Sunday Compulsion: Devi S. Laskar (Why I Write)

Welcome to “Sunday Compulsion,” in which creatives answer one question: Why do I create? Poet Devi S. Laskar kicks off this new weekly feature.

I’ve been writing poems since I was 9 years old. It’s who I am: a poet. I write nonfiction and I write short stories and novels and I do so because I have this desire to communicate. I am interested in all kinds of forms. And I love to read, which is probably why I live to write. I’m trying to write the stories and the poems I haven’t read yet.

Devi S. Laskar is a native of Chapel Hill, N.C. She holds an MFA from Columbia University in New York, an MA in South Asian Studies from the University of Illinois at Urbana-Champaign and a BA in journalism and English from the University of North Carolina at Chapel Hill. A former newspaper reporter, she is now a poet, photographer and artist. Her photographs include the cover of The Florida Review; and in the pages of Tiferet Journal and Blue Heron Review. Her art can be found currently on the cover of L.A. based Las Lunas Locas poetry anthology. Her poems have appeared in numerous journals including The Blue Heron Review, which nominated her for Best of the Net 2016 & The Raleigh Review, which nominated her for Best New Poets 2016. She is an alumna of both TheOpEdProject and VONA/Voices, and served as a Tupelo Press’ 30/30 Project poet in December 2015. She is also an alumna of Hedgebrook, and poetry workshops at the Community of Writers at Squaw Valley. In 2016, she won first prize in poetry at the 27th Mendocino Coast Writers Conference contest. Finishing Line Press published the first of two chapbooks, “Gas & Food, No Lodging” in March 2017; and will publish “Anastasia Maps” later this year. She now lives in California.

You can get Devi’s book Gas & Food, No Lodging at Finishing Line Press and Amazon,
as well as Bookshop Santa Cruz and online at Barnes & Noble.

Read this review!

Read and listen to her poem “Unanswered, Untranslatable”

To learn more about Devi, visit her website, which includes links to her artaday, essays, and various publications her work has appeared in.

And this podcast.

 

 

Recording of “Scarecrow Remembers”

I’m still experimenting with recording. Here’s “Scarecrow Remembers,” which was first published at The High Window in December 2016.

 

Two Poems in Steel Toe Review

My poems “How to Do Nothing” and “And All Around, the Withered” have been published in Volume Four of Steel Toe Review, available for purchase here.

Many thanks to editor M. David Hornbuckle for taking these pieces.

 

Two Poems in GFT Presents: One in Four

My poems “The Boy Who Wouldn’t Hoe Corn” and “Scarecrow Believes” are included in GFT Presents: One in Four, a semiannual, print literary journal published by GFT Press, and available for purchase here.

Scarecrow Pretends: Robert Okaji’s Metallurgy

This is kinda fun. The Slag Review published “Scarecrow Pretends” back in January, and now this has appeared on the Long River Review’s blog. I’m always grateful when someone extends the life of one of my poems. Thank you, Benjamin Schultz.

Apricot Wood

clouds

“Apricot Wood,” is included in my chapbook , If Your Matter Could Reform, and was featured on Autumn Sky Poetry Daily in March 2015

Apricot Wood

I built a frame of apricot
wood. This was for you. The clouds float
through it even as I sleep. You wrote
once of wild herbs gathered and brought
to a lovely girl, an offering not
of passion but of some remote
desire to hear a word from the throat
of the Lord Within Clouds. I thought
of this as I chiseled the wood.
Last night it rained. I listened to
it from my bed by the open
window, hoping that the clouds would
not leave. This morning two birds flew
by. It is raining again.

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