If We Burn

OLYMPUS DIGITAL CAMERA

If We Burn

What flares instead to replace our
privileged nights? And which

assemblage of words could reorder these
deaths into comprehension,

change I can’t breathe from epitaph
to actuated plea for help?

Are words ever enough?
Can we stack our indifference and fear

into a mile-high pyre, and torching it
watch them rise to nothingness,

disappearing through the clouds
into the streaming light of cold, dark stars?

Raise your hands and sing. Blow softly
upon the ember. Inhale and recall.

Do you still feel? Will you breathe?
Every fire needs oxygen.

“If We Burn” first appeared on this blog in December, 2014. It’s also included in my chapbook, If Your Matter Could Reform.

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Never Drink Anything Blue

blue drink

“Never Drink Anything Blue” was my tenth offering during last August’s Tupelo Press 30/30 Project. Many thanks to Stop Dragging the Panda, who sponsored and provided the title.

Never Drink Anything Blue

But always keep your options unzipped and
available to whatever slips in; the snake

lives in the attic for the rodents,
but occasionally takes a fledgling peewee

from a nest near its exit, while the scorpion
generally avoids light except for those nights

when moths seem too delectable to pass up.
Our governor whistles Beethoven but switches to

the hymnal when campaigning, and I’ve announced
a need for organic zucchini when craving a craft

beer. Confession is good for the soul, except
when it’s bad for the body. “Think with words,

not with ideas,” Sontag wrote, and Williams said
“no idea but in things.” Of course he was just writing

a poem. Baking is chemistry – measure carefully –
but cook with abandon! Whoever said “keep your

friends close but your enemies closer,” slept
alone most nights, or not at all. Born in Louisiana,

I am the product of an illegal union, but which
half should be interred where? Both sun and

moon rise and set. Is anything incorruptible?
Drink everything blue. Everything.

hymnal

 

Shoe

blueshoe

Shoe

The right has only one option,
as is true of the left,

neither to mingle
nor disappear like washed socks

or loved ones in a casino.
There are those who believe

in fallen towers and pasts
burnished beyond recognition,

and truth, as it was written, for them,
in blood, with money inherited

from thieves. The puddle happens.
The door rotates. A snifter shatters.

The shoe’s approach defines its wearer.

cactus shoe

Scarecrow Questions

scarecrow

Scarecrow Questions

Though my tongue withers from disuse and
drought, I taste from across the sea astringent
smoke and the progeny of a hundred bullets
buzzing by like misguided insects through
the theater of the dying, and I question how
pride and greed, hubris and fear, unwind their
cords to detonate these differing yet tangled
lines. How to fathom such depth of mistrust?
The Christian paints her door frames azure, a
Muslim carpets his tile floor, the Jew panels his
walls, yet among each, various segments clash,
and all of their houses implode. I feel nothing,
yet shiver throughout the sun-blazed afternoon.
Then I consider the structure of zero, whether its
body contains or extracts, negates or compromises,
hollows out duplicates within duplicates, exorcising
with a blade so sharp as to peel away memory from
those it crosses without the faintest murmur. Gone.
Erased. Banished to never having been. I neither
breathe nor digest, but I absorb and recall. How do
you so willingly forget history? This post determines
my destination, but not my destiny, not tomorrow’s
promise, nor the returning birds and faith, the long
nights, their stars, their deaths, the following days.

Eifel

Confession to Montgomery, Asleep on the Church Steps

bagels and cream cheese MGD©

Confession to Montgomery, Asleep on the Church Steps

If I walk quietly by
it is not to avoid disturbing you,

but rather myself. What
could I give you

but another bagel, the
boiled dough of nothingness

rising in cloudy water,
delaying, perhaps, another

guilty twinge. You have no
answers but when you

speak to the air, sometimes
a smile creaks through

the broken words, and I
think even in this cloistered

darkness we may close
the circle between halves

and might-have-beens,
an understanding, if only

in the language of bread
and coffee and the

disregarded. But today I stride
on, without pause, counting

on nothing that can’t be
pocketed or spoken aloud,

my steps echoing down
the alley and its secrets,

along the crosswalk’s painted
guides, under the sagging

power lines and through
your streetlight’s dim halo.

Homeless

Having Survived Myself I Lean Away

Survival

Having Survived Myself I Lean Away 

You know that
but not
why

the mockingbird mocks,
or how one note

marries others,
forming blissful

chords. And the skies
flaring each night

betraying your willful
ignorance,

while you paint
the words for love

in seven languages
you can’t
speak.

Where are you now,

whose bodies
have you denied,

wrapped in linen,
bagged or boxed,
arriving unseen?

Sagging, I observe your
counted victories, the
smirk claiming

exceptionalism
and destiny or
nobility of purpose,

as even your own shadow
recoils.

cemetery

Return (El Salvador, 1983)

image

Return (El Salvador, 1983)

Two years with no word.
The stick you planted
sprouted leaves last spring,

restoring hope. We had long
thought it dead. Two leaves
and a bud. A note

scrawled on a dollar bill,
unsigned and smuggled out
by some kindly stranger.

This is not much.
We can do little
but watch the tree grow

while you count steps
and deny the walls of a room
that light never touches.

image

The Box

image

The Box

Opened or closed, the mood
descends

with the pull of tooth and
tongue

and discarded sound in wet
grass,

its odor mingling with
cordite

by summer pavement under the
canopy,

six plastic flowers faded by the
sun,

and photographs scattered over scraped
earth,

where we stand bound and
apart,

I reach toward
you

and find only
air.

image

Endurance, 1946

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Endurance, 1946

Unaware of the day’s movements, she paints her
reply to the bracelet of light flaring above

the horizon. Tomorrow’s edict is gather,
as in retrieving a sister’s bones in black

rain, reassembling in thought
a smile that could not endure despite

its beauty. I seek a place
of nourishment and find empty bowls.

What is the symbol for peace, for planet?
How do we relinquish the incinerated voice?

Under the vault of ribs lie exiled words, more
bones, and beneath them, relentless darkness.

And whose bodies mingle in this earth?
Whose tongue withers from disuse?

The eight muscles react to separate stimuli,
four to change shape and four to alter position.

Turning, she places the brush on the sill
and opens the window to the breeze.

Exit the light, exit all prayer. Ten strokes
form breath. She does not taste the wind.

Atomic Bomb Dome_03


If We Burn

OLYMPUS DIGITAL CAMERA

If We Burn

What flares instead to replace our
privileged nights? And which

assemblage of words could reorder these
deaths into comprehension,

change I can’t breathe from epitaph
to actuated plea for help?

Are words ever enough?
Can we stack our indifference and fear

into a mile-high pyre, and torching it
watch them rise to nothingness,

disappearing through the clouds
into the streaming light of cold, dark stars?

Raise your hands and sing. Blow softly
upon the ember. Inhale and recall.

Do you still feel? Will you breathe?
Every fire needs oxygen.
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