After reading Daniel Paul Marshall’s insightful review of Stephanie L. Harper’s newest book, you’ll have no choice but to order a copy! Or two.
The Death’s Head’s
continues on from Stephanie’s previous book This
Being Done & fortunate for us Stephanie is in the present progressive,
hammering out the dimensions of poems. The poems here continue to wade in the
difficulties of womanhood, family, child-rearing, love, life, memory &
is wakeful invention, an intellectual alacrity, sure-footedness even on the
tremulous ground of the heart in the track of each advancing line. Something
common-place, is elevated to heightened importance if only for it being what it
is: a potential for articulation & loving.
the morbidity of the title, I hope (well-founded on the verve of being a
life-bringer & cultivator, which Stephanie wears unashamedly on her sleeve)
that Stephanie isn’t concerned as Roy Fisher expresses in Poplars that“I think I
am afraid of becoming a cemetery of performance.” Stephanie’s performance is to
Stephanie sets off from a harbour in…
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