Scarecrow Sings the High Lonesome

Scarecrow3

 

Scarecrow Sings the High Lonesome

Nothing about me shines or sparkles. If asked,
I would place myself among the discarded —
remnant cloth and straw, worn, inedible,
useless, if not for packaging intended to
convey a certain message, which I of course
have subverted to “Welcome, corvids!” Even
my voice lies stranded in the refuse, silent
yet harmonious, clear yet strangled, whole
and unheard, dispersed, like tiny drops of
vapor listing above the ocean’s swell, enduring
gray skies and gulls and those solemn rocks
bearing their weight against the white crush.
Why do I persist? What tethers a shadow
to its body? How do we hear by implication
what isn’t there? Bill Monroe hammered
his mandolin, chopping chords, muting,
droning, banging out incomplete minors
to expectant ears, constructing more than
a ladder of notes climbing past the rafters
into the smoky sky. What I sing is not
heard but implied: the high lonesome, blue
and old-time, repealed. Crushed limestone
underfoot. Stolen names, borrowed sounds.
Dark words subsumed by light, yellowed,
whitened, faded to obscurity, to obscenity.

“Scarecrow Sings the High Lonesome” first appeared in Crannóg, in June 2017.

Sunday, June

Sunday, June

Trying to give, I fail too often.
But this day we prepare for you
food that your beloved often cooked,
made with the ingredients of 19,000
nights and promises of more to come.
These potatoes. That beef, the fruit.
Simple, and yet so difficult to reproduce.
Even the recipe is incomplete. “Some
mayonnaise,” it says, then “mustard,”
but not whether dry or prepared, and
the amount is unclear. Yet the results
transport you to stronger days, to
the clear-eyed self and limitless
possibilities, meals on the table
at five o’clock, the satisfaction of work
well done, knowing that you have soared
above your father’s imprecations
but never beyond love’s touch, her
sleepy murmurs, morning coffee,
burnished histories and late cigarettes,
the tulips on the soil you’ll soon share.

“Sunday, June” first appeared in the print journal Nourish in March 2018.

Drawer of Possibilities

Drawer of Possibilities

In the drawer of possibilities
you find stasis, the lure of the unknown.
To what should this hinged orb
be subservient? Or that wrinkled blade?
An egg, the bald potato. The sacrificial
carrot? To everything its purpose.
Like that light in the crook of the
altered frame, attracting the winged
beings. You, of course, serve nothing.

“Drawer of Possibilities” appeared in The New Reader in March 2018.

Dictionary of Dreams

Dictionary of Dreams

You do not know their secret names.
Mine is the music of metal and wood.

Human voices behind walls.
Trapped in reds, in chiseled words.

And silence. Always silence.
Or the filtered woodwinds at dawn.

How to describe her body?
The quickness of night. Year’s demise.

A family of ghosts hidden in these halls.

“Dictionary of Dreams” was published in Kingdoms in the Wild in April 2018.

The Death’s-Head’s Testament

Stephanie L. Harper has another chapbook coming out – in March! It’s available at a substantial discount for a limited time only. I read the manuscript and was stunned. You deserve this book. Get it now!

SLHARPERPOETRY

Announcing my newest poetry chapbook:

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Hello My Poetry-Loving WordPress Friends!

Here’s the scoop: Main Street Rag has opened advanced sales at $6.50 per copy for my newest poetry chapbook, The Death’s-Head’s Testament,scheduled for release in March 2019! This generous discount off of the $12.00 cover price will be offered for a limited time, so be sure to take advantage of it soon!

ORDER HERE!

Thank you so much, everyone, for your engagement with and support of my work! I couldn’t have come this far without you!

Once, again, credit for this breathtaking cover photo goes to my son, Matthew Harper.

Thank you, also, to editor M. Scott Douglas at Main Street Rag for a terrific design!

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Every Drop

 

 

Every Drop

Your light singes my roots
even deep underground, where
worms revel in your joy

and all the days’ secrets line up
awaiting their turn to kneel and
unwrap their daily truths in the
comfort of the chambered soil.

If I were a seed, I would wait
for your touch before sprouting,
and only then would I surge

to the surface, swallowing
your gift. Greedy but grateful,
I’d open, drink every drop.