Baking Bread

 

Baking Bread

I would knead you in the afternoon,
in the warmth of a still room,
starting high at the shoulders,
one finger sliding down your spine,

my lips following, tracing the path
of a hummingbird’s flight. Oh, my love,
circumstance and distance, floods and
wildfires, will never truly douse our light.

I wait as the dough rises, and think
in the languages of yeast and water
and flour and salt, how my hands

will feel at your waist, how our day
falls into night, our love firming,
ever expanding through the rising heat.

* * *

“Baking Bread” first appeared in Ristau: A Journal of Being in January 2019. Many thanks to editor Bob Penick for taking this piece.

Roof Charm

roofmoon

 

Roof Charm

What is home if not exile to the familiar?

A serrated kiss at the closet door.

We duck our heads and cook meals undercover,
the sun’s rays deflected.

And every relentless     day finds
our hands     wanting.

The black shawl, unfolded.
Wax melted on the whetstone.

You say stars shiver despite their light.

You say one hand      mirrors its mate’s      arc.

I say warmth flows through you, the roof     our sky.

 

glare

 

“Roof Charm” made its first appearance here in June 2016.

 

While Blowing on the Shakuhachi I Think of Birds

While Blowing on the Shakuhachi, I Think of Birds

Yesterday’s sorrow
dissipates in joy.
Though you are not here, I hear your voice,

blow a solitary note in response.
Your philosopher bird carries it to you,
two-thousand miles away,
as the wren brings your song to me.

This is love today
and tomorrow, 
embodied in birdsong and faith.

Next week I will know your touch
as you will mine.

We’ll follow our lists,
starting with lips, while the universe
surges around us, filling the voids we never saw.

Needs, answered.

Perhaps the world will end.

Perhaps the red-tailed hawk will follow its nature.

Perhaps I will stand on the roof and shout your name.

But today, this little bird nesting in all the unsaid spaces,
is all I have, little mouth flickering, forming moons and

new mornings, new shadows, new light.

* * *

“While Blowing on the Shakuhachi I Think of Birds” first appeared in Voices de la Luna in March 2020.

In the Fifth Chamber Lies the Hour’s End

pump

 

In the Fifth Chamber Lies the Hour’s End

To fairly allocate irrigation resources, the Persians measured time with water,
sinking a bowl in a larger vessel and tallying the count with pebbles.

And what is time but counting, determining the number of units within a set?

The sum of beats between silences and their diminishing echoes?

Its symbol in the West grew from fig and ivy leaves, while early medical
illustrations depicted pine cone-shaped organs.

In most reptilians, the aorta receives only oxygenated blood.

Qanats pump by gravity. The hagfish’s second resides in its tail.

Recognize the empty as full. Squeezed shut, we open.
Contraction and flow, ejection, inflow, relaxation.

Emotion as electrical impulse. Murmuring valves. The color red.

The fifth chamber remains silent and undetected.

The primitive fish’s chambers are arranged sequentially, but in an S-shape.
Ancients believed arteries transported air through the body.

The Buddhist figure, too, originated in leaves, symbolizing not love

but enlightenment. The ache of failure confounds us.

 

mechanical heart

“In the Fifth Chamber Lies the Hour’s End” was first posted here in May 2016.

 

The Ecstatics

chimney


The Ecstatics

Divisions and separations, a summing of consequences,
the brother whose ashes remained forever lost. Two cities
and their survivors’ shame. The loud, kind young man
whose words fell to the restaurant’s floor, unbidden.
What came next in the drift, untoward and misspent,
in the grammar of between? Darkness, suppressed.
Smoke. Pleasure and fear, unclothed.


sorrow bw

“The Ecstatics” first appeared here in January 2016. It’s an odd piece, part of a larger sequence that I put on hold several years ago. Perhaps I’ll return to it someday.

Story Up at Spoonie Magazine!

Article by Stephanie L. Harper:

Story Up at Spoonie Magazine!

http://slharperpoetry.com/2022/08/03/story-up-at-spoonie-magazine/
— Read on slharperpoetry.com/2022/08/03/story-up-at-spoonie-magazine/

A must read! Poignant and illuminating, and so true.

Bread

OLYMPUS DIGITAL CAMERA

Bread

That year we learned the true language of fear.
I baked boule and you haunted medical sites.

