Mole (Pipian)

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Mole (Pipian)

Always the search beneath texture,
layers captured in subsidence,
the drift to interpretation: a mixture, meaning

sauce, and its journey from seed to mouth,
the careful blend of herb and fire,

dismembered chiles,
the crushed and scorched fruit
rendered to preserve for consumption
the most tender qualities

and their enhancement towards art.

 

* * *

This is of course not about the mammal with the subterranean lifestyle, but rather a version of the Mexican sauce, pronounced “mo-lay,” which includes, as a main ingredient, pumpkin seeds. It takes a while to put together, but is well worth the effort. “Mole (Pipian)” first appeared here in February 2015.

 

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In the Place of Cold Doors

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In the Place of Cold Doors

We have a word for everything,
or seven for nothing. Soon

you’ll enter and I’ll talk
on the other side,

watch for signs in every
dropped crumb,

every nailhead and
embedded phrase remembered

in another’s voice. The light
will dim and I’ll look for rain and

go on speaking. My words will wander
unnoticed. You hear only yesterday.

 

 

“In the Place of Cold Doors” first appeared in Gossamer: An Anthology of Contemporary World Poetry, published by Kindle Magazine in Kolkata, India. I was thrilled to have several poems included in the anthology.

 

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And to Sleep

 

And to Sleep

and what we
sense if not
of our selves

or within this
space we contain
may be of

no thing touched
by one’s fluttering
eye as if

awake we see
even less the
dreams of course

real though we
hold them only
in our sleep

 

Another poem from the 80s. “And to Sleep” first appeared here in February 2015.

Ghazal of the Half

 

Ghazal of the Half  

Singing virtues, she swings to the east, claims half,
accepts what’s given, smiles, nods, names half.

What stone lies unturned in this bluest of graves?
Where love’s darkest lancet intrudes, inflames half.

The beauty of intercession and the divided become
one. Pushing them into two piles, she blames half.

Incomplete, I ride the lost memory’s pale vein,
as the motion of capture, of trickling, maims half.

You read the history of driftwood in its scars.
“Never whole. Always,” she exclaims, “half.”

My other name is a hill in a windstorm of sleep.
Forever apart and uneven, just the surname’s half.

 

“Ghazal of the Half” first appeared in Manzano Mountain Review in November, 2018. Many thanks to editors Justin Bendell and Kristian Macaron for taking this piece.

 

Transduced Ruin

desolate

 

Transduced Ruin

From bad to worse.
The hospital’s walls, shredded.

A turning back, the retrieval.
Frayed edges, unraveling, pulled down.

Conveyance and change, or, conversion.
Tying the knot, I think of home.

Things fallen apart.
She stands alone under the sky’s umbrella.

“Destroy infrastructure, destroy livelihood. Destroy.
Water leaking from the cistern’s wounds.

Wind to voltage; passive to active.
My church is the sky, the earth below, and everything between.

The center of one, of two.
Rounds, piercing armor.

A spiritual hole, leakage.
“It was easier to view them as targets, not human.”

Sequences: from water to ice, to vapor and back again.
I will surrender to flame and be scattered.

Firewing, starbolt, tearmaker.
Guided from afar, they sense but cannot feel.

Recursive death.
Counting graves, he considers relief.

The road to everywhere.
Looking back, I discover that I had already arrived.

 

* * *

I’d forgotten about “Transduced Ruin,” which was written during the August 2016 Tupelo Press 30/30 Project, a fundraiser for the non-profit literary publisher, Tupelo Press. I am grateful to Atomic Geography, who sponsored the poem and provided the title and these three words: spiritual, sequences, things. 

 

Poem in Brave Voices

 

My poem “The Gift” was published in Brave Voices in January 2019. I somehow missed it…

Many thanks to Audrey Bowers and her editorial staff for taking this piece.

 

The Green Light’s National Poetry Month Celebration

 

The Green Light has put up the collected works from their National Poetry Month celebration. .My poem “Houston” appeared on April 4th. Many thanks to editors Caitlin and Ash for taking this piece!

 

 

Chilled Soba

Chilled Soba

I am not
philosophical
today,

but hunger
concerns me.
Oh, not

real hunger
but a desire
to consume.

Afternoon
chews morning.
Evening

swallows afternoon.
Morning digests
night. And I,

slurping chilled
soba with
pickled ginger

and scallion,
wonder which verb
my days will choose.

 

 

“Chilled Soba,” first appeared in Kikwetu: A Journal of East African Literature in November 2018. I am grateful to the editors for accepting my poem.

 

 

The Shadow Behind You

  

The Shadow Behind You

That moment, spent. And another.
This goes on for hours,

days, metal pails filled with condensate,
emptied onto the parched soil
and sucked away within minutes.

What stares back at that precise second?

A void forms flesh, becomes a vessel
tumbled into the darkest rectangle,
leaving no evidence behind.

Our natures, revealed in absentia.

The dog barks at his reflection,
never thinking to examine himself,

while you stoop under the weight
of the tethered black, adjusting

your conscience, killing time.

 

* * *

“The Shadow Behind You” first appeared in Issue 125 of Right Hand PointingThank you to editors Dale Wisely, Laura M. Kaminski, F. John Sharp and José Angel Araguz for taking this piece.

 

Bread

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Bread

That year we learned the true language of fear.
I baked boule and you haunted medical sites.

You said to arrive I must first depart
or be willing to suffer self-awareness. Let’s not

mention our pact just yet. My basic boule requires a
Dutch oven, 20 ounces of flour, water, yeast and salt.

At twenty I learned the finer points
of sausage-making, how to butcher chicken, and

that your hair smelled like dawn’s last flower.
Back then we owned the night. Now I harvest

wild yeast and sharpen pencils, make to-do lists,
pour Chianti, run numbers. I agreed

to your proposal. It would be a kindness, you said.
The pancreas produces hormones

and aids digestion. I chopped off my left thumbtip
and a year later the abscission point

still felt numb. After rolling the dough
into a ball, let it proof for an hour in an oiled bowl.

We shared a taste for sharp cheese
but never agreed on pillows. You loved

down comforters and found vultures fascinating.
Years together honed our lives

but we never considered what that meant. Score
the dough, bake it for 30 minutes with the lid on,

remove the lid and bake for another 15.
Kneading resembles breathing: in,

out. Rise, fall. Bright lights made your eyes water,
so I kept them dimmed. You swallowed

and said “Tell me how to knead bread.”
With the heel of your right hand, push down

and forward, applying steady pressure.
The dough should move under your hand.

Within minutes it will transform.

 

* * *

“Bread” was first published in Extract(s) in April 2015.

pillows