Going off on a tangent can be limiting too, unless you nail it & sometimes you are so hyped on the flow that you forget to reign yourself in, which takes the casting of a good critical eye on yourself & a whole lot of editorial scouring, with an a firm scouring brush.
i think you’ve done a sterling job, i have told you before, your use of breath & space is very accomplished. With each successive poem, each draft, we inch closer to a better sense of the margins & interior of a poem in the context of its subject & the effect we hope to transfer to readers.
I tend to think out longer forms which allow me to carve up the concept into managable singlets. Apart from the Yoon Yong poen which is uninterrupted & coming along nicely.
Robert, these are superb. I don’t know where to begin. Love the skin that remembers, the north broadcasting spores to inhale, and the saw that does not cut! Wonderful!!
Dwight
St Magnus wins it for me. Tim manages to really hold the attention in a long poem, which is a feat in itself & the ending is a beauty. This line too
“remember death while you live so the living
might remember you when you are dead.”
i am easily wooed by chiasmus.
LikeLiked by 1 person
I admire Tim’s long poem ability. I can’t manage to sustain anything longer than maybe 50 lines.
LikeLiked by 1 person
i have to tame myself, i can easily get carried away. i have a bull whip & a tazer to keep me obedient to sensible lengths.
LikeLiked by 1 person
I’m simply limited. 🙂
LikeLiked by 1 person
Going off on a tangent can be limiting too, unless you nail it & sometimes you are so hyped on the flow that you forget to reign yourself in, which takes the casting of a good critical eye on yourself & a whole lot of editorial scouring, with an a firm scouring brush.
LikeLiked by 1 person
I’ve learned to rein myself in fairly well, but there are still those times…
LikeLiked by 1 person
i think you’ve done a sterling job, i have told you before, your use of breath & space is very accomplished. With each successive poem, each draft, we inch closer to a better sense of the margins & interior of a poem in the context of its subject & the effect we hope to transfer to readers.
LikeLiked by 1 person
My temperament is better suited for short pieces, and I no longer feel the urge or need to torture myself with attempting longer forms.
LikeLiked by 1 person
I tend to think out longer forms which allow me to carve up the concept into managable singlets. Apart from the Yoon Yong poen which is uninterrupted & coming along nicely.
LikeLiked by 1 person
Robert, these are superb. I don’t know where to begin. Love the skin that remembers, the north broadcasting spores to inhale, and the saw that does not cut! Wonderful!!
Dwight
LikeLiked by 1 person
You should visit Tim’s blog for more!
LikeLiked by 1 person