The Stone Remains Silent Even When Disturbed

image

The Stone Remains Silent Even When Disturbed

In whose tongue
do you dream?
I fall closer to death

than birth, yet
the moon’s sliver
still parts the bare

branches and an unfilled
trench divides the
ground. Bit by bit,

we separate – you
remain in the earth,
recumbent, as I gather

years in stride.
Even the rain
leaves us alone.

image

This first appeared in December 2015.

 

3 Centos Published in LONG EXPOSURE

catch-the-sun

* * *

Three of my centos have been published in Long Exposure. Many thanks to editor Daniel Williams for taking these pieces (What the Body Gives, Gravity Takes; Still Hands; Chill) which have previously appeared on this blog.

 

 

3 Poems Up at Otoliths

eyed

* * *

Three of my poems are now up at Otoliths. Many thanks to editor Mark Young for taking these odd (my word) pieces.

 

 

Aubade (Inca Dove)

file0002005846098

Aubade (Inca Dove)

Such delicacy
evokes the evolution of hand
and wing, a growth

reflecting all we’ve come
to know. Two doves

sit on the fence, cold wind ruffling
their feathers. What brings them
to this place of no

shelter, of wind and rain
and clarity defied? Fingers

often remember what the mind
cannot. Silence
complicates our mornings.

 

This first appeared here in February 2015, and was originally published in The Balcones Review in 1987. Seems I was enthralled with birds back then, too…

FenceDrama1

Refusal Charm

skull

Refusal Charm

Every rock a precept —
a fist in a garden of palms

a skull is a skull
she says

and I am        no iris

overnight the green beetles
have learned flight

now they lumber
into windows

bright asteroids        falling

I prefer other voices
in the lantana        or dirt

mounded in grids
asking        may I come out

no      it is late      too late

oh

My Poem “Between” Is Up On Clade Song

between

I thought I’d repost this as it was given short shrift during the 30/30 frenzy.

Many thanks to editors Joshua McKinney and Tim Kahl for including my poem “Between” in the current issue of Clade Song, one of my favorite poetry journals. A recording is also available for your amusement. And please check out the beautiful and intriguing musical piece on the home page – composed of various animal calls, guitar, flute and shaker.

My Poem “On the Burden of Flowering” Is Up On Panoply

OLYMPUS DIGITAL CAMERA

I thought I’d repost this as it was given short shrift during the frenzy of the 30/30 Challenge in August.

Many thanks to editors Andrea, Jeff and Ryn for including my poem “On the Burden of Flowering” in the current issue of Panoply, another of my favorite poetry journals. I’m thrilled that they were able to take this piece.

Day Twenty, Tupelo Press 30/30 Project, August 2016

cicada emerging

My poem “You Say Cicada” will appear among today’s offerings of the Tupelo Press 30/30 Project (9 poets have agreed to write 30 poems apiece in 30 days, to raise funds for Tupelo Press, a non-profit literary publisher). I am grateful to Sunshine Jansen, who sponsored the poem and provided these three words: instar, ecdysis, and sap-sucking.

You Say Cicada

I say cicada, the difference lurking in the middle,
like the shortest dancer in an off-Broadway musical,
or a note hidden between two reams of legal paper
in the supply room of a well-appointed dentist’s…

Click here to see the rest of the poem.

Tomorrow’s poem, “White Mules and a Column of Smoke” was sponsored by Natalie Butler, whose photo inspired me.

I still need title sponsors for the 25th and 26th, and don’t forget about the 3-word sponsorships. Remember, you can combine the two (as in today’s poem) to force me to use not only your title, but also three words that I’d likely not use on my own. Be gentle. Be kind. Or not. And can anyone challenge last year’s co-winners of Worst Title in the History of the 30/30 Project, Ron, Plain Jane and Mek?*

The  sponsored poems are a blast to write, and the titles lead me to poems I’d not otherwise conceive. If you’re inclined to sponsor a poem, Donate to Tupelo, and please let me know as soon as possible what your title is or which three words you’ve foisted upon me.

