Not Blame Your Pleasure

bike

 

Not Blame Your Pleasure

Because vision limits options, I close my eyes.

Becoming urges patience.

The morning after I didn’t die, I took breakfast in bed.

Arrival stamps the difference between waiting and choice.

Expectation, too, extends its squeeze, rendering sleep impossible.

I ride the bike and go nowhere, or walk steadily, covering the same ground.

Which will claim me first? An occlusion, gravity or unchecked growth?

Anticipation replaces one sigh with another: I have three falls from two roofs.

A friend has named me executor of his estate, and now the race is on.

The path to the void seems straight only near its end.

My ashes will one day soil someone’s morning.

 

ladder

“Not Blame Your Pleasure” first appeared here in November 2015.

 

Scarecrow Dances

Scarecrow Dances

A case of the almost
tapping into the deed:

I dance in daylight,
but never on stairs

nor in countable
patterns, the wind

and birds my only
partners. When the

left arm twitches
counter to the right

hand’s frisk, my
head swivels with

the breeze, catching
my feet in pointe,

a moment endured
in humor. Luther

Robinson switched names
with his brother Bill

and became Bojangles,
but my brothers remain

nameless and silent,
flapping without desire

or intent. Why am I
as I am, born of no

mother, stitched and
stuffed, never nurtured

but left to become this
fluttering entity, thinking,

always thinking, whirling,
flowing rhythmically

in sequence, in time
to unheard music?

No one answers me.
But for now, I dance.

“Scarecrow Dances” first appeared in The Blue Nib in September 2016.

In the Garden of Wind’s Delight

 

 

In the Garden of Wind’s Delight

Faltering, it drifts
to a stop, rests for a moment
before fluttering to its end.

It is good to be sound.
It is good to trickle through holes.
It is good to be old
even if just one of a crowd.

These notes serve no purpose
yet they linger beyond
their existence.

I listen to their past
for their future. Where are you?
I ask. What is your true name?

 

 

“In the Garden of WInd’s Delight” appeared in July 2019 in Nine Muses PoetryThank you, Annest Gwilym, for taking this piece.

 

 

 

A Word is Not a Home

  

 

A Word is Not a Home

A word is not a home
but we set our tables

between its walls,
cook meals, annoy

friends, abuse ourselves.
Sometimes I misplace

one, and can’t find
my house, much less

the window’s desk
or the chair behind it.

But if I wait, something
always takes form in the fog,

an arm, a ribcage, a feathered
hope struggling to emerge.

Inept, I take comfort
in these apparitions,

accept their offerings,
lose myself in mystery,

find shelter there
in the hollowed curves.

 

 

Poem Ending with a Whimper

 

Poem Ending with a Whimper

The best liar wins.

You can’t stop talking
and the truth embedded in strands
frays with each word slipping
from your cruel mouth.

If I tilt my head just so, I see God.

Or what passes for God at the periphery:
a fly stain on the window, the redness
at the eye’s corner, the shrike’s beak.

Silence fills me daily

and trickles out in utterances and sighs
meant only for you.

Who lies best?

I look to the ground for answers.

What replies is a tail between its legs,
a headless shrug,            a whimper.

 

 

“Poem Ending with a Whimper” was published in Volume 3 of Lamplit Underground. Thank you, Janna Grace, for taking these pieces.

Lamplit Underground is a beautifully illustrated publication. Please take a look!

 

Take Another Piece of My Heart

 

Take Another Piece of My Heart

Perhaps the left ventricle, or the anterior descending
vein. No matter which you grab, I’ll not survive
the seizure, but is that not the point?  And which coin
will you place in my mouth to ease the passage across
the river Acheron? Or will I remain on the banks,
neutral and overlooked, forgotten. If this river is woe,
I serve its pride. I wear its banner. Do you recall the
butcher’s bill from that last flight? Sixty innocents,
including children. How many more must we tally
before admitting to the futility of perpetual war?
An acquaintance on the ground that day saw the
flash and immediately thought there are no mistakes,
just as I, from my box in Nevada, admitted, too, that
no mistakes occur, a synchronicity joined in death
and its production. I no longer employ euphemism.
When my coworker’s eyes crinkle and he laughs
about weeding the lawn of fun-sized terrorists,
I see bloody children, mangled flesh, smoke and
flame. I kill from comfort and afar. This is my life.

 

 

* * *

“Take Another Piece of My Heart” was published in Ligeia’s Winter 2019 edition.  Many thanks to poetry editor Ashley Wagner for taking this poem. I’m also grateful to Tami Wright for providing the title and sponsoring “Take Another Piece of My Heart” in the August 2016 Tupelo Press 30-30 fundraiser.

