In Praise of Rain (with recording)

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In Praise of Rain

Which is not to say lightning or hail.
Sometimes I forget to open the umbrella

until my glasses remind me: Wake up, you’re
wet! If scarcity breeds

value, what is a thunderhead worth
in July? A light shower in August?

Even spreadsheets can’t tell us.

***

“In Praise of Rain” is included in my recently released chapbook, Buddha’s Not Talking, available from the publisher, Slipstream Press. Signed copies may be purchased exclusively from Loud Bug Books in Indianapolis. Simply type in “Okaji” to view all of my available books, or just add the title. $10 plus shipping and tax (where applicable).

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Aleppo

 

 

Aleppo

A father sings to his son,
dead two days,
and the platitudes persist.
Widow of night. Lantern’s trick.
What trace, you wonder,
exists of humanity in these etched
walls? Light bleeds through a crack
like rules unheeded and scattered.
Another sheer looming of hours.
The song, continued.

 

“Aleppo” was first published in Vox Populi in August 2018. I am grateful to editor Michael Simms for his continuing support of my work.

 

 

Parting from Wang Wei (after Meng Haoran)

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Parting from Wang Wei (after Meng Haoran)

These quiet days are ending
and now I must leave.

I miss my home’s fragrant grasses
but will grieve at parting – we’ve

eased each other’s burdens on this road.
True friends are scarce in life.

I should just stay there alone, forever
behind the closed gate.

 

* * *

“Parting from Wang Wei” is included in my micro-chapbook, No Eye But The Moon’s, available via free download at Origami Poems Project.

The transliteration on Chinese-poems.com reads:

Quiet end what wait
Day day must go return
Wish seek fragrant grass go
Grieve with old friend separated
On road who mutual help
Understanding friend life this scarce
Only should observe solitude
Again close native area door

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Ode to Bacon (with recording)

Ode to Bacon

How you lend
yourself
to others,

enhancing even
the sweetest fig
in your embrace
over coals,

or consider
your rendered
self, how it

deepens flavor
with piggish
essence, coating

or absorbed,
blended or
sopped. O belly
of delight, o wonder
of tongues,

how could I not
love you
and your infinite
charms, even

when you resist
my efforts and
shoot sizzling bits

of yourself
onto my naked
hands? I pay

this toll
gladly,
today and

next year
and all those
days to follow,

till the last piece
is swallowed
and our sun
goes dark.

Hyperbole
becomes you,
smoked beauty,
salted love,

and I shall never
put you down
or leave you
behind

on a plate
to be discarded
or forgotten,

unloved.

“Ode to Bacon” first appeared here in July 2017, thanks to T.S. Wright’s challenge.

Sleepless

 

 

Sleepless

One night exhausts another,
layering sheets and blankets,
wrinkles and folds. Oh, the
body wants to still the mind,
and shedding this weight,
float freely through the night.
Your memory of sleep’s touch
withers as you lie there,
absorbing the fan’s pattern.
How wonderful, then, to finally
drift across the room and settle
in that relaxed corner, among the
cobwebs and shadows and those
frustrated hours now set aside.

 

“Sleepless: first appeared here in October 2017.

 

 

Self-Portrait as Question

 

Self-Portrait as Question 

Walking hand-in-hand with what,
who presupposes why, and when
huddles with where before skittering
off to its murky corner. Sometimes
I present myself as a shy minute
or a cloud’s effigy streaming across
a scruffy field. Few suspect the truth.
Answers ricochet from the limestone
wall, but no one nabs them. I react
quickly and offer the unknown, the
life I claim, my name, in return.

 

* * *

“Self-Portrait as Question” was first published in Rue Scribe in September 2018. Many thanks to Eric Luthi and the editors at Rue Scribe for accepting this piece and several others.

My Chapbook, Buddha’s Not Talking, is Now Available via the Publisher and Biblio.com

Buddha's

The winner of Slipstream’s 35th Annual Poetry Chapbook Competition, Buddha’s Not Talking is now available for purchase through Slipstream Press. Signed copies are available exclusively from Loud Bug Books via Biblio.com here. Simply type in “Okaji” to view all of my available books, or just add the title. $10 plus shipping and tax (where applicable).

Cover art by the fabulous Stephanie L. Harper!

Gulf

gulf

 

Gulf
for M.V.

Which looms wider, its sky or water? The birds, here, too,
reconvene in greater streaks. This morning I stomped around
Paisano, examining the grasses and soil, the rocks and various
configurations of clouds, and listened to experts discuss
prescribed burns and how the land’s contours can determine
sequence and efficacy. The mockingbird whose territory
we occupy has disappeared. Perhaps he’s just moved on.
I heard a red-bellied woodpecker yesterday, but never saw it,
and of course the rattlers at the ranch are still underfoot, just
less apparent this time of year. I looked closely, as always,
but never spied one. What else did I miss? The rich people
on the bluffs bulldoze habitat, poison creeks and erect their
Italianate villas, caring not a whit for the breeding warblers
or the landscape, although they might pony up a few bucks
for an environmental charity if sucked-up to properly. Given
a choice between the two, I’d pick the snakes every time;
they don’t smile or offer spiked drinks and stories of their
conquests, and usually warn before striking. Even a minor
deity might take offense and crack open a new fault in the
earth between this place and theirs, widening it by inches
with each presumption, every falsehood, whether shaded
in unrelated facts or illogic, until that shifting space could
be spanned solely by a bridge planked with truth and good
manners, and, yes, by mutual consent. Looking back, I
find many examples of these bridges collapsing in utero,
but we keep trying. Your story of the gulf coast storm
reminded me of weeks spent on calm water, and seeing,
no matter where I turned, blue meeting blue, from horizon
to horizon, the sky never broken by bird or cloud, born
anew each day, always looking between, never down.

 

 

“Gulf” was published in West Texas Literary Review in March 2017.

 

Because You Cook

 

Because You Cook

You know the pleasure of
hunger, of patience
and a task well done.

Dice onion, peppers – one hot,
one sweet – saute them in olive oil,

fold them into an egg
cooked flat. Add
crumbled goat cheese, basil.

Look away.
Morning ascends, then declines,
but night drifts in, confident,
ferrying these odors among others.

Accept what comes but choose wisely.
Light the candle. Shift the burden.

 

* * *

“Because You Cook” first appeared in Ristau: A Journal of Being in January 2018. I am grateful to editor Robert L. Penick for taking this piece.

 

Yellow, Lost (with recording)

 

 

Yellow, Lost

The forgotten poem, existing in title only: Yellow.

Which is a bruise at three weeks, or memory’s shade in autumn.

In what black folder does it hide? In which blinding light?

I take comfort in primaries, lose sleep at the edges.

Where fraying begins and annotation dwindles to scrawled lines.

Above the bones and flesh of the Egyptian gods. Above my books.

Within these lost minutes. Those moons, bereaved. The hours.

Desire germinates even after our rainless decades. Yellow, again.

The color of sulfur (the devil’s realm) or the traitor’s door.

Of cowardice and warning. Of aging and decay.

How to recover what’s sifted away, the residue of our loves?

Each day more bits break off, never to be reattached.

But you, I blend with the sky, perfecting trees, the grass.

 

* * *

“Yellow, Lost” was published in wildness, Issue no. 10, in October 2017. wildness is an imprint of Platypus Press, which published my work Interval’s Night, a mini-digital chapbook, in December 2016 in their 2412 series. If you’re not familiar with wildness, check it out. In fall 2016 Poets & Writers named it in their article Nine New Lit Mags You Need to Read.