Something Lost, Something Trivial

broom

 

Something Lost, Something Trivial

Another word, another bewildered
moment in transition: the phrase
barely emerges from your mouth
before crumbling back into a half-opened
drawer in the loneliest room of a house
that died seventeen years ago.

I nod as if in understanding, and stoop
to pick up a crushed drinking straw,
the kind with the accordion elbow
that facilitates adjustment.

From a rooftop across the street,
a mockingbird warbles his
early morning medley of unrelated
songs, and you say left oblique,
followed by matches, then
collapse on a bench,
winded. I sit next to you

and we both enjoy the warmth
and birdsong, though I know
this only through the uplifted
corner of your mouth, which
these days is how you indicate
either deep pleasure or

fear. I have to leave soon,
I say, and you grab my wrist
and stare into my eyes.
Broom, you reply. And more
emphatically, Broom!

Though I cannot follow you
directly, knowing both path
and destination, I pick my way
carefully through the years
stacked high like cardboard
banker’s boxes stuffed with
papers and receipts no one
will ever see. I know, I say.
I love you, too. Broom.

 

* * *

“Something Lost, Something Trivial” was published in January 2016 in the first issue of MockingHeart Review. Many thanks to founding editor Clare L. Martin, for her multiple kindnesses.

Texas Flood

 

 

 

Texas Flood

Sunlight sneaks through a crack, feathering
the overgrown lawn, electric blues in the air.
I have forgotten everything I once was.
An uprooted tree, the abandoned
steeple, a lone dog chained to a pole.
The uncertain puddle in a memory of howls.
Last night’s midnight ochre, in spades.
It lives behind me, like the wind.

 

“Texas Flood” was published in the print journal North Dakota Quarterly in February 2019.

 

And hey, here’s a video of SRV playing his version of “Texas Flood” with brother Jimmie.

 

Letter from Kansas

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I was a military brat. My return to the U.S. after attending high school in Italy was, well, interesting. Junction City, Kansas was definitely not bella Napoli. This poem came from that experience, albeit a few years after, and was published in the mid-80s in the Allegheny Review, a national journal of undergraduate creative writing, and was republished by Silver Birch Press in 2017. The kid who wrote it still exists. Somewhere.

 

Letter from Kansas

Caro amico,
Driving the stretch to Junction City,
I look for familiar faces in the cars
we pass, but see only strange grasses
gliding by. Three weeks ago
I slept on a stone-littered hilltop
overlooking the Bay of Naples.
Now the prairie laps at our front door.
A mile from the house two corralled bison
munch dull hay thrown daily
from a truck’s flat bed, and past that
the Discount Center’s sign
spells America. What I wouldn’t give
for a deep draught of Pozzuoli’s
summer stench and the strong
yellow wine that Michele’s father
makes. We mixed it with the gardener’s
red, creating our own bouquet,
remember? And here they say
I’m too young to buy beer and wine.
Without them the food is flavorless,
like the single language spoken.
I understand it all,
and miss the difficulty. Maybe Texas
will be better. Ci vediamo. Bob

 

 

This was one of my first posts on the blog, and as you might expect, very few people saw it. I wrote the poem in the summer of 1983, when I was new to poetry, still tentative, exploring. A few weeks later I attempted the sonnet form, and, well, everything changed. Everything.

 

Take Away

 

 

Take Away

Take away the blackness,
what does night become?

Remove arugula’s bitterness,
the reddened prints on a slapped
cheek, or yeast from leavened bread.

The coroner’s mask denies emotion.

We possess no less now than we did then.
One hand holds the root, the other, a trowel.
Soil, compost. Ash. Water, dreams. Renewal.

The economy of dying continues.

One mother stands alone, cradling pain in
both arms. The second shares her shadow.

 

 

 

“Take Away” is included in my chapbook, From Every Moment a Second, available for order now via Amazon.com and Finishing Line Press.

 

 

Bandera

image

Bandera

I offer nothing in return, and in offering, receive.
My mouth is a river

whose current bears no words,
but the silence is not of my making.

Notice the streets and their grey
hunger, the rain and the sun

passing by much
as one passes an unopened door.

That question, unvoiced.
That shiver preceding the icy touch.

You may deny my motives.
You may deny my existence and

the very notion of shape unto form.
I offer nothing, and in offering, receive.

image

“Bandera” first appeared here in May 2015, and was subsequently published in The Basil O’Flaherty in November 2016.

Poem Up at Tipton Poetry Journal

My poem “Nothing to Fear” is live at Tipton Poetry Journal. Many thanks to the editors for taking this piece.

Rain Haibun

 

Rain Haibun

Watching that thought slide down the wall
into the grass. Losing it and the next,
celebrating each. How quickly the body
accepts decay. This knee, those arteries.
A fragmented life. Not even the rain
brings us back.

 

The ticking roof
swells with thunder.
My old friends, waiting.

 

* * *

“Rain Haibun” first appeared in The Larger Geometry: poems for peace, available at Amazon. This anthology of poems that “uplift, encourage and inspire,” features poets from five countries and three continents. Published by the interfaith peaceCENTER of San Antonio, Texas, a 501(c)(3) nonprofit organization. All proceeds from the sale of this anthology go to benefit the peaceCENTER.

I’m pleased to have had a small role in selecting the poems.

Contributing poets include Lynne Burnett, Charlotte Hamrick, Daryl Muranaka, Stephanie L. Harper, Sudhanshu Chopra, Texas Poet Laureate Carol Coffee Reposa, Michael Vecchio, Rebecca Raphael and others.

 

 

Prescribed

 

Prescribed 

Some seeds are buried, others scattered.

April’s wildflower reflects October’s rain.
Bluebonnet, fragrant gaillardia. Texas paintbrush.

Cause and effect is seldom so clear with people.

Left hand offers money, right strikes a match
and the voice sings praise without conviction.

Perhaps we are guileless,
and true motive lies in the completed deed,
underground or above,

blossoming or charred after the burn.

 

* * *

My poem “Prescribed” was featured in December 2017 at The Clearing, a British online magazine focusing on landscape.

Thanks to editor Michael Malay for taking this one.

 

Privilege

 

Privilege

Every hour becomes another.

Surrendering minutes, accepting
gain, which gravities restrain us?

Strong coffee, books. A smile.

Such imponderables – the measured
digit, starlife, an unmarked sheet of
paper fluttering to the floor.

Sometimes the lights go out
and we wonder when they’ll return,
not if. Or the laborer misinterprets
a statement and stains the carpet.

There but for the grace…
Anything can happen, and frequently does,

but we open the door and step out, unhindered.

 

 

“Privilege” is included in my chapbook, From Every Moment a Second, available for order now via Amazon.com and Finishing Line Press.

 

Nights at the Magdalene Laundry

cemetery

 

Nights at the Magdalene Laundry

Waiting, as if it could
be foreseen, as if influence and love
and truth could ease into the conversation,

she pours water into the night’s
mouth. A little longer, says the voice,
and the wind bends the grass,

reaching, without apprehension, a conclusion.

Which is not to claim verity, nor the patience of stone
crumbling along the ledge.

She leaves when nothing remains.

 

washtub

“Nights at the Magdalene Laundry” first appeared here in January 2016, and was subsequently published in The Basil O’Flaherty, in November 2016.