Dark Rain Ahead, Hummingbird

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Dark Rain Ahead, Hummingbird

The black-chinned hummer buzzes my flowered shirt,
bringing to mind the letter H, its history of an inferior life among

letters, and a Phoenician origin signifying fence.

An aspirate dependent upon others, or a line strung between posts,

even whispered, H does not contain itself.
Disconsolate or annoyed, the bird moves on.

Do names depend upon the power of symbols, or do they power the symbols?

In the 6th century A.D., Priscian disparaged H, saying it existed only to accompany.

Clouds shade the way.
The black-chin extends its grooved tongue at a rate of 15 licks per second.

Alone, the H’s voice is barely audible.

Through the trees, across the crushed rock driveway and beyond the barbed wire

and chain link, I hear deadfall snapping under hooves.
At rest, its heart beats an average of 480 beats per minute.

Modern Greek denies its existence.

Say khet, say honor and where. Say hinge, sigh and horse. Say depth.

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Originally published in Prime Number Magazine, one of my favorite online literary journals, in 2013,  it subsequently appeared here in June 2015.

Gaza

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Gaza

We presume affliction by census,
whereas light

requires no faith.
Is the roofless house a home? When you call
who answers? The vulture

spreads its wings
but remains on post. Shifting,
I note minute of angle, windage. No

regrets, only tension. Breathe in. Exhale.
Again.

***

“Gaza” first appeared here in July, 2014, and is included in my chapbook, If Your Matter Could Reform.

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Nights at the Magdalene Laundry

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Nights at the Magdalene Laundry

Waiting, as if it could
be foreseen, as if influence and love
and truth could ease into the conversation,

she pours water into the night’s
mouth. A little longer, says the voice,
and the wind bends the grass,

reaching, without apprehension, a conclusion.

Which is not to claim verity, nor the patience of stone
crumbling along the ledge.

She leaves when nothing remains.

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“Nights at the Magdalene Laundry” first appeared here in January 2016, and was subsequently published in The Basil O’Flaherty, in November 2016.

Heroes

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Heroes

And the rain, again, takes up our day,
folds it into threes, and watches
as the world wraps up its gift,
first at the edges, then centered,
with more confidence and force
than justified. Who will forget
the hollow horse and its stifled
coughs, the stench of men too
long unbathed and drenched
in fear. Or the small girl running
naked, arms outstretched, skin
peeling, her life become a litany
of pain embroidered across
the unfeeling sky. Do not thank me
for your freedom, the mortgage
and its tax breaks, your designer
shoes. We didn’t bleed for you.

“Heroes” first appeared in Blue Fifth Review. Many thanks to editor Sam Rasnake for accepting this piece.

You Are the Wind That Trusted

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You Are the Wind That Trusted

The barriers I could not place, the incomplete lines and unmouthed
verbs registered in stone, saying I am here,

as if taw were born in evil, and not the fruit of the need to mark.

At what velocity must sand scour these walls to obliterate the hand’s
intent? How may we gauge design? Galileo’s thermoscope

crudely measured temperature variation, but in 1612 Santorio added a numerical scale.

For centuries, T did not produce a miniscule and stood tall in its singular representation.

Hydrated iron oxide, mixed with bone marrow and charcoal, yields
ochre, a formula that predates writing.

Development, not invention.

T’s varying structure may be one of sequence and slippage.

Thermoscopes were open ended tubes dependent upon air pressure.
Celsius originally proposed a scale with 0 at the boiling point.

A cruciform. The capped spike. Blended tongues.

Complexity intrudes with every step: smoke-darkened ceiling.

***

This appeared on the blog in February 2016. A slightly different version appeared in Otolith in fall 2013.

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Galveston, 1900

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Galveston, 1900

First the wind, then a tide like no other
uprooting the calm,

a visage tilted back in descent
as if listening for the aftermath.

And later, the gardener’s lament
and the building’s exposed ribs,

light entering the eternal
orchard, nine children tied to a cincture.

Not even the earth could retain its bodies,
and the sea remanded those given to its care.

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“Galveston, 1900” first appeared here in January 2015.

Deep History & Old Childhood: 3 New Poems at Isacoustic

Follow Tim Miller on three distinctive jaunts at Isacoustic!

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Immense thanks to Barton Smock, who just published three of my poems at Isacoustic. You can read them here. They are among my favorites from the past few years, and so it’s wonderful to see them all together; whatever it is I’ve been trying to say with history and mythology, landscape and autobiography, are all there. 

Thanks also and obviously and endlessly to my wife, Jenny, who is the “you” addressed in the poems from Orkney. There is no better companion, travelling or otherwise.

Barton’s own poetry can be found at Kings of Train, and is well worth a look; as are other familiar names he’s published at Isacoustic: Daniel Paul Marshall, and Robert Okaji.

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