At Sunrise We Celebrate the Night’s Passage

sunrise

At Sunrise We Celebrate the Night’s Passage

And discuss not the darkness of crows, but the structure of phonemes
embedded in our names, the gratitude of old fences, of broken

circles and extinguished flame.

Two weeks ago he poured wine and declared himself Dog.

There are roosters, too, who cannot crow,
other speechless men, and lonely burros guarding brush piles.

What letters form silence? From what shapes do we draw this day?

Light filters through the cedars and minutes retract,

as the bull’s horns point first this way, then that, lowering themselves
through the millennia, becoming, finally, A as we know it.

With my tongue, I probe the space emptied of tooth.

Barbed wire was designed to repel, but when cut sometimes curls

and grabs, relinquishing its hold only by force or careful negotiation.
Symbols represent these distinct units of sound.

My name is two houses surrounding an eye.

Yours consists of teeth, the bull, an arm, the ox goad.

barb

Originally published in Prime Number Magazine, one of my favorite online literary journals, in 2013:

http://www.primenumbermagazine.com/Issue41.html

Flowers

IMG_5893

Flowers

How they share our
desires, shape
our days.

Passion to hope,
fingertips to
lips. Some bud

easily, others
struggle. A little
water, light, a kind

voice. Sometimes so
little achieves
so much. Yesterday’s

sunflower droops on
the sill. Today’s promise
arrives with rain.

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Earth

puddle

Earth

Tremor and 
stone

beset upon the calm.

Now water
lines the road’s

bed, and we see
no means to pass.

Even so
you break what falls.

This first appeared in Ijagun Poetry Journal in December 2013, and is also included in my micro-chapbook, You Break What Falls, available (free of charge) for download from the Origami Poems Project: http://www.origamipoems.com/poets/236-robert-okaji


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What Edges Hold

TorilCave

What Edges Hold

By which I mean those lines framed in certainty: the demarcation of sunlight and shadow. Kami signifies not spirit, but rather that force above man.

Never religion, but life itself: the mountains, trees, the rocks. Lightning.

Or waves, thundering off the coast, lured by the moon.

Stirring the water with a spear, Izanagi dripped an island into being.
Separate the ordinary through limitation, by practice, by ritual and space.

Another night in the twisted trees. The god-shelf.

Recognize that wind respects no borders.

Knowing that to the east questions may respond to answers I have long
suspected, I look elsewhere. After the vowel, the consonant. 

Though torii differ in style, each retains two posts and a crosspiece.

After the consonant, the winnowed tunnel, extinguished light.

At the gate, bow respectfully, then enter. Ladle water from right to left, 
then left to right. Pour it into your left hand, then cleanse your mouth.

Invert and regard the precipice.

I have placed one foot in their sphere. The other still searches.

This originally appeared in April 2014 as part of Boston Review‘s National Poetry Month Celebration.

edges

Texas Haibun

Originally posted in February, 2014.

This is my first attempt at a haibun. Please forgive my transgressions.

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Texas Haibun

I dream of poetry in all its forms, rising and flowing and subsiding without end, much like ice shrugging within itself. Last winter a hard freeze split a valve on the downstream side of the cistern. Had it cracked even a few inches up-line there would have been no need to replace the valve.

captive rain recalls
its journey towards the ground
the garden returns

The well terminates at 280 feet. The water is hard, but cool, and tastes of dark limestone and ancient rains.

Even the gnarled live oaks have dropped their leaves. Grass crunches underfoot and smells like dead insects and dried herbs. Mosquitoes have vanished. Only the prickly pears thrive. Their flowers are bright yellow and bloom a few days each year.

sauteed with garlic
nopalitos on my plate
their thorns, forgiven

I wipe sweat from my forehead with the back of the glove, and wonder how many ounces of fluid have passed through my body this year, how the rain navigates from clouds through layers of soil and stone, only to return, how a cold beer might feel sliding down my throat.

stoking the fire
winter rain whispers to me
forget tomorrow

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3 Poems in Shadowtrain

shadowtrain

I have three poems appearing in the latest (and evidently the last) issue of Shadowtrain. Many thanks to editor Ian Seed, for allowing these to hop aboard.

 

Day Thirty-one, Tupelo Press 30/30 Project (last day!)

Rattlesnake sign

“Synapses and Other Conjunctions” is my 31st and final offering for the Tupelo Press 30/30 Project (9 poets agreed to write 30 poems apiece in 30 days, to raise funds for Tupelo Press, a non-profit literary publisher). Many thanks to Luanne Castle, who sponsored and provided the title. Since the 30-30 marathon officially ended yesterday, this poem will appear only on this site, and not on the 30-30 site.

