Palinode (salt, mask, descent)

mask

 

Palinode (salt, mask, descent)

Tracing the map to the swaying places, she rises
through the interior world, garnering peace by
syllable. Water, clouds and sand mark her ascent.
The expectation is return, renewal. My friend did not
awaken this morning, and tonight I praise her
passage with drink and song. Matter into spirit,
mountain into sky, redemption, freedom. We bathe in
light, reclaiming the liminal. Our tears evaporate,
leaving salt and untrod paths in our wake.

The paths in our wake delimit the future, but
everything falls. Which do we desire more, the grasp
or its release? That instant preceding fear defines a
yearning particular to its course, a cycle of regression
and progress: ancestors descend into human or
animal form, die, depart to the heavens, and return
anew. Distilled power, a bridge to the spirits, the
mask unshutters and conceals the conscious mind.
Opening my eyes, I release the sun.

I release the sun and observe the results. From sky
to soil, from above to below, to solidity. Spirit
acquires matter, disperses and regroups. Rain and
alluvion, flooded homes, the dark night of childish
laughter. Each to her own path, each to an end. Muting
the string, I touch the harmonic into the world, linking
civility to proportion, lowering dissonance. Everything
falls. Everything. From curve to angle, we resist and
rejoice. In this design parabola, she descends.

 

ascent

“Palinode (salt, mask, descent)” was first published in Otoliths in slightly different form.

Jim Harrison

trout

While browsing the Poetry Foundation’s articles, I uncovered this piece from 2016. Jim Harrison has long been one of my favorites. His success at prose has perhaps caused some to forget or disregard his poetry, but in my mind, he’s always been a poet first.

 

 

Recording of When to Say Goodbye

dried

 

My recording of “When to Say Goodbye,” which was recently published in Oxidant Engine.

Even the Sotol Believes

image

Even the Sotol Believes

If we must discuss logographic systems, let us begin with fish.
And how might one mistake an entrance for a perch?

A movable rod for a desert spoon?

Today’s lesson excludes a poorly rendered door.

Hinges are merely mechanical joints, the origin of which means to hang. Concentrate there.

D is the tenth most frequently used letter in English.

Depicted on rock wall paintings, the sotol has provided food, sandals,

blankets, ropes, tools and spirits for millennia.
Slow cook the roots for three nights, crush, then ferment for seventy-two hours in

champagne yeast. Distill, then age in French oak.

We shall neither open nor close, nor mention those things that do.

Like bivalves. Bottles. Eyes. Shops. Caskets. Books. Mouths. Circuits.
Its flower stalk rises up to fifteen feet. Its leaves are long, thin and barbed.

Surrounded by orange ochre flames and black smoke, the sotol spirit appears.

Dalet will not enter our vocabulary today.

 

image

Originally published in Otoliths 41 (October 2013), and posted here in October 2015.

Max Ritvo

The world will see no more Max Ritvo poems, and for that, I grieve.

Read Helen Vendler’s review of his Four Reincarnations in Poetry. Better yet, read the book. It’ll make you ache.

My Poem “When to Say Goodbye” is Up at Oxidant Engine.

My poem “When to Say Goodbye,” which was originally written during the August 2015 Tupelo Press 30-30 Challenge, is up at Oxidant Engine.

Having Survived Myself I Lean Away

Survival

Having Survived Myself I Lean Away 

You know that
but not
why

the mockingbird mocks,
or how one note

marries others,
forming blissful

chords. And the skies
flaring each night

betraying your willful
ignorance,

while you paint
the words for love

in seven languages
you can’t
speak.

Where are you now,

whose bodies
have you denied,

wrapped in linen,
bagged or boxed,
arriving unseen?

Sagging, I observe your
counted victories, the
smirk claiming

exceptionalism
and destiny or
nobility of purpose,

as even your own shadow
recoils.

cemetery

This first appeared here in October 2015.

May 2017 Tupelo Press 30/30 Challenge!

My friend Stephanie Harper is taking on the Tupelo Press 30-30 Challenge this month, in an effort to raise funds for one of the country’s best literary presses. Please show your support by reading her efforts over the next month, or donating to the cause, if at all possible. Stephanie’s offering some fun incentives!

stephanielharper's avatarSLHARPERPOETRY

TP3030-logo-360

I’ve really done it now… Starting today, for the month of May 2017, I will be participating in the Tupelo Press  30/30 Challenge—a program that both raises funds for a non-profit champion of the literary arts, and provides an online platform for poets to showcase their humiliat-er-heroic efforts to take their writing practices to new, poetic heights—which means that I will be relying on a month-long, panic-induced adrenaline surge to compose a new poem each day for 30 days!

But wait…there’s more!

In order to make my poetic endeavors as fruitful and rewarding as possible for all involved (because, face it, I will involve you, one way or the other), and to encourage your generous funding of a cornerstone of literary excellence in the independent publishing industry, Tupelo Press, I hereby offer these valuable incentives for DONATIONS in the following amounts:

$15: Commission a Sonnet! Shall I write of Rainbows?…

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Painting

spiral

Painting

But completion
arrives in the most

limited sense,
outlines enriched and

filled with lush
darkness, the red of

an accumulated passion
for texture, for subtlety in

shade, the tactile being
one facet shared with

odor and the black hand
on the wall, the

staircase spiraling
upward, resultant desire,

body of lust, this wall, our
doing, the gathered home.

black hand

“Painting” first appeared here in December 2015.