
My poems “What Follows” is live at Green Lion Journal. Many thanks to editor Renwick Berchild for taking this piece.

My poems “What Follows” is live at Green Lion Journal. Many thanks to editor Renwick Berchild for taking this piece.
How soon we lose the scent
of our first love’s
body, that odor of perfume
over sweat and uncertainty
and the overwhelming surge
into what will never again
be new. You shake yourself
back, wondering
if falling stars could choose
to rise again, whether
they would rejoin the firmament
or simply retreat deeper into the
ocean’s black, cooling, sliding
down and away, slipping
free of regret, evading forever
the sun’s long fingers.
“Down and Away” was first published in August 2019 at Trestle Ties. Many thanks to Juleen Eun Sun Johnson and Aaron Schuman for taking this piece.

My poems “Been There” and “Rockport” are live at Green Lion Journal. Many thanks to editor Renwick Berchild for taking these pieces.
On the Burden of Flowering
Even the cactus wren
surrenders itself
to the task,
though it rarely listens
to my voice. How do clouds
blossom day to day
and leave so little
behind? The bookless shelf
begs to be filled, but instead
I watch the morning age
as the sun arcs higher.
Yesterday you said
the mint marigold
was dying. Today it
stands tall. Yellowing.
Worms
Yesterday’s cored apple buzzes with light,
another vessel stored in sadness.
I have swallowed vows.
I have replaced air with earth
and enjoyed tongued flesh.
To think is to live. To live is to delay.
Burrowing through the soil’s rich
decay, this body,
accepted. Absorbed.
“Worms” was first published in Rue Scribe in September 2018.

I’m delighted to report that my poem “My Mother’s Ghost Looks Away When I Say Her Father’s Name” has been awarded the 2021 riverSedge Poetry Prize.
Many thanks to editor-in-chief José Antonio Rodríguez and the staff of riverSedge for taking this and several other pieces over the past few years. You may find it interesting that the poem had been rejected eleven times before landing at riverSedge. Such is life in poetry. Persistence is key…
Self-Portrait as Compost
Beneath the surface find warmth,
the fruit of decay and mastication,
of layered mixes and intermingled
juices. Disintegrated or whole,
still I strive to speak. Bits of me
meld, to be absorbed slowly; I
process and am processed: here,
within the pepper bush’s deep red
berries, there among the dianthus.
Scattered, deliberately placed,
having been, I shall emerge again,
forever changed, limitless, renewed.
* * *
“Self-Portrait as Compost” was first published in Issue 125 of Right Hand Pointing. Thank you to editors Dale Wisely, Laura M. Kaminski, F. John Sharp and José Angel Araguz for taking this piece.
The Question is Never
Who will lock the door
or leap in front of the jacketed
bullet. Nor is it four words
born in lust and camouflaged
with piety. No one cares
if you blink or continue
breathing. No one knows
what you think. Nothing
matters. Not the pen
in her hand or your finger
on the trigger. Not the crying
and the dead and the stains
in the hallway, the man
in the street hiding behind
himself. The question
is no question, but an answer
struggling to emerge. Never
formed, never truly complete.
“The Question is Never” first appeared on Vox Populi in June 2018.

Chill (Cento)
I shiver a little, with the evening,
and you print a shadow like a thin twig.
Wait for my death, then hear me again.
He believes a pomegranate is a thesaurus,
the thundercloud, tomorrow’s puddle. Is
this hunger unlike that of others?
When a drowning man calls out,
his voice follows him downstream.
Why am I grown so cold?
A cento is composed of lines borrowed from other poets. “Chill” owes its existence to: James Wright, H.D., Ingeborg Bachmann, Eduardo C. Corral, Blaga Dimitrova, Forrest Gander, Yusuf Komunyakaa, and Adelaide Crapsey.

“Chill” first appeared on the blog in March, 2016, and was subsequently published in Long Exposure in October 2016.
What Happens Next
Another night with the frost,
she says, and you’ll know
the half-life of cold.
Which is not to say enjoy,
or pity, or pretend.
It is the sheath of God’s
gaze, an unsuspected lump.
The harvested curse.
You grasp what happens next.
“What Happens Next” first appeared here in November 2017.