Jack Underwood’s Essay “On Poetry and Uncertain Subjects”

In his essay “On Poetry and Uncertain Subjects” in the May 2018 issue of Poetry, Jack Underwood discusses uncertainty and “the empathetic negotiation of meaning between poets and readers.” No wonder I so often feel uneasy yet somehow comforted before, after, and while writing…

Gemini Ink Writers Conference in San Antonio, July 2018

Gemini Ink Writers Conference in San Antonio, July 2018

This 3-day conference has quite the line up in poetry, with renowned poet and editor Veronica Golos, Pulitzer Prize winner Vijay Seshadri, and Ruth Lilly Prize winner and Pulitzer Prize finalist Martín Espada. I can’t pass up this opportunity, and have already registered for Veronica Golos’s workshop. The conference runs from Friday, July 20 until 6:00 p.m. Sunday, July 22. If you’re a local or don’t mind traveling and want to sample the Texas summer (we do have air conditioning), you might consider Gemini Ink Writers Conference. I’m excited!

The non-poetry offerings are equally impressive, but hey, I’m a poet, and will let someone else address those.

Recording of “Balance”

star lights


Balance

Navigating
by stars,

one ball
buried,

another
gathering,

the dung
beetle

straight-lines,
maintains

position,
forever

looking forward
and up.

image

“Balance” first appeared here in February 2016, and is included in my just released micro-chapbook Only This, available for free download from Origami Poems Project.

“Nightdreams” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

Awakened, He Turns to the Wall (Cento)

cell

Awakened, He Turns to the Wall (Cento) 

Then, everything slept.
Where were you before the day?

You see here the influence of inference,
whereby things might be seen in another light,

as if the trees were not indifferent, as if
a hand had suddenly erased a huge

blackboard, only, I thought there was
something even if I call it nothing,

like the river stretching out on its
deathbed. No one jumps off.

* * *

A cento is composed of lines from poems by other poets. This originated from pieces by: Larry Levis, Jacques Roubaud, Lorine Niedecker, Gustaf Sobin, Denise Levertov, Elizabeth Spires, William Bronk, Vicente Huidobro, Ingebord Bachmann

For further information and examples of the form, you might peruse the Academy of American Poets site: http://www.poets.org/poetsorg/text/poetic-form-cento

erase

This last appeared here in February 2017.

Edward Hirsch’s How to Read a Poem and Fall in Love with Poetry

In a nod to National Poetry Month, the Poetry Foundation has posted the first chapter of Edward Hirsch’s superb How to Read a Poem and Fall in Love with Poetry. One of my favorite all-time reads. If you haven’t read this book, dip into the first chapter now.