I am honored that my poem “From Left to Right I Consider Purpose and Kanji” is live at Formidable Woman Sanctuary as a contribution to editor and founder d ellis phelps’s Solace Project. The poem also resides in my new full-length book, Our Loveliest Bruises, from 3: A Taos Press. I am grateful to d for this publication and many other kindnesses over the years.
To view the poem, scroll down to the end.
My poem, “Vigilance,” is live at Sontag Mag. Many thanks to editor Asheley Nova Navarro for taking this piece, another in my series of hendecasyllabic poems.
I am thrilled to announce that my chapbook, In the Garden of Wind’s Delight, a collection of 22 short poems exploring the ecology of mind, spirit, and music through meditations on learning to play the shakuhachi, the traditional Japanese bamboo flute, is available from the publisher, Illuminated Press. Founded by Laura Rowley in 2014, Illuminated Press specializes in books crafted by hand, featuring handmade papers for elements such as covers and endpapers. This book is hand bound in the Yotsume Toji binding, the traditional four-hole Japanese binding structure. Limited to 300 copies.
Many thanks to Laura Rowley and the Illuminated Press team for bringing this work to fruition.
My poem, “It’s All About Me,” is live at First Literary Review-East. Many thanks to editors Cindy Hochman and Karen Neuberg for taking this piece (another in my hendecasyllabic series)..
My short creative nonfiction piece, “Ossuary,” is live at The Woolf. Many thanks to editors DB, Kristen and Susan for taking this piece, which first appeared on this blog about ten years ago.
My poem, “The Continuing,” is live at Vox Populi. Many thanks to editor Michael Simms for his support and kindness over the years.
My poem, “I Laugh,” is live at Stone Circle Review. Many thanks to editor Lee Potts for taking this piece, another from my hendecasyllabic series.
My poem, “Horses,” has been nominated for a Pushcart Prize by MockingHeart Review! Many thanks to editor Tyler Robert Sheldon for his support and kindness over the years.
My poems, “The Mathematics of Dying” and “Reliquary” are live, with a cover reveal of my debut full-length collection, Our Loveliest Bruises, at the Taos Journal of Poetry. I am indebted to editor Catherine Strisik for her generosity and multiple kindnesses over the years.
O at the Edges 