much.
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Such beautiful precision.
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Thank you, Susan. Grief seldom responds with precision, but somehow this poem fell that way…
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For me, those first six lines hit the spot. They flow so beautifully, like one of those water features where the liquid spills from pot to pot in a cascade.
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Thank you! I’m pleased they flowed for you.
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You have a way with the written word, almost dream-like when i read the screen.
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Thanks very much.
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A beautiful elegy, Bob. “Not the unspoken, but the unsayable….” So often, it feels to me as if you say the unsayable, not just in the words themselves, but in the space between..
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Thanks, Cate. I think much of life occurs in those spaces.
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Your posting of this doleful requiem is timely for me. The sting of loss, in some ways, never changes, but in many ways, of course, it does.
Death is the transformative, revivifying aspect of life — one cannot be anything without the other (much like you demonstrated in your metaphysical triumph, “One,” that the *everything* is, because *nothing* is its very substantiation).
As Clarissa Pinkola Estes wrote in her psycho-mythological masterpiece, *Women Who Run With the Wolves*, an elucidation of ancient archetypal wisdom, “Poets understand that there is nothing of value without death.” Certainly, such knowledge serves as meager comfort to those of us left behind — yet, when we follow our deep instinct to turn to the dead for comfort, reassurance, healing, so doing is unquestionably reanimating for us.
Anyway, as you might guess, I’m currently working on my own, similar piece to honor a “lost” friend, and I see a lot of parallels between your deeply moving piece and mine. I just want you to know I am grateful for the sense of communion it affords me.
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And I am grateful for your comments, Stephanie. CPE’s statement certainly rings true for me.
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Do you ever grow tired of people complimenting your work?
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Ha! They almost balance the sting of rejection, which takes place oh so often.
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I feel your pain. Guess we need to double up on the accolades!
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Oh, yes.
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I enjoyed this poetic story presented in “chapters.” 🙂 Smiles, Robin
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Thank you, Robin.
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