Confession to Montgomery, Asleep on the Church Steps

bagels and cream cheese MGD©

 

Confession to Montgomery, Asleep on the Church Steps

If I walk quietly by
it is not to avoid disturbing you,

but rather myself. What
could I give you

but another bagel, the
boiled dough of nothingness

rising in cloudy water,
delaying, perhaps, another

guilty twinge. You have no
answers but when you

speak to the air, sometimes
a smile creaks through

the broken words, and I
think even in this cloistered

darkness we may close
the circle between halves

and might-have-beens,
an understanding, if only

in the language of bread
and coffee and the

disregarded. But today I stride
on, without pause, counting

on nothing that can’t be
pocketed or spoken aloud,

my steps echoing down
the alley and its secrets,

along the crosswalk’s painted
guides, under the sagging

power lines and through
your streetlight’s dim halo.

 

Homeless

 

This first appeared on the blog in January 2016, and was published in Compassion Anthology in March 2019. I have not seen the man who inspired this poem in over three years. I hope he has found shelter and kindness.

 

Bread

OLYMPUS DIGITAL CAMERA

Bread

That year we learned the true language of fear.
I baked boule and you haunted medical sites.

You said to arrive I must first depart
or be willing to suffer self-awareness. Let’s not

mention our pact just yet. My basic boule requires a
Dutch oven, 20 ounces of flour, water, yeast and salt.

At twenty I learned the finer points
of sausage-making, how to butcher chicken, and

that your hair smelled like dawn’s last flower.
Back then we owned the night. Now I harvest

wild yeast and sharpen pencils, make to-do lists,
pour Chianti, run numbers. I agreed

to your proposal. It would be a kindness, you said.
The pancreas produces hormones

and aids digestion. I chopped off my left thumbtip
and a year later the abscission point

still felt numb. After rolling the dough
into a ball, let it proof for an hour in an oiled bowl.

We shared a taste for sharp cheese
but never agreed on pillows. You loved

down comforters and found vultures fascinating.
Years together honed our lives

but we never considered what that meant. Score
the dough, bake it for 30 minutes with the lid on,

remove the lid and bake for another 15.
Kneading resembles breathing: in,

out. Rise, fall. Bright lights made your eyes water,
so I kept them dimmed. You swallowed

and said “Tell me how to knead bread.”
With the heel of your right hand, push down

and forward, applying steady pressure.
The dough should move under your hand.

Within minutes it will transform.

 

* * *

“Bread” was first published in Extract(s) in April 2015.

pillows

Poems Up at One Art

Rubble

My poems “Neither Grace Nor Body,” “Beyond Accidental,” and “Less Than Absence” are live at One Art. I am grateful to editor Mark Danowsky for taking this trio.

Flame

 

Flame 

Drifting, she passes through the frame.

Reshapes borders, edges.

The way smoke scribes a letter in the sky with
gases and particulates. Intractable. Impermanent.

But not like a risen corpse
yet to accept its body’s stilling, or
the flooded creek’s waters taking
a house and the family within. Some things

are explainable. This morning you drained
the sink, and thunder set off a neighbor’s alarm.

From every moment, a second emerges.

Picture a man lighting a candle where a home once stood.

 

* * *

“Flame” was published in Poppy Road Review in February 2019 and is included in my chapbook, From Every Moment a Second, available for order via Amazon.com and Finishing Line Press.

Jackboy’s Lament

Jackboy’s Lament

We define ourselves in movement,
in the uncertain light and forms

shuddering by: fences, the nameless
wave, odors, dark water.

Look at the hills, their lines stretched taut like
smiles, or voices torn from the earth.

Or the creek below us – how its mouth never closes
yet nothing emerges but a shadow

on the wind. Two questions arise,
leaving only the abandoned to consider.

In our solitude, only my self is missing.

 

“Jackboy’s Lament” made its first appearance here in October 2015. I started the poem about a dozen years ago, after a drive through the Texas hill country with Jackboy the cattledog, who was quite the philosopher and humorist. This is what emerged after several conversations and much reflection over his circumstances (abused, abandoned, rescued). Jack didn’t talk much, but he thought. Oh, how he thought.

vultures

 

No One Knows

 

No One Knows

There, the dream of flying
cars, and the next,

tumbling through soft
glass, inconsiderate and

hopeful as a child
on his birthday,

hands outstretched, waiting.
Unsmiling. You might ask

where this story turns,
whether the glass reconstitutes

or the car crashes,
reminders of a childhood

reconsidered and the simplest
truth, which is no one knows.

 

“No One Knows” was first published in The Pangolin Review in March 2018.

 

A Cheese Omelet at Midnight

cracking eggs

 

A Cheese Omelet at Midnight

You can’t ever leave without saying something,
no matter how insipid. That sweater looks good
on you. It’s supposed to rain tomorrow. I’m sorry
I burned the omelet. Nasdaq has plunged 3% 

since last week. And I, in return, can’t let you go without
replying in equal measure. It matches your eyes. I love
to smell rain in August. That cheddar was delicious.
Maybe I’ll start a savings account. Next month.

So I wash dishes when you’re gone, wipe down the
counters, pour salt into the shaker, grab a book, join my
cat in bed. This tune’s been overplayed, the grooves’re
worn down. Maybe next time I’ll say what I mean,

tell you what I want: It would look better in a heap
on the floor. How about a shower here, tonight? Kiss
me and I’ll never think of it again. I don’t give a rat’s
ass about the stock exchange. Step away from that door!

I’ll make your lunch, butter your 7-grain toast, assemble
your IKEA furniture, balance your books, even dye
my hair pink, tattoo a pig on my thigh and drink light beer
in your honor, if you would agree to say what’s on your

mind. On second thought, don’t. Tell me, instead,
what I want to hear, but make it heart-felt. Truthful
and direct. Poached but earnest. Hard-boiled but tender.
I’ll cook your eggs. Invest in me. You’ll earn interest.

 

* * *

This originally appeared in August 2015, as the 25th offering in the Tupelo Press 30-30 fund raiser. Thank you, Pleasant Street, for sponsoring this.

 

Asparagus omelet MGD©

Self-Portrait with Bruise

deepfriedbutter

Self-Portrait with Bruise

Some damages announce, others conceal.
How else may we continue

despite our best
inattentions? And which treasure
do we truly hold

closer, the blood orange
or the blade
that parts its segments? At

thirty I would have chosen
one. At forty, the other. Now,
options spread like branches among the cedars.

Ruptured vessels reveal our lapses.

 

***

“Self-Portrait with Bruise” first appeared in Shadowtrain in August 2015.

orange

Poem Up at Midwest Zen

YinYang

My poem “Blackbodys” is live at Midwest Zen. I am grateful to editor Kristin Roahrig for taking this piece.

Every Drop

 

 

Every Drop

Your light singes my roots
even deep underground, where
worms revel in your joy

and all the days’ secrets line up
awaiting their turn to kneel and
unwrap their daily truths in the
comfort of the chambered soil.

If I were a seed, I would wait
for your touch before sprouting,
and only then would I surge

to the surface, swallowing
your gift. Greedy but grateful,
I’d open, drink every drop.

“Every Drop” first appeared in Tiny Seed Literary Journal in June 2019.