
My poems “Barstow,” “Even the Darkness,” and “As If We Understand the Tree” are live at Hibiscus https://www.hibiscusmag.com/the-poetry-vase. Thank you, editor Jackie Bluu, for taking these pieces.

My poems “Barstow,” “Even the Darkness,” and “As If We Understand the Tree” are live at Hibiscus https://www.hibiscusmag.com/the-poetry-vase. Thank you, editor Jackie Bluu, for taking these pieces.

In April 2023 I was diagnosed with late stage metastatic lung cancer. The cancer had spread to the lymphatic system, the brain, the liver and the pelvis (actually fracturing bone). The large lung mass was also responsible for partially paralyzing my vocal cords, in addition to affecting the heart, resulting in the implantation of a pacemaker. While the prognosis (not good—it’s terminal) and timing (uncertain) remain unchanged, I feel much better than I did when first diagnosed.
All this is to say that I admit to being surprised (though grateful) at my ongoing existence.
And I continue celebrating this persistence, despite certain setbacks. Lately, food has not appealed to me. Oh, I’m still eating, but food has become fuel rather than edible joy. I’m the guy who gets excited about red pepper paste, about finding mayacoba beans or za’atar seasoning on grocery shelves. Several months ago Stephanie and I were meandering (but not in a mazy motion, as in Coleridge’s Kubla Khan), in between medical appointments, the aisles of a store when I spotted a treasure. “Ooh, cornichons,” I exclaimed in my outdoor voice. I grabbed a jar, and babbled on, as I do, about how I needed them to make Julia Child’s potato salad. Stephanie looked amused, because, well, she’s used to my food enthusiasms. The potato salad was excellent, by the way.
But for the past six weeks or so, I seem to have lost this enthusiasm. Nothing has appealed to me. Or if it appealed to me before I started cooking, by the time I pulled it out of the oven, I no longer wanted it. Except last weekend, a brownie recipe slipped into my email inbox, and I simply, absolutely, inevitably, needed brownies. So I baked them. Dark chocolate, a smidgeon of espresso powder, chopped walnuts. THE BEST EVER! Perfect crust, crunchy exterior, moist, soft interior. Yum. It appears that my food enthusiasm isn’t entirely moribund. Perhaps I’ll become a baker. Maybe not.
But as this is a poetry blog, I should mention something about poetry. During the past year, knowing that my time is limited, and that if I want my poems to be published, I must send them out, I assembled several manuscripts: a couple of chapbooks, a micro-chapbook, and a second full-length book. The long and short of it is that within the next year, I’ll have had published, by five separate publishers, two full-length books, two chapbooks and one micro-chap. After so many years of accumulated rejections, this level of success is unprecedented. And very welcome! Something to celebrate! If only there were brownies…

My poem “Collision” has been published in the “Secret Menu” issue of Mid-Level Management Literary Magazine: https://midlvlmag.com/robert-okaji-collison/. Thank you, Tim, James, Shannon and Tiffany for accepting this piece.

My poem “In Praise of Gravity” has been published at https://oneartpoetry.com/2024/07/20/in-praise-of-gravity-by-robert-okaji/. Thank you, Mark Danowsky, for accepting this poem.

Somehow, I missed this, but in late April my poem “These Upright Nights” was published by Broadkill Review. Thank you, Jamie Brown, for accepting this poem, which is another of my hendecasyllabic series.

My poem “Can’t I’m Booked” is live at https://thecandidreview.org/cant-im-booked/. I am grateful to the editors for taking this piece, and to Joanna Drake for providing the title way back in 2016. It took a while to find a home for this poem…

My poems “Scrambled Eggs” and “Side Effect” are live at issue two of The Calendula Review: A Journal of Narrative Medicine at CNU College of Health Sciences. I am grateful to the editorial team for taking these pieces, which are from a series of hendecasyllabic poems (eleven-line poems, each line of which consists of eleven syllables) begun last fall.
I am thrilled to report that my chapbook, Scarecrow Sees, will be published in early 2025 by River Glass Books, the literary imprint of EcoStudio Foundation, a 503(c)(3) non-profit organization uniting conservation, education, and the arts for a more just world. The book will be published in a limited edition of about 100 copies, and is available for order at: https://riverglassbooks.com/product/scarecrow-sees/
Proceeds will be used to support the Mandari Panga community in the Ecuadorian Amazon basin. You may read more about this endeavor here: https://ecostudiofoundation.org/artists-for-climate-justice/
The fabulous Stephanie L. Harper will be providing the cover art!

My poem “Cyclops Dreams” is live at issue three of the South African journal, Hotazel Review. Thank you to editor Linda Mostert and her team for taking this piece.

My poem “Upon discovering that my cat moves through multiple worlds leaving a trail of tumbled objects in significant patterns” is live at Panoply. Of particular note in this issue is an in-titled poem by Stephanie L. Harper (in-titled poems are composed exclusively of the letters appearing in the title) which happens also to be a Petrarchan sonnet. The level of masochism required to produce such a poem is, well, high, to say the least. But then she married me, so… Many thanks to editors Andrea, Clara, and Jeff for taking this poem, and to Sun Hesper Jansen for providing the title during a fundraiser several years ago.