Buddha’s Not Talking


Buddha’s Not Talking


He looks out from the shelf while I consider
manure, sharp knives and the hagfish’s second
heart, or whether odors differ in texture when a dog

retraces his steps through the park, and do they really
lose themselves or just quickly shed their pasts,
forever moving towards now. Sometimes I say hello,

but truthfully we seldom interact, unless I bump his
shoulder when retrieving one of the books leaning
against him, and then it’s only a quick “sorry” on my

part, and a stare on his, perhaps a slight nod if
I’ve not yet had coffee. I fear I’ll never grasp
the difference in having and being, that my true

nature has splattered on a trail and the dogs will
sniff it and lift their legs in acknowledgment,
or perhaps acceptance of the infinite, with wisdom

far beyond my reach, before moving on to disquisitions
about soil and fragrance and the need to justify art
with decimal points. Yesterday I roasted chicken, moved

books, sipped ale. Today I’ll sweep, discard papers and
wonder if I’ll become what I think, whether reincarnation
will be cruel or kind. Either way, Buddha’s not talking.

* * *

“Buddha’s Not Talking” first appeared in July 2017 at Blue Bonnet Review.
With gratitude to editor Cristina Del Canto for taking this piece.

Self-Portrait with Knife



Self-Portrait with Knife

Lacking benefit of prayer or belief,
it slips through flesh,

praising its temerity. Or,
parting the onion’s core, reclaims
the right to weep.

How many nights have we shared
these pleasures? I smooth the blade

with steel, listening to the fine hum.




“Self-Portrait with Knife” first appeared here in January 2015.

Scarecrow Considers the Afterlife

Scarecrow and Friends

Scarecrow Considers the Afterlife

Gathering threads, I join them with a central
knot, producing a sunburst flower or constellation
of ley lines spreading forth and connecting their
tenuous truths – megalith to fjord, solstice to
dodmen and feng shui, suppositions entwined
and spat out. And who’s to say which alignment
stands taller than the next, which rut, which energy,
defines our direction? When I cease to be, will I
remain or dissipate, return in another form or
explode and scatter throughout the universe, the
residue of me sizzling along the starways for eternity
or perhaps just the next twenty minutes. It is clear
that I possess no heart, no internal organs. My spine
is lattice, my skin, fabricated from jute. Eviscerate
me and straw will tumble out. I do not bleed. Yet
the crows consult me in secret and conduct their
daily mercies, and I think and dance and dream
and wonder and hope. Oh, what I hope.

* * *

This was first published at Eclectica, with two companion pieces.

Diverting Silence

Diverting Silence

Wren canyons down the morning’s edge, proclaiming dawn.
Unpapered, unfettered, fearless, he abides.

I say “he,” but sexual dimorphism is not apparent in the species.
Accepting signals, we process and choose, freighting gender aside.

Listening requires contextual interpretation, as does belief.
Shrilling to the porch screen, he spears a moth, veers outward.

An acquaintance claims birds are soulless, existing only to serve God.
As temple bells exist solely to announce, and rain, to water lawns.

Faith’s immensity looms in the absence of proof.
Spherical and hollow, suzu bells contain pellets.

The search for truth without error does not preclude fact.
Even tongueless bells ring.

“Diverting Silence” was published in Taos Journal of International Poetry & Art in February 2017.

Scarecrow Questions


Scarecrow Questions

Though my tongue withers from disuse and
drought, I taste from across the sea astringent
smoke and the progeny of a hundred bullets
buzzing by like misguided insects through
the theater of the dying, and I question how
pride and greed, hubris and fear, unwind their
cords to detonate these differing yet tangled
lines. How to fathom such depth of mistrust?
The Christian paints her door frames azure, a
Muslim carpets his tile floor, the Jew panels his
walls, yet among each, various segments clash,
and all of their houses implode. I feel nothing,
yet shiver throughout the sun-blazed afternoon.
Then I consider the structure of zero, whether its
body contains or extracts, negates or compromises,
hollows out duplicates within duplicates, exorcising
with a blade so sharp as to peel away memory from
those it crosses without the faintest murmur. Gone.
Erased. Banished to never having been. I neither
breathe nor digest, but I absorb and recall. How do
you so willingly forget history? This post determines
my destination, but not my destiny, not tomorrow’s
promise, nor the returning birds and faith, the long
nights, their stars, their deaths, the following days.


“Scarecrow Questions” first appeared here in February 2016.

Recording of My Poem “Prayer”


Death does not choose you at random.
It approaches at your pace, rumbling
downhill or floating in the air,
debris or dandelion fluff,
concealed yet evident.
Listen: a small cloud bumps another,
merging into one larger being —
can you hear its ecstasies?
All the world’s souls, gathered.