Cardinal

 

Cardinal

Question: what is air if not
the means by which we

see and feel? Sound creates only
itself, another version of the original

sense. I move from shadows to a deeper
darkness, hoping to find that point where absence
ends. But there is no end, only

continuation, a cry for those
who offer their hands in ambiguity. Sometimes
a cardinal’s call fills our

morning with questions. So
little of all we touch
is felt. We are the air. The air is.

 

 

Another poem from the 80s. I was obsessed with birds even back then…

Poem Up at Cacti Fur

 

My poem “I Danced with a Platypus Twenty Years Back” is up at Cacti Fur. It was originally drafted during the August 2016 Tupelo Press 30-30 challenge. Many thanks to editor Jim Thompson for taking this poem, and to Kris B. for sponsoring the poem and providing the title.

Scarecrow Dreams

 

Scarecrow Dreams

If by night I move without aid,
what then? Precious flesh, precious
bone, never mine to lose – the difference
between nothingness and no thing. A
pity that my friends fly at the merest
movement, but when the air’s breath
stills, they sing and rattle among the
grain, scribing their days in song
and footprints, seeking the available
on the ground. And what scrolls lower
than the sound of sunflowers turning?
The laughing daughter runs around
my lattice spine, scattering joy like so
many seeds, and when my hollow
fingers clench, the earth quivers, or
so it seems. Then midnight returns
and I disengage and stalk about,
scaring rodents and their predators,
hooting in harmony with the owls
reveling in the night air, remembering
the holy shirt, a yellow glove, corn
silk’s gleam at noon and the warmth
of your fingers against my burlap skin.
I do not breathe, I say, but I exist. By
morning what joins me but the tune
of yet another bird, unseen, melodious,
the pulse of morning’s dew. Eternity.
How my straw tongue longs to sip it.

 

“Scarecrow Dreams” first appeared in the summer 2017 edition of Eclectica. Many thanks to poetry editor Jen Finstrom, for publishing several of my scarecrow poems.

In Gathering Light

In Gathering Light

1

I sit in darkness
my back to the words
gouged in stone

and wonder what
phrase the stars will
utter tonight,

what wisdom
one finds in dreams

or the widening circles
of the hole that was
there
in water,

in earth, in the common tongue
of all things.

The tree speaks
a different language.
I hear

whispers, a bone-flute’s
whistle, the sound of metal
striking dirt striking

wood,
but nothing, no words
I can gather.

2

I have lost my shadow
among the weeds
of this place.

Somewhere
it wanders,

a thin, grey shape
waiting for light to give birth

to the blackness
I call friend,

itself, shadow.
My fingertips trace
the lines, hoping

to draw something
from the stone –
an unknown word,

the druid’s
small bag of dreams,
the lyrics of the stars.

 

* * *

Another poem, another artifact from the mid-80s, just rediscovered.

The Art of Flight

DSC_1050

 

The Art of Flight

What wings accumulate is not air
but space, an exemplar

of restraint defied. I listen
and hear feathers

ruffling in the shadows,
a vibration that swells

until it becomes flight or
regret, the retrieval of our

bodies from this dream of ascent.
The art of flight is one of

disturbance, of angles and lift
and touching what can’t be seen.

What we hold carries no meaning.
The beauty lies in the gathering.

 

file000141329806

 

I wrote this piece in the mid-80s, and posted it here in 2015. I’d forgotten about it, until I found the original moldering in a box of old papers. It’s okay, for an artifact from another life…

Untitled from the 80s

Another untitled poem from the 80s…

wood and water
the wave of
fragrance so perfect

we seek to
obtain it as
if we could

be windows open
to a light
the gentlest cloud

would obscure still
spreading like one’s
final exhalation which

travels only to
disperse and become
at last another’s

This first appeared here in June 2017.

 

Bonsai

Bild

 

Bonsai

no feature enhanced
but beauty of
the whole and

its container the
tree is not
deprived and grows

as it must
though slowly like
a wave which

gathers itself for
years there is
no completion only

process a lapse
which presumes the
most delicate design

 

Asia_tree240000

Originally published in Aileron in 1988, “Bonsai” first appeared on the blog in December 2014.