My poem “Ashes,” which appeared in Extract(s) two years ago, has been reprinted on The Reverie Poetry Journal‘s blog:
My Poem “Ashes” Reprinted on The Reverie
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Category Archives: Poetry
(Hotel Eden) In Full Light We Are Not Even a Shadow
(Hotel Eden) In Full Light We Are Not Even a Shadow
Which is to say clarity persists in
increments, in the silent space between
color and lens, within parables seen
in the incomplete: straw, hand. Imagine
white valued more than manner as hidden
thought remains obscured. Lower your eyes, lean
forward. Perspectives tilt towards the mean,
suggesting purpose. When we examine
intent, do we find it? The irony
of bottled cork, of sullied paradise,
a coiled wire, the parrot whose voice,
unheard, implicates us. What felony
must we commit to admit the device
in play? Pull or release? The mimic’s choice.
Notes: “In full light we are not even a shadow” is a line from Antonio Porchia’s Voices.
Hotel Eden is the title of a piece of art by Joseph Cornell. An image may be found here:
http://www.wikiart.org/en/joseph-cornell/untitled-the-hotel-eden-1945
2nd Poem for Bonnie Mcclellan’s International Poetry Month
My poem, “Window Open, Closed” is the February 28th offering on Bonnie Mcclellan’s International Poetry Month celebration:
https://bonniemcclellan.wordpress.com/2015/02/28/window-open-closed-by-robert-okaji/
DRAFT: Ode to A
I’m attending a Tupelo Press Writing Conference this weekend, and thought it would be fun to share the piece I’ve written in response to an assignment. Participants will be exploring Pablo Neruda’s work, and have been charged with producing an ode in the style of Neruda.
Ode to A
I praise your curves
and angles, your
history,
the lift and heft,
those borrowed traces
sprouting from
an ox head
in fetid Egypt,
the dung trails
alive with beetles
rolling their wares
across rutted paths,
under the hooves
of the blind
mouthless cow in
Sinai, morphing
to the early
Phoenician aleph,
its horns
lowered sideways
in a pasture
far from the docks,
as if asking
what next,
where to,
and not in anger
or fear
or sheer bullness,
but with purpose,
like a harrowed field
or cool drink
at the end
of a hot afternoon.
And centuries
later, the horns
lifted again,
but only halfway,
as if in greeting
the man with the
goods-laden cart,
saying welcome,
traveler,
welcome to my
humble home,
please share
my bread
and soft cheese,
these grapes,
this wine, too.
But how alone
my tongue feels
in singing your name,
never touching lip
or roof of mouth,
worshipping
the apex of your rich
furrow, forever
plowing forward,
yet failing,
fallow at every turn.
And I have
not yet mentioned
your lower
case,
kneeling and
well rounded,
a bud, a tender
shoot bridging
two stones
in a dry
plot: oh, to be
that tongue
and palate,
those lips
surrounding you,
to be your
consonant
in a field of vowels.
Mole (Pipian)
Mole (Pipian)
Always the search beneath texture,
layers captured in subsidence,
the drift to interpretation: a mixture, meaning
sauce, and its journey from seed to mouth,
the careful blend of herb and fire,
dismembered chiles,
the crushed and scorched fruit
rendered to preserve for consumption
the most tender qualities
and their enhancement towards art.
This is of course not about the mammal with the subterranean lifestyle, but rather a version of the Mexican sauce, pronounced “mo-lay,” which includes, as a main ingredient, pumpkin seeds. It takes a while to put together, but is well worth the effort.
And to Sleep
And to Sleep
and what we
sense if not
of our selves
or within this
space we contain
may be of
no thing touched
by one’s fluttering
eye as if
awake we see
even less the
dreams of course
real though we
hold them only
in our sleep
Tarantula
Tarantula
The patience of stone, whose surface belies calm.
Neither warm nor cold, but unfeeling.
It digresses and turns inward, a vessel reversed
in course, in body, in function, the
outward notion separate but inclusive,
darkness expanding, the moist
earth crumbling yet holding its form:
acceptance of fate become
another’s mouth,
the means to closure and affirmation
driven not by lust nor fear
but through involuntary will.
Neither warm nor cold, but unfeeling.
The patience of stone.
Poem for Bonnie Mcclellan’s International Poetry Month Celebration
My poem “Giving Time” is today’s offering in Bonnie Mcclellan’s International Poetry Month Celebration:
https://bonniemcclellan.wordpress.com/2015/02/17/giving-time-by-robert-okaji/
Requiem
Requiem
That it begins.
And like a wave which appears
only to lose itself
in dispersal, rising whole again
yet incomplete in all but
form, it returns.
Music. The true magic.
Each day the sun passes over the river,
bringing warmth to it. Such
devotion inspires movement: a cello in the
darkness, the passage of sparrows. Sighs.
The currents are of our own
making. If we listen do we also
hear? These bodies. These silent voices.
The Language of Birds
The Language of Birds
(for Lydia)
Something thrown beyond
light: a stone,
words. The language of birds
evades us but for the simplest
measure. And how can we comprehend
those who live with the
wind when our own
bodies seem far away? In the darkness
certain sounds come clearer, as if in
absence one finds strength, the evidence
gathered with every breath. Speech is,
of course, not the answer. We release
what we must, and in turn are released.
Another oldie dug out of a folder. I wrote it for my niece perhaps twenty-five years ago, and don’t believe it was ever published. It feels good to finally release it to the light and air.
