Tag Archives: reading

Ode to Being Placed on Hold

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phone

 

Ode to Being Placed on Hold

The music rarely
entertains,
but I find
peace between
the notes,
sometimes,
and embrace
the notion that
I’ve been inserted
in that peculiar
capsule between
speech and the
void, imagining
myself somewhere,
floating, free
of care and
gravity,
beer can
satellites
orbiting my head,
with bites of
pungent cheeses
and baguette
circling in
their wake,
a gift, you see,
like rain in
August or
a warm voice
saying hello.

“Ode to Being Placed on Hold” was written during the Tupelo Press 30-30 marathon in August 2015. Many thanks to Mary “marso” of the blog “marsowords” who sponsored and provided the title. The poem also appeared here in March 2016.

cheese

Recording of “Awakened, He Turns to the Wall (Cento)”

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cell

 


Awakened, He Turns to the Wall (Cento) 

Then, everything slept.
Where were you before the day?

You see here the influence of inference,
whereby things might be seen in another light,

as if the trees were not indifferent, as if
a hand had suddenly erased a huge

blackboard, only, I thought there was
something even if I call it nothing,

like the river stretching out on its
deathbed. No one jumps off.

* * *

A cento is composed of lines from poems by other poets. This originated from pieces by: Larry Levis, Jacques Roubaud, Lorine Niedecker, Gustaf Sobin, Denise Levertov, Elizabeth Spires, William Bronk, Vicente Huidobro, Ingebord Bachmann

For further information and examples of the form, you might peruse the Academy of American Poets site: http://www.poets.org/poetsorg/text/poetic-form-cento

erase

Recording of “Scarecrow Pretends” at Words and Feathers

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I’m participating in the Open Mic at Words and Feathers. My contribution is “Scarecrow Pretends,” and can be read here, at The Slag Review. Kudos to Crow for hosting this virtual reading!

Glass with Memory

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lamp

 

Glass with Memory

When I remember you
glass comes to mind,
but nothing so transparent
as an unclothed thought

or warmth trickling in
through the pipes or
under the haze of
the second night’s sheet,

no two alike except
in appearance, but under
the lamp’s unconscious glare
I find warmth spreading

across the hard surface,
telling me all is
not lost, that smoothness
persists beyond our reflection.

glass

Recording of “Letter from Kansas” at Words and Feathers

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kansas

I’m participating in the Open Mic at Words and Feathers. My contribution is “Letter from Kansas,” which appeared here last month. Kudos to Crow for hosting this virtual reading!

Recording of my poem “Runaway Bus”

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tickets

 


Here’s a recording of my poem “Runaway Bus,” which was featured on Postcard Poems and Prose Magazine in January.


Wherein the Book Implies Source

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book

Wherein the Book Implies Source 

And words form the vessel by which we traverse centuries, the river
stitched across the valley’s floor, easing access.

Accession by choice. Inorganic memory.

Vellum conveys its origin: of a calf.

How like an entrance it appears, a doorway to a lighted space.
Closed, it resembles a block of beech wood.

To serve as conveyance, to impart without reciprocity.

Framing the conversation in space, immediacy fades.

The average calfskin may provide three and a half sheets of writing material.
Confined by spatial limitation, we consider scale in terms of the absolute.

The antithesis of scroll; random entry; codex.

A quaternion equalled four folded sheets, or eight leaves: sixteen sides.

Reader and read: each endures the other’s role.
Pippins prevented tearing during the drying and scraping process.

Text first, then illumination.

Once opened, the memory palace diminished.

* * *
This originally appeared in April 2014 as part of Boston Review’s National Poetry Month Celebration, and is included in The Circumference of Other, my offering in the Silver Birch Press chapbook collection, IDES, published in 2015.

ides front cover 92915

Recording of “What the Body Gives, Gravity Takes”

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falling
A recording of “What the Body Gives, Gravity Takes.”

Thank you, Finnegan Daley, for the request.


You can read the poem here.

Awakened, He Turns to the Wall (Cento)

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cell

Awakened, He Turns to the Wall (Cento) 

Then, everything slept.
Where were you before the day?

You see here the influence of inference,
whereby things might be seen in another light,

as if the trees were not indifferent, as if
a hand had suddenly erased a huge

blackboard, only, I thought there was
something even if I call it nothing,

like the river stretching out on its
deathbed. No one jumps off.

* * *

A cento is composed of lines from poems by other poets. This originated from pieces by: Larry Levis, Jacques Roubaud, Lorine Niedecker, Gustaf Sobin, Denise Levertov, Elizabeth Spires, William Bronk, Vicente Huidobro, Ingebord Bachmann

For further information and examples of the form, you might peruse the Academy of American Poets site: http://www.poets.org/poetsorg/text/poetic-form-cento

erase

Recording of “How to Write a Poem” at Words and Feathers

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firewood2

I’m participating in the Open Mic at Words and Feathers. My contribution is “How to Write a Poem,” which has appeared here twice in the past year. Kudos to Crow for hosting this virtual reading!