Tree
where you go
the wind follows
as if no
choice remains but
that of sun
and oak an
attraction such that
limbs curve to
light a certainty
which cautions us
to intrude lest
we lose all
sight and sense
of beauty you
are this tree
Written in the 80s, “Tree” first appeared here in December 2014.
Ghazal of the Bullwhip
Who hears braided tongues lashing the glare still?
The language of pain writhing through white air, still.
Or herding cattle you pop and crack above the horizon,
pastoral and flowing. But sharp, a sonic nightmare, still.
You ask how love blossoms through decades and more.
That look, a caress, the perfect words – all quite rare, still.
Oh to be a larks head knot, strengthening when used.
Delicious hitch, unmoved water, tight square, still.
I fall, you fall. We fall together in pleated silence.
The inevitable loop of the captive’s bright snare, still.
No gods today, but voices trickling through my skull:
Bob, Bob, they say. Not again. Even you should care. Still!
* * *
In response to a comment, Daniel Schnee dared/challenged me to write a poem about a bullwhip. To make it interesting I decided to combine his theme with my latest enthusiasm, the ghazal form.
This first appeared on the blog in September 2017.
The Theory and Practice of Rebellion
Such small lives we’ve led,
diffident, quiet, until
provoked.
Remove our words,
we become steel
and sharp stone,
fletched softwood
splitting the air,
string reverberating,
singing resist,
resist.
Fear not
who we are now.
Consider tomorrow.
“The Theory and Practice of Rebellion,” first appeared in Outcast Poetry, and was reprinted on Vox Populi. Many thanks to editor Sean Lynch for originally taking this piece, and for Michael Simms for reprinting this and other pieces. I am truly grateful for his support.
My poem “True Name” is up at boats against the current. I am grateful to editor-in-chief McKenna Themm for taking this piece.
No One Knows
There, the dream of flying
cars, and the next,
tumbling through soft
glass, inconsiderate and
hopeful as a child
on his birthday,
hands outstretched, waiting.
Unsmiling. You might ask
where this story turns,
whether the glass reconstitutes
or the car crashes,
reminders of a childhood
reconsidered and the simplest
truth, which is no one knows.
“No One Knows” was first published in The Pangolin Review in March 2018.
Theology of Carrots
We hide our best
underground
plumed by ornamental
headpieces
allowing the wisdom
of taproots
to prosper
in darkness.
“Theology of Carrots” first appeared here in September 2017.
A Cheese Omelet at Midnight
You can’t ever leave without saying something,
no matter how insipid. That sweater looks good
on you. It’s supposed to rain tomorrow. I’m sorry
I burned the omelet. Nasdaq has plunged 3%
since last week. And I, in return, can’t let you go without
replying in equal measure. It matches your eyes. I love
to smell rain in August. That cheddar was delicious.
Maybe I’ll start a savings account. Next month.
So I wash dishes when you’re gone, wipe down the
counters, pour salt into the shaker, grab a book, join my
cat in bed. This tune’s been overplayed, the grooves’re
worn down. Maybe next time I’ll say what I mean,
tell you what I want: It would look better in a heap
on the floor. How about a shower here, tonight? Kiss
me and I’ll never think of it again. I don’t give a rat’s
ass about the stock exchange. Step away from that door!
I’ll make your lunch, butter your 7-grain toast, assemble
your IKEA furniture, balance your books, even dye
my hair pink, tattoo a pig on my thigh and drink light beer
in your honor, if you would agree to say what’s on your
mind. On second thought, don’t. Tell me, instead,
what I want to hear, but make it heart-felt. Truthful
and direct. Poached but earnest. Hard-boiled but tender.
I’ll cook your eggs. Invest in me. You’ll earn interest.
* * *
This originally appeared in August 2015, as the 25th offering in the Tupelo Press 30-30 fund raiser. Thank you, Pleasant Street, for sponsoring this.
Wind
That it shudders through
and presages an untimely end,
that it transforms the night’s
body and leaves us
breathless and wanting,
petals strewn about,
messenger and message in one,
corporeal hosts entwined,
that it moves, that it blends,
that it withdraws and returns without
remorse, without forethought, that it
increases, expands, subtracts,
renders, imposes and releases
in one quick breath, saying
I cannot feel but I touch,
I cannot feel
* * *
“Wind” first appeared in Blue Hour Magazine and is included in my first chapbook, If Your Matter Could Reform.
Wasp
Outward, the quest for
space and the wings’
hunger to unfold and
shed this home of dark
flesh and encompassing desire.
And each thing remembered, the broken
sheath, the flowering desert’s return,
reflects the notion of being, of intent
in action and its corollary,
the gift of living through death.
* * *
“Wasp” last appeared here in November 2018.
Apricot Wood
I built a frame of apricot
wood. This was for you. The clouds float
through it even as I sleep. You wrote
once of wild herbs gathered and brought
to a lovely girl, an offering not
of passion but of some remote
desire to hear a word from the throat
of the Lord Within Clouds. I thought
of this as I chiseled the wood.
Last night it rained. I listened to
it from my bed by the open
window, hoping that the clouds would
not leave. This morning two birds flew
by. It is raining again.
Originally penned in the 1980s, “Apricot Wood,” is included in my 2015 chapbook, If Your Matter Could Reform. It was first published in 1986, in SPSM&H, a publication devoted to sonnets, and was featured on Autumn Sky Poetry Daily in March 2015. It’s interesting to look at my writing from this period. Some pieces seem to have been written by a stranger, long ago and far, far away. This one somehow seems closer.
O at the Edges 