Scarecrow Questions

scarecrow

 

Scarecrow Questions

Though my tongue withers from disuse and
drought, I taste from across the sea astringent
smoke and the progeny of a hundred bullets
buzzing by like misguided insects through
the theater of the dying, and I question how
pride and greed, hubris and fear, unwind their
cords to detonate these differing yet tangled
lines. How to fathom such depth of mistrust?
The Christian paints her door frames azure, a
Muslim carpets his tile floor, the Jew panels his
walls, yet among each, various segments clash,
and all of their houses implode. I feel nothing,
yet shiver throughout the sun-blazed afternoon.
Then I consider the structure of zero, whether its
body contains or extracts, negates or compromises,
hollows out duplicates within duplicates, exorcising
with a blade so sharp as to peel away memory from
those it crosses without the faintest murmur. Gone.
Erased. Banished to never having been. I neither
breathe nor digest, but I absorb and recall. How do
you so willingly forget history? This post determines
my destination, but not my destiny, not tomorrow’s
promise, nor the returning birds and faith, the long
nights, their stars, their deaths, the following days.

 

Eifel

“Scarecrow Questions” first appeared here in February 2016.

Forecast

freezing


Forecast

Does the peach
blossom

count its
numbered days

in the lure of false
spring?

Smiling, you admit pleasure
in cruelty,

in assigning lots
to the relief of those

never called,
and those whose answers

remain open,
unfixed.

The freeze is coming,
you say.

Let us pray.

 

frozen

This first appeared here in January 2017.

Strollermelon

 

 

Strollermelon

In the summer I roll them from grocer to bus stop, little bonnets
affixed, cooing all the while – cantaloupe, watermelon, honey dew,
casaba, canary, sugar, you name it, they all come home with me,
in pairs or solo, snuggled tightly in blankets and ensuring
dropped-jaw, raised-eyebrow gapes from those who approach.
Don’t they look just like their mother, I ask, and no one ever disagrees.
Everybody is so nice, even the teen-age boys who no longer offer up
their seats. But Damon, who recently purchased new pants to impress
Wanda-I’m-An-Attorney, enjoys whispering secrets to us. Did you
know they’re actually berries? And that some are called fruit,
others, vegetables? They’re not much good for pies, though. I just
call them “Mel,” which is funny because I know that you’re not
supposed to name something you’re going to eat, and really, I do
recognize the difference between sentient beings and plants, but
then candidate Harumph comes to mind, and how do you explain
him and his followers? When cool weather approaches, I turn to
squash. Happy acorn, the elongated, sad butternut, pumpkin. Each
holds a niche in my heart, and I love strolling down the sidewalk
with them, humming tunes, adjusting stems, planning meals.

 

* * *

“Strollermelon” was first drafted during the August 2016 Tupelo Press 30-30 challenge, and was published in Quiet Letter in April 2017. Thanks to Plain Jane for providing the odd title. One never knows what’ll arise from sponsored titles!

 

Snails

Snails

How convenient to carry a home on one’s back, I
think, disregarding heft and plumbing and the shape
of rooms too hollow to feel. Yesterday a box of African
chapbooks migrated to my doorstep, and I plucked
yellowing leaves from the tomato plant by the poetry
shack. Marine snails constitute the majority of snail
species, but we count first what we can see. Everything
turns–the days buzz by like male blackchins swooping
through their pendulum air-dance, and I tally my
diminishing hours from the safety of these walls.
Heliciculture is another word for snail farming, but
reminds me of stars spiraling wildly above my roof
each night, spewing poetic fire throughout the cosmos.
The neighbor mows her lawn and I observe the wind
stepping from treetop to treetop, another sign of the
earth’s continued rotation. Their slime permeates human
cosmetics to minimize premature skin aging, and was
once used medicinally to soothe coughs (I write this
as mucus slides down my throat, a response of the
lung’s filtration system to histamines). There is much
to consider about the intricacies of harvesting slime.
Most snail species consume plants, but a few are
predatory carnivores, which leads to questions
about their prey. Cooked in butter with garlic, served
with a dry white? I spear one, contemplate texture
and move on to the next, leaving behind no visible trail.

 

* * *

My poem “Snails” was published on Vox Populi  in October 2017. Many thanks to founder and editor Michael Simms for giving this poem a home.

Elegies for the Night (2002)

OLYMPUS DIGITAL CAMERA

 

Elegies for the Night (2002)
                                        for W

1
You might palm a small token, damp and misshapen as the words
you expel, never admitting the dark truth.

Or the plundered life, neither black nor white, invisible yet whole.

Someone prays, yet all around silence reigns and the snow melts.

Possibilities cleansed in the light of misplaced certainty.

2
The charred wind’s fruit bears little resemblance to its predecessor.

And later, within the garden’s stones, what remains
but an acrid taste on the tongues of the speechless?

And if the bones have dispersed where might their thoughts reside?

The wind takes nothing it does not want.

The wind wants nothing.

Nothing remains.

                    I am afraid, she said. Please tell me.

3
Though the moon returns in its diminished
state, I shall not listen. Words

turn back and eat
themselves, exposing intent

behind form, consonants beneath
vowels lying in wait. Abandonment.

And further senseless
debates: gain from loss, shock and awe,
the incessant demand for others to do

not what you would do but what you would have them do.
I claim no insight,

but even the light you reveal burns unclean.

4
Despair and its siblings fall to mind.
Scarcities: clean water, air, the simplest meal

when ashes swirl and fingers burn long after
the rain. My son, my son,

and other cries lost in the sand.
If he listened what sounds could he bear,

what sights, which odors? I tremble and lie still.

* * *

“Elegies for the Night” first appeared in Boston Poetry Magazine in April 2014.

 

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Self-Portrait as Border

 

Self-Portrait as Border

Some rivers shift course, but
I stand firm, a nexus of rejection,
that line denoting separation of north
and good, evil and south, dark and
white. Welcoming no one, I stand
guard, opposing all with my flag
of diminishment. Squint, and you
still can’t see me. Your bare feet
won’t stir my dust. I am nowhere,
but remain here — that feeling of
prideful despair, strong, resolute,
inflexible foe to all who dare cross.

 

“Self-Portrait as Border” first appeared in October 2018 in Minute Magazine. Many thanks to the editors for taking my poem.