You said to arrive I must first depart
or be willing to suffer self-awareness. Let’s not

mention our pact just yet. My basic boule requires a
Dutch oven, 20 ounces of flour, water, yeast and salt.

At twenty I learned the finer points
of sausage-making, how to butcher chicken, and

that your hair smelled like dawn’s last flower.
Back then we owned the night. Now I harvest

wild yeast and sharpen pencils, make to-do lists,
pour Chianti, run numbers. I agreed

to your proposal. It would be a kindness, you said.
The pancreas produces hormones

and aids digestion. I chopped off my left thumbtip
and a year later the abscission point

still felt numb. After rolling the dough
into a ball, let it proof for an hour in an oiled bowl.

We shared a taste for sharp cheese
but never agreed on pillows. You loved

down comforters and found vultures fascinating.
Years together honed our lives

but we never considered what that meant. Score
the dough, bake it for 30 minutes with the lid on,

remove the lid and bake for another 15.
Kneading resembles breathing: in,

out. Rise, fall. Bright lights made your eyes water,
so I kept them dimmed. You swallowed

and said “Tell me how to knead bread.”
With the heel of your right hand, push down

and forward, applying steady pressure.
The dough should move under your hand.

Within minutes it will transform.

 

* * *

“Bread” was first published in Extract(s) in April 2015.

pillows

Poems Up at One Art

Rubble

My poems “Neither Grace Nor Body,” “Beyond Accidental,” and “Less Than Absence” are live at One Art. I am grateful to editor Mark Danowsky for taking this trio.

A Cheese Omelet at Midnight

cracking eggs

 

A Cheese Omelet at Midnight

You can’t ever leave without saying something,
no matter how insipid. That sweater looks good
on you. It’s supposed to rain tomorrow. I’m sorry
I burned the omelet. Nasdaq has plunged 3% 

since last week. And I, in return, can’t let you go without
replying in equal measure. It matches your eyes. I love
to smell rain in August. That cheddar was delicious.
Maybe I’ll start a savings account. Next month.

So I wash dishes when you’re gone, wipe down the
counters, pour salt into the shaker, grab a book, join my
cat in bed. This tune’s been overplayed, the grooves’re
worn down. Maybe next time I’ll say what I mean,

tell you what I want: It would look better in a heap
on the floor. How about a shower here, tonight? Kiss
me and I’ll never think of it again. I don’t give a rat’s
ass about the stock exchange. Step away from that door!

I’ll make your lunch, butter your 7-grain toast, assemble
your IKEA furniture, balance your books, even dye
my hair pink, tattoo a pig on my thigh and drink light beer
in your honor, if you would agree to say what’s on your

mind. On second thought, don’t. Tell me, instead,
what I want to hear, but make it heart-felt. Truthful
and direct. Poached but earnest. Hard-boiled but tender.
I’ll cook your eggs. Invest in me. You’ll earn interest.

 

* * *

This originally appeared in August 2015, as the 25th offering in the Tupelo Press 30-30 fund raiser. Thank you, Pleasant Street, for sponsoring this.

 

Asparagus omelet MGD©

Something Lost, Something Trivial

broom

 

Something Lost, Something Trivial

Another word, another bewildered
moment in transition: the phrase
barely emerges from your mouth
before crumbling back into a half-opened
drawer in the loneliest room of a house
that died seventeen years ago.

I nod as if in understanding, and stoop
to pick up a crushed drinking straw,
the kind with the accordion elbow
that facilitates adjustment.

From a rooftop across the street,
a mockingbird warbles his
early morning medley of unrelated
songs, and you say left oblique,
followed by matches, then
collapse on a bench,
winded. I sit next to you

and we both enjoy the warmth
and birdsong, though I know
this only through the uplifted
corner of your mouth, which
these days is how you indicate
either deep pleasure or

fear. I have to leave soon,
I say, and you grab my wrist
and stare into my eyes.
Broom, you reply. And more
emphatically, Broom!

Though I cannot follow you
directly, knowing both path
and destination, I pick my way
carefully through the years
stacked high like cardboard
banker’s boxes stuffed with
papers and receipts no one
will ever see. I know, I say.
I love you, too. Broom.

 

* * *

“Something Lost, Something Trivial” was published in January 2016 in the first issue of MockingHeart Review. Many thanks to founding editor Clare L. Martin, for her multiple kindnesses.