Even though my participation in the 30-30 project ends today, please feel free to contribute to Tupelo Press! Every bit helps (even a dollar or two), and I’ve some other sponsorship opportunities, with corresponding incentives, listed here, which I will continue to honor over the next month.

If you’re so inclined, please visit the 30/30 blog at: Donate to Tupelo. Scroll down to “Is this donation in honor of a 30/30 poet?” and select my name, “Robert Okaji,” from the pull down so that Tupelo knows to credit the donation to me. And please let me know so that I may send a thank you and incentive gift your way.

Thank you for your support over the past month. I promise I won’t bombard you with fund raising solicitations anytime in the near future!

Now here’s the poem:

Synapses and Other Conjunctions

My advice? Wear boots, even among the dead.
Our barefoot friend, having separated the rattler’s
head from its body, picked up the six-foot
length to show off, and stepped back onto

***

Day Thirty, Tupelo Press 30/30 Project (last day, sort of)

imbricated

“Pinecone on a Pedestal, Open Poet” is among the Day Thirty offerings of the Tupelo Press 30/30 Project (9 poets have agreed to write 30 poems apiece in 30 days, to raise funds for Tupelo Press, a non-profit literary publisher). Many thanks to Ken G. / rivrlogr who sponsored and provided the title.

Pinecone on a Pedestal, Open Poet

Look deeper. Within that grain, a mineral,
inside that word, a book
folding into itself,
leaf by leaf…

To read the rest of the poem, click here.

Even though today is the last official day of my participation in the 30-30 project, please feel free to contribute to Tupelo Press! Every bit helps (even a dollar or two), and I’ve some other sponsorship opportunities, with corresponding incentives, listed here, which I will continue to honor over the next month.

If you’re so inclined, please visit the 30/30 blog at: Donate to Tupelo. Scroll down to “Is this donation in honor of a 30/30 poet?” and select my name, “Robert Okaji,” from the pull down so that Tupelo knows to credit the donation to me. And please let me know so that I may send a thank you and incentive gift your way.

Thanks to the kindness and generosity of Luanne Castle, I have one final, sponsored title, “Synapses and Other Conjunctions,” which I’ll post here tomorrow.

Thank you for your support! Only one more day to go (again)!

Day Twenty-nine, Tupelo Press 30/30 Project

tracks

“Hunger is Hunger” is among the Day Twenty-nine offerings of the Tupelo Press 30/30 Project (9 poets have agreed to write 30 poems apiece in 30 days, to raise funds for Tupelo Press, a non-profit literary publisher). Many thanks to the 1874: First Impressionist Exhibition blog who sponsored and provided the title.

Hunger is Hunger

Somewhere we jumped the tracks,
he said, wiping himself clean with my

blouse. But this life’s all you got…

To see the rest of the poem, click here

Even though no more title sponsorships remain, please feel free to contribute to Tupelo Press! Every bit helps (even a dollar or two), and I’ve some other sponsorship opportunities, with corresponding incentives, listed here.

If you’re so inclined, please visit the 30/30 blog at: Donate to Tupelo. Scroll down to “Is this donation in honor of a 30/30 poet?” and select my name, “Robert Okaji,” from the pull down so that Tupelo knows to credit the donation to me. And please let me know so that I may send a thank you and incentive gift your way.

Tomorrow’s poem is titled “Pinecone on a Pedestal, Open Poet,” thanks to the kindness and generosity of Ken G. / rivrvlogr.

Thank you for your support! Only one more day to go!

Day Twenty-eight, Tupelo Press 30/30 Project

Nawlins

Tupelo Press still has a few openings for September’s 30-30 challenge. Leave a comment or email me for contact info. It’s well worth doing.

“With Summer Purpled Awe” is among the Day Twenty-eight offerings of the Tupelo Press 30/30 Project (9 poets have agreed to write 30 poems apiece in 30 days, to raise funds for Tupelo Press, a non-profit literary publisher). Many thanks to Charlotte Hamrick who sponsored and provided the title.

With Summer Purpled Awe

1
No one wants to be forgotten
or remembered for the wrong reasons,
but how do we attain that sweet spot
between regrettable and a barred…

To see the rest of the poem, click here

Even though no more title sponsorships remain, please feel free to contribute to Tupelo Press! Every bit helps (even a dollar or two), and I’ve some other sponsorship opportunities, with corresponding incentives, listed here.

If you’re so inclined, please visit the 30/30 blog at: Donate to Tupelo. Scroll down to “Is this donation in honor of a 30/30 poet?” and select my name, “Robert Okaji,” from the pull down so that Tupelo knows to credit the donation to me. And please let me know so that I may send a thank you and incentive gift your way.

Tomorrow’s poem is titled “Hunger is Hunger,” thanks to the kindness and generosity of the 1874: First Impressionist Exhibition blog.

Thank you for your support! Only 2 poems to go!