 

Summer 1966: After France & Remembering Bobby, Who One Day Would Learn to Multiply and Divide, Write Love Poems, Define Home, Fight Unfairly and Live with as Much Gusto as a 7-Year Old. Perhaps.

 

Summer 1966: After France & Remembering Bobby,
Who One Day Would Learn to Multiply and Divide,
Write Love Poems, Define Home, Fight Unfairly and
Live with as Much Gusto as a 7-Year Old. Perhaps.

From left coast to right, or the wide arc between,
which place claimed you? In New York you marveled
at the building’s backs scratched by clouds, and all your
pale cousins in Baltimore spoke strangely and couldn’t fathom
your nuclear family’s private lingo, while the drive to Texas
and its red ants and iced tea blossomed into adventures between
pages in the back seat of the VW bug. By the second week you
learned that Texans sweat as much as the French, and swear even
more, that you couldn’t fight one twin without taking on the other,
sometimes both at once. There was no question of fairness then,
just brotherhood, but the librarian would slip you the choicest
donated fiction, and you played baseball every day in the vacant lot
until sundown called the players home to black and white body
counts and cigarette commercials on the three channels received.
Sometimes you lay in bed under the half-light of the whirring
fan blades, and dreamt of heroes and ornithopters, zebras
and the scent of chocolate chip cookies in the oven. Other nights
you wondered how words could rest so calmly on one page yet
explode off the next, or why a man would climb a tower in Austin
to kill fourteen people when opportunities for mayhem and murder
burgeoned across the sea. Wasn’t living a matter of simple
subtraction? One by one the days parted and you walked through
that dwindling heat, eyes squinting, questions in hand, emerging
fifty years later having suffered additions and division and the
cruelties of love and success, honor and truth, still asking why
and how, home or house, where it went, your shoulders slumping
under the heft of those beautiful, terrible summers stacked high
like so many life-gatherings of unread books awaiting a bonfire.

 

This was first published in theSilver Birch Press “Moving” series, and an earlier version titled “Bonjour, Texas” appeared on the blog A Holistic Journey.

 

 

Magic (with recording)

tophat

Magic 

You give me nothing to hold, and for this
are blessed. Devotion

is a mirror and breath, one
solid and illusory, the other
needed yet expelled, taken, dispersed.
Which begs another question
not relying on tricks.

“Who traces names on the sheets?” you ask.

I roll up my sleeves and say “Words
conceal what the glass cannot.”

Source becomes deed, becomes habit.
In your hand a stone, a dove, the unbroken ring.

* * *

“Magic” is included in my chapbook, From Every Moment a Second, and was first published in Taos Journal of International Poetry and Art.

Ode to Bacon (with recording)

 

This is a celebratory post. Yesterday I cooked bacon, and it smelled like, well BACON! And it tasted like bacon, too. One of the side effects of COVID-19 is parosmia (a distorted sense of smell/taste), and both Stephanie and I have suffered from it since July. We’ve been unable to tolerate such staples as onion, peppers (bell and chile), garlic, dark chocolate, sparkling wine, peanut butter, grilled/charred and cured meats of all kinds, celery, arugula, and assorted other beloved foods. But yesterday’s breakfast of migas tacos with bacon clearly indicates that we are improving. Finally!

 

Ode to Bacon

How you lend
yourself
to others,

enhancing even
the sweetest fig
in your embrace
over coals,

or consider
your rendered
self, how it

deepens flavor
with piggish
essence, coating

or absorbed,
blended or
sopped. O belly
of delight, o wonder
of tongues,

how could I not
love you
and your infinite
charms, even

when you resist
my efforts and
shoot sizzling bits

of yourself
onto my naked
hands? I pay

this toll
gladly,
today and

next year
and all those
days to follow,

till the last piece
is swallowed
and our sun
goes dark.

Hyperbole
becomes you,
smoked beauty,
salted love,

and I shall never
put you down
or leave you
behind

on a plate
to be discarded
or forgotten,

unloved.

“Ode to Bacon” first appeared here in July 2017, thanks to T.S. Wright’s challenge.

Moonwalker

 

Moonwalker

The night’s face, pocked with stars.

In the stellar wind, we soar.
From this pale light,

acknowledge insignificance, watch
the blue spinning so far away, so close.

I am that finite point

of nowhere, of nothing, wondering
when the sun will truly darken,

if I will see tomorrow, today.

 

* * *

“Moonwalker” first appeared in Ligeia’s Winter 2019 edition.  Many thanks to poetry editor Ashley Wagner for taking this poem.