Poem Ending with a Whimper

 

Poem Ending with a Whimper

The best liar wins.

You can’t stop talking
and the truth embedded in strands
frays with each word slipping
from your cruel mouth.

If I tilt my head just so, I see God.

Or what passes for God at the periphery:
a fly stain on the window, the redness
at the eye’s corner, the shrike’s beak.

Silence fills me daily

and trickles out in utterances and sighs
meant only for you.

Who lies best?

I look to the ground for answers.

What replies is a tail between its legs,
a headless shrug,            a whimper.

 

 

“Poem Ending with a Whimper” was published in Volume 3 of Lamplit Underground. Thank you, Janna Grace, for taking these pieces.

Lamplit Underground is a beautifully illustrated publication. Please take a look!

 

Take Another Piece of My Heart

 

Take Another Piece of My Heart

Perhaps the left ventricle, or the anterior descending
vein. No matter which you grab, I’ll not survive
the seizure, but is that not the point?  And which coin
will you place in my mouth to ease the passage across
the river Acheron? Or will I remain on the banks,
neutral and overlooked, forgotten. If this river is woe,
I serve its pride. I wear its banner. Do you recall the
butcher’s bill from that last flight? Sixty innocents,
including children. How many more must we tally
before admitting to the futility of perpetual war?
An acquaintance on the ground that day saw the
flash and immediately thought there are no mistakes,
just as I, from my box in Nevada, admitted, too, that
no mistakes occur, a synchronicity joined in death
and its production. I no longer employ euphemism.
When my coworker’s eyes crinkle and he laughs
about weeding the lawn of fun-sized terrorists,
I see bloody children, mangled flesh, smoke and
flame. I kill from comfort and afar. This is my life.

 

 

* * *

“Take Another Piece of My Heart” was published in Ligeia’s Winter 2019 edition.  Many thanks to poetry editor Ashley Wagner for taking this poem. I’m also grateful to Tami Wright for providing the title and sponsoring “Take Another Piece of My Heart” in the August 2016 Tupelo Press 30-30 fundraiser.

 

Magic (with recording)

tophat

Magic 

You give me nothing to hold, and for this
are blessed. Devotion

is a mirror and breath, one
solid and illusory, the other
needed yet expelled, taken, dispersed.
Which begs another question
not relying on tricks.

“Who traces names on the sheets?” you ask.

I roll up my sleeves and say “Words
conceal what the glass cannot.”

Source becomes deed, becomes habit.
In your hand a stone, a dove, the unbroken ring.

* * *

“Magic” is included in my chapbook, From Every Moment a Second, and was first published in Taos Journal of International Poetry and Art.

Moonwalker

 

Moonwalker

The night’s face, pocked with stars.

In the stellar wind, we soar.
From this pale light,

acknowledge insignificance, watch
the blue spinning so far away, so close.

I am that finite point

of nowhere, of nothing, wondering
when the sun will truly darken,

if I will see tomorrow, today.

 

* * *

“Moonwalker” first appeared in Ligeia’s Winter 2019 edition.  Many thanks to poetry editor Ashley Wagner for taking this poem.

And: A Mythology

 

And: A Mythology

Balancing the chair on two legs,
you claim no past,
and gravity,
though complicit in the future,
aligns itself with the mass.
No connections fuse the two.
Or, lying there, you bridge gaps,
clasping hands with distant cousins,
awake in the moment
yet ready to drift and continue,
a solitary seed awaiting nourishment,
steady, existing only between.

 

“And: a Mythology” first appeared in May 2020 at Literati Magazine. Many thanks to editor Renée Sigel for taking this and several other pieces.

.

This Turning

turning

 

This Turning

what one says
depends not on
words the wind

begins it does
not end but
lends itself to

an end this
turning may be
an answer the

sound of intent
so concealed a
word displayed is

only a word
not an end
nor the beginning

 

magnets

Another oldie from the eighties. It seems that even my poetry was thinner then.

You Say Cicada, Which Shrivels My Ears

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robert okaji's avatar

 

You Say Cicada, Which Shrivels My Ears

I say cicada, the difference lurking in the middle,
like the shortest dancer in an off-Broadway musical,
or a note hidden between two reams of legal paper
in the supply room of a well-appointed dentist’s
office, where you find yourself, by accident, searching
for the exit. But think how our sap-sucking friend must
feel, a foot underground, during its final instar phase,
reversing course, leaving behind the darkness
and moist roots, burrowing up through the soil
toward light and the shrug into maturity. And after
that, squeezing through a crack in what had been
itself, emerging, soft and vulnerable, slouching to the
inevitable call. I think of ecdysis, how we, too, shed
ourselves, leaving behind remnants, old skin and
armor, and rising, on occasion, wiser, softer, more
complete. But sometimes we try to reenter those
discarded shells. My acquaintance searches through
the past for bits of himself, purchases toys – marbles,
pocket knives – stitching together a semblance of the
old comfort. He keeps, in one jar, three teeth from his
childhood, in another the exuviae of a half-dozen
scorpions. How delightful it would be, he says, to
abandon your hardened self and become someone
new. He looks to the ground. I nod, and whisper.

 

 


“You Say Cicada, Which Shrivels My Ears,” appeared in the inaugural issue of Claw & Blossom, in July 2019. The poem was originally written during the August 2016 30-30 challenge. I’m grateful to Sunshine Jansen, who sponsored the poem and provided three words to be included in the piece: instar, ecdysis, and sap-sucking. Thank you, as well, to editor C.B. Auder for accepting the poem.

 

 

Pain (Haibun)

Pain

Pain reminds me that I’m breathing, still able to appreciate the fragrance of French roast coffee brewing, the diced red pepper, onion and jalapeño mixture sizzling in the pan. Today is a good day. When I roll out the dough for the onion tart, the leg barely protests, and as I sip ginger tea while the tart bakes, no throb interrupts my pleasure.

Sometimes the hip shocks me with its barbed lance attack, or the knee rasps “not today, sonny,” and I grimace, concentrate on deliberate forward movement, one short step followed by another, into the kitchen or down the steps to the shack.

Music soothes, as does poetry, but occasionally the weight of the guitar is more than the leg can bear. Still, when I manage to lose myself in a tune or a few phrases, I drift in their currents, weightless, free.

Oh, to climb that hill
among those lost maples
Look — my shoe’s untied

* * *

“Pain” first appeared in The Zen Space in July 2018.

Poems Up at Tistelblomma

 

 

My poems “Never Enough,” “Lace Cactus” and “Love Note” are live at Tistelblomma, a new publication out of Sweden. Many thanks to editor Jenny Enochsson for taking these pieces.

 

 

Dragging the River

 

Dragging the River 

Knowing the truth of it, he marvels
at the red grape’s resiliency,
how it contains itself even after
a fall. What matters, what doesn’t.
Those simplistic thoughts
dissipating in the coffee’s sad
swirl. And what they wanted,
truly wanted, even more than
that first plunge of lips to private
flesh or the forbidden highlights
in the book of dreams never to
be opened. He looks over the side,
but can’t divine the message
in the brown ripples. A wine bottle
bobs by, followed by an inflated vest
and two snarled branches. Everything
revealed in its time.

 

 * * *

“Dragging the River” first appeared inMay 2019 in The Elixir Magazine out of Yemen.