Countdown #1: My Mother’s Ghost Sits Next to Me at the Hotel Bar (with recording)

 

My last five posts of 2020 are reruns of five of the most viewed posts on this site during the year.

 

 

My Mother’s Ghost Sits Next to Me at the Hotel Bar

Blue-tinted and red-mouthed, you light a cigarette
that glows green between your lips and smells of
menthol and old coffins, burnt fruit and days carved

into lonely minutes. I mumble hello, and because
you never speak, order a tulip of double IPA, which the
bartender sets in front of me. Longing to ask someone

in authority to explain the protocol in such matters,
I slide it over, but of course you don’t acknowledge
the act. The bartender shrugs and I munch on spiced

corn nuts. I wish I could speak Japanese, I say, or cook
with chopsticks the way you did. We all keep secrets, but
why didn’t you share your ability to juggle balls behind

your back sometime before I was thirty? And I still
can’t duplicate that pork chili, though my yaki soba
approaches yours. You stub out the cigarette and immediately

light another. Those things killed you, I say, but what the hell.
As always, you look in any direction but mine, your face
an empty corsage. What is the half-life of promise, I ask. Why

do my words swallow themselves? Who is the grandfather
of loneliness? Your outline flickers and fades until only a trace
of smoke remains. I think of tea leaves and a Texas noon,

of rice balls and the vacuum between what is and what
could have been, of compromise and stubbornness and love,
then look up at the muted tv, grab your beer, and drink.

 

* * *

 

“My Mother’s Ghost Sits Next to Me at the Hotel Bar” was first published in The Lake in December 2018.

 

Countdown #2: When Shadows Hide

  

My last five posts of 2020 are reruns of five of the most viewed posts on this site during the year.

 

When Shadows Hide

I breathe when you breathe,
and watching me,
you capture each lost molecule.

This book blinks whenever you turn the page.
I see you between the words, between the white threads.

You are the adored chapter, the one I read in bed before
sleep, and after I wake, before the first wren announces
dawn, then in the afternoon’s highest point, when shadows hide,
and later, as they emerge to stroke your bare shoulder.

What’s on the other side, you ask. What do you hear?

Your breath, I say. Your name.

 

* * *

“When Shadows Hide” was first published in the print anthology Epiphanies and Late Realizations of Love in February 2019.

 

Countdown #4: This Oak

 

My last five posts of 2020 are reruns of five of the most viewed posts on this site during the year.

  

This Oak

Never rooted in Tibet,
has not watched a whale breach
a November Pacific dusk, or guzzled
bitter beer near Vesuvius. Nor has it
absorbed the warmth of a loved one’s
hip on a frozen morning long after
the embers’ glow has greyed
and the windows blossomed
white. It cannot know the beauty
of disparate instruments playing
in joyous harmony. It will whisper
no incantations, does not smile,
won’t ever feel the anticipation
of a first kiss after a complicated
courtship. The bouquets of Bordeaux
elude it, as do tears or the benefits
of laughter. Why, then, do I envy it so?

 

 

“This Oak” was published in Slippery Elm (print only) published by Findlay University in Findlay, Ohio, in spring 2019. 

 

Poem Up at ONE ART: a journal of poetry

 

My poem “Nebraska” is live at ONE ART: a journal of poetry. Many thanks to editor Mark Danowsky for taking this piece.

Poem Ending with a Whimper

 

Poem Ending with a Whimper

The best liar wins.

You can’t stop talking
and the truth embedded in strands
frays with each word slipping
from your cruel mouth.

If I tilt my head just so, I see God.

Or what passes for God at the periphery:
a fly stain on the window, the redness
at the eye’s corner, the shrike’s beak.

Silence fills me daily

and trickles out in utterances and sighs
meant only for you.

Who lies best?

I look to the ground for answers.

What replies is a tail between its legs,
a headless shrug,            a whimper.

 

 

“Poem Ending with a Whimper” was published in Volume 3 of Lamplit Underground. Thank you, Janna Grace, for taking these pieces.

Lamplit Underground is a beautifully illustrated publication. Please take a look!

 

You Say Cicada, Which Shrivels My Ears

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You Say Cicada, Which Shrivels My Ears

I say cicada, the difference lurking in the middle,
like the shortest dancer in an off-Broadway musical,
or a note hidden between two reams of legal paper
in the supply room of a well-appointed dentist’s
office, where you find yourself, by accident, searching
for the exit. But think how our sap-sucking friend must
feel, a foot underground, during its final instar phase,
reversing course, leaving behind the darkness
and moist roots, burrowing up through the soil
toward light and the shrug into maturity. And after
that, squeezing through a crack in what had been
itself, emerging, soft and vulnerable, slouching to the
inevitable call. I think of ecdysis, how we, too, shed
ourselves, leaving behind remnants, old skin and
armor, and rising, on occasion, wiser, softer, more
complete. But sometimes we try to reenter those
discarded shells. My acquaintance searches through
the past for bits of himself, purchases toys – marbles,
pocket knives – stitching together a semblance of the
old comfort. He keeps, in one jar, three teeth from his
childhood, in another the exuviae of a half-dozen
scorpions. How delightful it would be, he says, to
abandon your hardened self and become someone
new. He looks to the ground. I nod, and whisper.

 

 


“You Say Cicada, Which Shrivels My Ears,” appeared in the inaugural issue of Claw & Blossom, in July 2019. The poem was originally written during the August 2016 30-30 challenge. I’m grateful to Sunshine Jansen, who sponsored the poem and provided three words to be included in the piece: instar, ecdysis, and sap-sucking. Thank you, as well, to editor C.B. Auder for accepting the poem.

 

 

Cracked

 

 

Cracked

When you say smile, I hear footsteps.
When you say love, I think shortened breath,
an inner tube swelling in the abdomen,
and the magic of tension and elasticity.
Decision, indecision. Bursting
points. The child’s hand clenching
a pin. I tell myself this, too,
will pass, that life’s gifts
balance hurt with pleasure. One
kiss lands in softness. Another twists
into bruises and cracked ribs. Two
nights in intensive care, perpetual
nerve-shredding. When you say quiet,
I see headstones. When you say
please, I feel fingers at my throat.

 

 

“Cracked” first appeared in Noble Gas Quarterly. I’m grateful to the Noble Gas team for taking this piece.

 

 

Poems Up at Tistelblomma

 

 

My poems “Never Enough,” “Lace Cactus” and “Love Note” are live at Tistelblomma, a new publication out of Sweden. Many thanks to editor Jenny Enochsson for taking these pieces.

 

 

Poems Up at The Closed Eye Open

 

 

My poems “Self-Portrait as Refrain,” “Dashi” and “Inheritance” are live at The Closed Eye Open, a publication focusing on consciousness. Many thanks to editors Daniel A. Morgan, Maya Highland and Aaron Lelito for taking these pieces.

 

 

Celestial Navigation

 

Celestial Navigation

Even dung beetles
know the stars,

how they shape
destination.

Motion ceases with arrival.

This body attracting
that. The heart

losing itself
to the moon’s

pull, another wave
falling.

Does light descend
or rise?

Subtle yet observant.

Like truth, like
destiny shivering

through the coldest hour,
saying Welcome, welcome!

 

 

 

“Celestial Navigation” was first published in Nine Muses Poetry in July  2019.