Self-Portrait with Knife
Lacking benefit of prayer or belief,
it slips through flesh,
praising its temerity. Or,
parting the onion’s core, reclaims
the right to weep.
How many nights have we shared
these pleasures? I smooth the blade
with steel, listening to the fine hum.
Chipotle
Sometimes it pauses and the light
translates what we’ve lost,
momentarily framing the taste
entering our bodies through
mouth and nose and eye,
the knowledge of dissolution
enhanced. One bite
and it all returns: fire, peat,
water, the retracted
flesh become another’s
endeavor, as if giving form
to the world of air.
Without remorse,
we steal its most intimate self.
Japanese Gardens
how natural the
lines falling so
purely as if
with a single
stroke we walk
through the opening
and see space
the white center
composed of sand
and gravel later
a gate opens
to another garden
its lantern and
stone so carelessly
arranged so deliberate
I’ve three poems appearing in The Blue Hour Magazine:
http://thebluehourmagazine.com/2014/12/28/3-poems-by-robert-okaji/
The sonnet was written a dozen years after the others, but seemed to mesh with them in some strange way…
Bonsai
no feature enhanced
but beauty of
the whole and
its container the
tree is not
deprived and grows
as it must
though slowly like
a wave which
gathers itself for
years there is
no completion only
process a lapse
which presumes the
most delicate design
Originally published in Aileron in 1988.
Inquisition
1.
I breathe smoke
from the fire
warming our feet
Something is not right
but not wrong
yet
like the bones’ dance
on wires
in a bad dream
Fear’s sharp blade twists
burning with the slow
heat of coals
2.
I cannot read ashes
the message
of cracked stones in desert light
nor the poetry
of the cow’s skull
white on dark sand
What right has a man
And the snake’s
quivering tongue tasting
what the air brings to him
One of my earliest published pieces, this first appeared in Taurus, in 1984. Curiously, this is not the piece that I remembered having been published in Taurus. I wonder if that poem still exists somewhere? Such is memory…
Tree
where you go
the wind follows
as if no
choice remains but
that of sun
and oak an
attraction such that
limbs curve to
light a certainty
which cautions us
to intrude lest
we lose all
sight and sense
of beauty you
are this tree
Landscape
Utterance
within the parameters set
by form
expressionless
save motion
the lone branch
brought to the fore
and in the distance
stock ponds collecting rain
the word is
forget, as in the imperative
as in function, as in
you must have
Hummingbird
The thought makes
trembling so
incomplete, a consequence
of knowledge attained. I look out
and see leaves flitting in the dusk,
the air closing around them
like the mouth of an old well
swallowing light. Such
hunger we find difficult
to comprehend. The wind shivers
through our lives and repeats itself,
though differently each time.
Every departure is a return.
Apricot House (after Wang Wei)
We cut the finest apricot for roof beams
and braided fragrant grasses over them.
I wonder if clouds might form there
and rain upon this world?
The transliteration on Chinese-poems.com reads:
Fine apricot cut for roofbeam
Fragrant cogongrass tie for eaves
Not know ridgepole in cloud
Go make people among rain
O at the Edges 