My poems “Unwinding the Snake (after Linda Gregg)” and “Water Strider” are live at ONE ART: a journal of poetry. Many thanks to editors Mark Danowsky and Louisa Schnaithmann for taking these pieces.
Poems Up at ONE ART: a journal of poetry
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Tag Archives: nature
Ikebana
Ikebana (You without You)
Between frames, between presence and negation, authority.
If your body lies in the earth, why are you here?
Limits admired and sought: the way of the flower.
I pluck leaves from the lower half to achieve balance.
Shape and line detach, yet comprise the whole.
My father, awake in his chair, mourns quietly.
A naked twig forms one point of the scalene triangle.
Starkness implies silence, resonates depth.
Heaven, earth, man, sun and moon invoke your absence.
As you trickle through the interval’s night.
* * *
Ikebana is the art of Japanese flower arrangement.
This first appeared on the blog in March 2016, and is included in my mini-digital chapbook, Interval’s Night, published by Platypus Press in December 2016, and available via free download.
If You Drop Leaves
If You Drop Leaves
If you drop leaves when she walks by,
does that signify grief for those
cut down early,
or merely drought?
How easily we abandon and forget.
Yet a whiff of lemon verbena or the light
bouncing from a passing Ford
can call them back,
tiny sorrows ratcheted in sequence
above the cracked well casing
but below the shingles
and near the dwindling shade
tracing its outline on the lawn.
And what do you whisper
alone at night within sight
of sawn and stacked siblings?
Do you suffer anger by way
of deadfall or absorption,
bark grown around and concealing
a penetrating nail, never shedding
tears, never sharing one moment
with another. Offered condolences,
what might you say? Pain earns no
entrance. Remit yourselves.
* * *
“If You Drop Leaves” was published at Bad Pony in November 2017. Many thanks to editor Emily Corwin for taking this piece.
Self-Portrait as Wave
Self-Portrait as Wave
Feeling limited, I succumb to surge,
disperse, reassemble, return
in the calming swirl. Nothing
resembles me. I relinquish this piece,
retain that, and reinforced,
reside in the whorl, swollen,
winnowed to a point and capped,
roar and rumble, shredded,
whole yet apart, a solitary
fist crashing through another
watery torso in response, in
resonance, again, again.
“Self-Portrait as Wave” was first published in the inaugural issue of Kissing Dynamite. Many thanks to editor Christine Taylor for taking this piece.
Roof Charm
Roof Charm
What is home if not exile to the familiar?
A serrated kiss at the closet door.
We duck our heads and cook meals undercover,
the sun’s rays deflected.
And every relentless day finds
our hands wanting.
The black shawl, unfolded.
Wax melted on the whetstone.
You say stars shiver despite their light.
You say one hand mirrors its mate’s arc.
I say warmth flows through you, the roof our sky.
“Roof Charm” made its first appearance here in June 2016.
Inscrutable
Inscrutable
The river fills her body
like handwriting on a scrap
folded into a book
and found years later.
No one reads that language.
Undiscovered,
she remains closed, cleansed,
awaiting interpretation.
* * *
“Inscrutable” was first published in Volume 3, Issue 1 of Ink in Thirds. Thank you, Grace Black, for taking this piece!
Between
Between
1
Living between, we watch what flows below us shed itself.
And what remains after the drought subsides?
I don’t recall the instance of assignation, of color-imprinted
awareness and stones erupting from the earth,
nor the paper’s texture and the faint odor of chemicals reacting,
but in this moment I embrace bitter coffee, the wrecked-nerve
hammer-strikes pulsing from hip to ankle, squealing brakes
and the rain shallowing morning’s ridge as if to say
enjoy me now
for I may never return.
2
Faith flickers in the wind, darting among the weeds.
Risen from payment, penalty, punishment, revenge, the word pain
establishes justification where none need exist.
Interpreting light and sound, scent and heat, we converse.
The dog shivers in bed and I lay a towel over her,
affixing content to involuntary movement.
Stepping through space, crossing the stream.
Those things we don’t know.
Three feet below me the snake’s head ripples towards the far side,
a V of turbulence dissecting the calm.
Everything that can be contained contains us as we in turn
envelop one another. I take your hand and press forward.
3
Connected, we part, only to return and part again.
My hand stopped inches away and the diamondback slithered off
under the workbench, seeking peace.
Abandoned skin, abandoned words. Even the cactus grows thirsty.
The paradox of becoming what you are not. Today, sitting hurts
and standing provides little relief.
In one of two halves I find myself. In the other, your laughter rings.
Like rumblings of earthen discontent or the hiss of air
exiting waterless pipes, we emerge, aimless, exhausted.
Inhabiting one world, we seek others.
* * *
“Between” appeared in Clade Song, one of my favorite poetry journals, in August 2016.
Steps
Steps
Up or down, it’s all the same.
How the knee or hip strains under the planet’s
surge. Opposite, and unequally felt.
One knows pain, the other does not.
Forever spinning, we remain still,
moving in place. Wanting.
As the heart pumps,
stronger for its labor,
accustomed to the effort.
Shadow’s Tale
Shadow’s Tale
If I call,
will you
reply?
Questions
left unwritten
shape
themselves
like words
we see
but don’t
read. Signs
fade then
reappear,
and the oaks
droop
in the still
heat.
No rain
again. If
you call,
will I
reply?
“Shadow’s Tale” first appeared here in June 2015.
The Bitter Celebrates
The Bitter Celebrates
Mention gateways and mythologies
and I see openings to paths
better left unseen. No choice is
choice,
but preparation leads us astray as well.
Take this bitter leaf.
Call it arugula.
Call it rocket.
Call it colewort or weed.
Dress it with oil and vinegar,
with garlic and lemon.
Add tomato, salt.
Though you try to conceal it,
the bitterness remains.
But back to gates and myths. Do they truly
lead us out, or do we
circle back, returning
to the same endings
again
and again.
Remove the snake, rodents return.
Seal the hole.
Take this leaf.
Voice those words.
Close that door.
“The Bitter Celebrates” first appeared in Amethyst Review in December 2018.
O at the Edges 