ENSO: PLEASURE IN ABSENCE OF ENDING

Ensō: Pleasure in Absence of Ending 

Thoughtful, proposing not end, but process.

In this noon’s grayness I disclose my need.

Which is a lotus floating in your pond, a clutch of zeros
blooming in moonlight. Last night’s missing sleep.

An ending, by definition, concludes.

But what occurs in a circle’s body, or infinity’s border?

Imprecision acknowledged, I sip wine and gauge distance.

Take comfort in the disorderly.

Starting at the top, the brush moves down and right,
clockwise, then rising in opposition, halts.

Drifting, incomplete, I step back.

Some leave a gap; others do not.

* * *

This first appeared in Posit: A Journal of Literature and Art in September 2017, and may be found in my full-length collection Our Loveliest Bruises, recently published by 3: A Taos Press.

Recording of January 21st Zoom Poetry Reading

Black Dog Poetry Open Mic 2025

A video of the January 2025 Black Dog Poetry Open Mic may be found here. The passcode is: M51?8Ht0

The last character of the passcode is a zero. I’m grateful for having had the opportunity to celebrate the publication of my first full-length collection, Our Loveliest Bruises, among the company of so many friends and readersI. Thank you!

Reminder for January 21st Zoom Poetry Reading

Black Dog Poetry Open Mic 2025

I’m thrilled to announce that I am the featured poet for the January 2025 Black Dog Poetry Open Mic. Many thanks to Sandy Coomer, co-host of the reading and the founding editor of the Rockvale Review. I am especially grateful for this online venue, as my health prevents me from participating in the numerous in-person readings traditionally required to launch and celebrate the publication of one’s first full-length collection. Our Loveliest Bruises is the culmination of much labor, exasperation, love, encouragement, luck and persistence, and I cannot adequately express my gratitude for this opportunity. Thank you!

Please note that an open reading follows my presentation. Poets are requested to present one brief poem. If you’re interested (and I’m talking to you, poet friends), please let me know and I’ll provide contact information. Black Dog Poetry Open MIc has a FaceBook page, where details can also be found.

Two Poems at Lucky Lizard Journal

Lizards

My apologies to Caidan Walker and the Lucky Lizard Journal team. I somehow neglected last month to acknowledge their fine publication, in which two of my poems appear. Thanks very much for taking my pieces!

Shō Poetry Prize Winner

Sho Prize

I’m thrilled and honored to have received the inaugural Shō Poetry Prize for my poem “The Starlings Were You.” Persistence is key—this poem was rejected 28 times prior to winning the prize. If you believe in your work, keep sending it out!

Shō Poetry Journal is a print journal, but they’ve authorized me to post a photo of the poem:

Starlings Were You

Many thanks and much appreciation to Dominique Ahkong and Johnny Cordova for selecting this piece.

Announcing January 21st Zoom Poetry Reading

Black Dog Poetry Open Mic 2025

I’m thrilled to announce that I am the featured poet for the January 2025 Black Dog Poetry Open Mic. Many thanks to Sandy Coomer, co-host of the reading and the founding editor of the Rockvale Review. I am especially grateful for this online venue, as my health prevents me from participating in the numerous in-person readings traditionally required to launch and celebrate the publication of one’s first full-length collection. Our Loveliest Bruises is the culmination of much labor, exasperation, love, encouragement, luck and persistence, and I cannot adequately express my gratitude for this opportunity. Thank you!

Please note that an open reading follows my presentation. Poets are requested to present one brief poem. If you’re interested (and I’m talking to you, poet friends), please let me know and I’ll provide contact information. Black Dog Poetry Open MIc has a FaceBook page, where details can also be found.

Poem Up at River and South Review

phone

I’m pleased to announce that my poem “Waiting for the Call” is live at River and South Review. Many thanks to managing editor Alexandra Thomas and the River and South Review team for taking this piece, another in my series of hendecasyllabic poems.