For a $15 donation, I’ll send you a signed copy of one of my 30-30 poems. Your choice!

If you need something to read, Think Dink! A $30 donation will get you my 2015 chapbook If Your Matter Could Reform, Barton Smock’s Infant Cinema, Jamie Hunyor’s A New Sea, and Tim Kahl’s full length work, The String of Islands, thanks to the generosity of Dink Press founder and editor Kristopher Taylor!  A limited quantity is available, so order earlier rather than later. I hear that Kristopher Taylor is providing a little something extra with the collection. You can read about it here, thanks to Ken at RIVRVLOGR.

For information on sponsorships (and my other incentives), click here.

Thank you for supporting poetry! Only 10 poems to go!

* The titles are, respectively, “Calvin Coolidge: Live or Memorex,” “Your Armpits Smell Like Heaven,” and “Reduce Heat and Simmer Gently Without Cloud Cover, Till Sundown. Serves 2 – 7 Billion.” “Nose-Picking Reese’s Hider” is definitely a strong contender for this honor.

Day Nineteen, Tupelo Press 30/30 Project, August 2016

music

My poem “What Are You Going To Do” has been posted among today’s offerings of the Tupelo Press 30/30 Project (9 poets have agreed to write 30 poems apiece in 30 days, to raise funds for Tupelo Press, a non-profit literary publisher). I am grateful to Barbara Carlson, who sponsored and provided the title. To make things a bit more interesting, I composed a cento of lines taken solely from Tupelo Press publications (and yes, I own all of the source books. I really am a fan of the press).

What Are You Going to Do (Cento)

Not everything can be set to music,
you have to understand that.

If I went to the end of the street,
would I be at the center of myself? …

Click here to see the rest of the poem.

Tomorrow’s poem, “You Say Cicada” was sponsored by Sunshine Jansen, who provided these three words: instar, ecdysis, and sap-sucking.

I still need title sponsors for the 23rd and 24th, and don’t forget about the 3-word sponsorships. Remember, you can combine the two (as in today’s poem) to force me to use not only your title, but also three words that I’d likely not use on my own. And can anyone challenge last year’s co-winners of Worst Title in the History of the 30/30 Project, Ron, Plain Jane and Mek?*

The  sponsored poems are a blast to write, and the titles lead me to poems I’d not otherwise conceive. If you’re inclined to sponsor a poem, Donate to Tupelo, and please let me know as soon as possible what your title is or which three words you’ve foisted upon me.

For a $15 donation, I’ll send you a signed copy of one of my 30-30 poems. Your choice!

If you need something to read, Think Dink! A $30 donation will get you my 2015 chapbook If Your Matter Could Reform, Barton Smock’s Infant Cinema, Jamie Hunyor’s A New Sea, and Tim Kahl’s full length work, The String of Islands, thanks to the generosity of Dink Press founder and editor Kristopher Taylor!  A limited quantity is available, so order earlier rather than later. I hear that Kristopher Taylor is providing a little something extra with the collection. You can read about it here, thanks to Ken at RIVRVLOGR.

For information on sponsorships (and my other incentives), click here.

Thank you for supporting poetry! Only 11 poems to go!

* The titles are, respectively, “Calvin Coolidge: Live or Memorex,” “Your Armpits Smell Like Heaven,” and “Reduce Heat and Simmer Gently Without Cloud Cover, Till Sundown. Serves 2 – 7 Billion.” “Nose-Picking Reese’s Hider” is definitely a strong contender for this honor.

3 Poems in Eclectica’s July/August Issue

scarycrow

I’m delighted that the July-August issue of Eclectica includes three of my Scarecrow poems. Last year I bought a book on corvids (crows, ravens, jays), thinking that I’d likely produce a few poems centered on these fascinating birds. But as I started writing the first one, the Scarecrow’s voice eased in and took control. Thus far we’ve collaborated on about a dozen pieces. Such is poetry…