My poem “Driving without Radio” is up at Split Rock Review. And there’s a recording of it, as well. Many thanks to editor Crystal Gibbins for providing a home for this one.
Something Lost, Something Trivial
Another word, another bewildered
moment in transition: the phrase
barely emerges from your mouth
before crumbling back into a half-opened
drawer in the loneliest room of a house
that died seventeen years ago.
I nod as if in understanding, and stoop
to pick up a crushed drinking straw,
the kind with the accordion elbow
that facilitates adjustment.
From a rooftop across the street,
a mockingbird warbles his
early morning medley of unrelated
songs, and you say left oblique,
followed by matches, then
collapse on a bench,
winded. I sit next to you
and we both enjoy the warmth
and birdsong, though I know
this only through the uplifted
corner of your mouth, which
these days is how you indicate
either deep pleasure or
fear. I have to leave soon,
I say, and you grab my wrist
and stare into my eyes.
Broom, you reply. And more
emphatically, Broom!
Though I cannot follow you
directly, knowing both path
and destination, I pick my way
carefully through the years
stacked high like cardboard
banker’s boxes stuffed with
papers and receipts no one
will ever see. I know, I say.
I love you, too. Broom.
* * *
“Something Lost, Something Trivial” was published in January 2016 in the first issue of MockingHeart Review. Many thanks to editor Clare L. Martin, for her many kindnesses.
I’m delighted to have a poem included in this stunning 180-page anthology published by one of the earliest online magazines. It is available for purchase here at CreateSpace and also at Amazon. If you order it through CreateSpace, Eclectica will receive a larger share of the royalties. And while you’re there, check out their Speculative, Nonfiction and Fiction anniversary editions as well. Only $12!
My included poem, “Memorial Day,” was written in 2001 or 2002, but languished in a folder for more than a dozen years before I sent it to Eclectica, where it subsequently appeared in the July/August 2014 issue. You never know what’ll happen to/with your poems, but I certainly never expected this. What an honor!
This is kind of cool, I think: my words appear on this WordPress landing site.
Scroll down about halfway to “Voices from our community.”
Nothing earth-shattering, and just an excerpt from a blurb that will appear in a week or two, but perhaps it will find a few poetry lovers…
Chili, Chocolate and Chihuahuas
The Lovely Wife has jetted off to the great Midwest, leaving me behind to sort the pages of an unruly poetry manuscript in the company of Apollonia, the six-pound terror of Texas, and Ozymandias, her doting, but worried, twelve-pound shadow. As noon departs I note hunger’s first tentative touch, and head to the grocery store for supplies. I’m craving chili, but not having a particular recipe in mind, decide to see what strikes my fancy.
Ah, the sun at last!
No more rain, the yard’s drying.
Our dogs, shivering.
For my chili base I’ll sometimes toast dried ancho peppers, rehydrate and puree them, but I’ve recently replenished my chile powder stock (ancho, chipotle, New Mexico, cayenne, smoked paprika) and feel just a tad lazy, so I’ll use the powdered stuff. But I pick up a poblano, some jalapeños and two onions, and on my way to the meat counter, grab a 28-ounce can of diced tomatoes and some spiced tomato sauce. I examine the beef and nothing entices me (ground beef is anathema, and don’t even mention beans!), but a few paces away I spy a small pork roast, and place it in my cart alongside a 16-oz bottle of Shiner Bock and a bag of chocolate chips.
Knowing my plans, the
cashier smiles and shakes her head.
Milk chocolate chips?
Shuffling the manuscript pages, I ask the dogs for their input. But Apollonia declines, preferring to nap in a sunbeam, and Ozzie is too busy pacing to bother with poetry. So I turn to the impending dinner, chop onion, dice peppers, mince garlic, measure out the various chile powders, cumin and oregano, cube the pork, and brown it in the Dutch oven.
Ozymandias
sits by the front door and moans.
Wind rattles the house.
Once the meat is seared, I saute the veggies, dump in the canned tomatoes and chile powder mixture, add the meat, coating it with the spices, and then pour in the Shiner Bock and heat it all to a near-boil before reducing the temperature and allowing it to simmer for an hour, at which point I stir in about four ounces of the chocolate chips and a teaspoon of garam masala. I let the chili simmer for another hour, then remove half of the pork, shred it with a fork (it’s very tender), and return it to the pot, stir, taste, and add a little salt. Done. I ladle out a bowl, pour a La Frontera IPA, and eat. Not bad, I think. Not bad at all for the first chili of the season.
Beer in hand, I burp,
the dogs stirring underfoot.
Only four more nights…
* * *
This first appeared in December 2015. As I await our first frigid weather of the year, I’m wondering what to cook tomorrow…
Variations on a Theme
1. The Long Night
We envy the shadow its attributes, its willingness to subside,
but what of its flesh?
I lay in the field and wept.
Think of the fragrance, the moist leaves
enveloping the still
warm body. In retrospect, I realize that I should never have left, that air
returns to voided space despite all attempts to disavow
light, that wind and rain and soil alike filter through the chest’s
cavity, that stones may bear one’s touch in perpetuity.
At nineteen, death had gifted nothing to my world.
At twenty, little else remained.
So close, so lovely.
2. The Loneliness of Shadows
Light collapsing around a point. The two-headed flower.
In my dreams, no one speaks.
Not the thing itself, the bud bursting forth, petals ablaze with color,
but rather change: the process reinforced.
Sleep seldom shows such kindness.
Or its fruit, redolent of sun and rain, withdrawn and shriveled,
and finally, ingested.
Yesterday I woke damp but unafraid.
3. Alchemy
Stones never talk, but they rise from the earth, appearing as if by invitation.
The way silence lines an unfilled
grave, which is to say as below
so above, an infinite murmur open to the night.
And other notions: transpiration.
Waste.
Sublimation. Calcination and burning.
At times I have withdrawn
like water from the air’s
body, fearful yet reckless in the act.
That evening the moon flickered and the shadows lay at our feet,
and all the words we never framed,
the bitters our tongues could not know, the wasted
music and abandoned caresses, those words,
sighed into the ground, leaving you adrift, alone.
But how else might one transform darkness to light?
Or the reverse.
This originally appeared in Boston Poetry Magazine in April, 2014, and was first posted here in July of 2015..
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I have two poems up at The Galway Review, one of which is also included in Interval’s Night, my recently released mini-digital-chapbook, available for free download at Platypus Press.
I’m delighted that my poems “Scarecrow Remembers” and “Scarecrow Sees” are up at The High Window. Many thanks to editors David Cooke and Anthony Costello for their interest in publishing American poets.
My poem, “The Resonance of No,” is up at Gravel.
O at the Edges 