From Left to Right I Ponder Politics and Poetry

From Left to Right I Ponder Politics and Poetry

In the evening I pour wine to celebrate
another day’s survival. My motions:
up to down, left to right. Glass

from cabinet, wine to mouth.
And then I return to the page.
The character for stone, ishi,

portrays a slope with a stone
at its base, and I take comfort
in knowing that as my knee aches

at the thought of climbing, ishi exists
in descent only. A volcano belches,
producing hi, fire, rising above the

cone, while earth, tsuchi, lies firm
beneath the shoots pushing up,
outward, and ame, rain,

consists of clouds and dotted
lines and the sky above. But if
wind is made of insects and

plums, do I assemble new meaning
without fact or wisdom, form
or assumed inflection, left to

down, up to right? Consider water,
its currents, its logic and needs.
Consider truth. This is how I think.

* * *

“From Left to Right I Ponder Politics and Poetry” appeared in Bonnie McClellan’s International Poetry Month celebration in February 2017.

Sault Ste. Marie

Sault Ste. Marie

Too often you see yourself and wonder
which bodies ancestors navigated

to gather such glorious scars and wrinkles
in one place, both noticeable and unseen,

little waves in a great lake of flesh.
The mirror is not unkind, you think,

with proper lighting — in candlelight
or late evening’s peppery glow,

after a few drinks. Then you recall
crossing the equator three decades

past, how the deck’s non-skid surface
scratched your knees as you scrubbed

the twists and currents that’d buffeted
you to that imagined line on the globe,

and later, the following points and clock
faces withering down the long queue

of jobs, the spilled beer and incomplete life
sentences. Even now, Superior washes

through its locks, filling, denying, allowing
one’s depths into another’s space with equal

regard, promoting passage, flooding past with
future, present with then, balancing tomorrow, now.

“Sault Ste. Marie” won LCk Publishing’s Spring Poetry Contest in April 2017.

Gulf

gulf

Gulf
for M.V.

Which looms wider, its sky or water? The birds, here, too,
reconvene in greater streaks. This morning I stomped around
Paisano, examining the grasses and soil, the rocks and various
configurations of clouds, and listened to experts discuss
prescribed burns and how the land’s contours can determine
sequence and efficacy. The mockingbird whose territory
we occupy has disappeared. Perhaps he’s just moved on.
I heard a red-bellied woodpecker yesterday, but never saw it,
and of course the rattlers at the ranch are still underfoot, just
less apparent this time of year. I looked closely, as always,
but never spied one. What else did I miss? The rich people
on the bluffs bulldoze habitat, poison creeks and erect their
Italianate villas, caring not a whit for the breeding warblers
or the landscape, although they might pony up a few bucks
for an environmental charity if sucked-up to properly. Given
a choice between the two, I’d pick the snakes every time;
they don’t smile or offer spiked drinks and stories of their
conquests, and usually warn before striking. Even a minor
deity might take offense and crack open a new fault in the
earth between this place and theirs, widening it by inches
with each presumption, every falsehood, whether shaded
in unrelated facts or illogic, until that shifting space could
be spanned solely by a bridge planked with truth and good
manners, and, yes, by mutual consent. Looking back, I
find many examples of these bridges collapsing in utero,
but we keep trying. Your story of the gulf coast storm
reminded me of weeks spent on calm water, and seeing,
no matter where I turned, blue meeting blue, from horizon
to horizon, the sky never broken by bird or cloud, born
anew each day, always looking between, never down.

“Gulf” was published in West Texas Literary Review in March 2017.

Cutting Down the Anniversary Pine

 

Cutting Down the Anniversary Pine

Things expand. Plans change. Clouds disperse,
people move. I remember swimming

through a dream’s warm water, and rising
for air only to find that I no longer lived

within that need, in that space demanding
the physiological transport of oxygen,

where the laws of physics reigned supreme,
and geometry, with a little luck, posited

all the right questions. And then the clock
blared and morning slammed me back.

Trees grow, as do needs and lives and even
cottages. We took down the dead Jack pine

that year, and drank skip-and-go-nakeds
by the pitcherful, while mosquitoes swarmed

me and ignored everyone else. It’s important,
but I still can’t recall the white pine, nor

where you planted it forty-three years ago.
Symbol or not, its treeness intrudes.

So we suffer these things with age, and if
what we cut down carries meaning beyond

cellulose and shade, bark and pine scent,
we’ll bear that mourning, too. So fuel your

saw, brother, and sharpen the chain. Today
becomes yesterday. Tomorrow never waits.

 

* * *

“Cutting Down the Anniversary Pine” was drafted during the Tupelo Press 30-30 Challenge in August 2015, and was published by Quiet Letter in April 2017.

 

What Happens Next

What Happens Next

Another night with the frost,
she says, and you’ll know

the half-life of cold.
Which is not to say enjoy,

or pity, or pretend.
It is the sheath of God’s

gaze, an unsuspected lump.
The harvested curse.

You grasp what happens next.

 

Vanishing Tracks

Jeff Schwaner writes about a long goodbye. My heart goes out to you, J.

Jeff Schwaner's avatarTranslations from the English

Mom

Doris Marie Lawson Schwaner, 7/3/1939 – 11/8/2017

I wrote this for my mother a little over six years ago. She’d been battling Alzheimer’s disease for several years. I heard her voice yesterday afternoon and she heard mine, thanks to my sister. 

Vanishing Tracks (II)

What is resilient in us is resistant to memory
When the memory goes she will be some other self
Still resilient to the sailing light and shadow
And hungers and exhaustions of love
Made maybe even more immediate

When the resilience goes what is that then

When the resistance goes what is that

Just outside her heart she hears a sound in the night
I am out there knocking on the dusty porch
I have brought a friend with me
When she opens the door will she see herself
Holding my hand?

Do you remember when the car door opened up
As you drove and I…

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Roof Charm

roofmoon

Roof Charm

What is home if not exile to the familiar?

A serrated kiss at the closet door.

We duck our heads and cook meals undercover,
the sun’s rays deflected.

And every relentless     day finds
our hands     wanting.

The black shawl, unfolded.
Wax melted on the whetstone.

You say stars shiver despite their light.

You say one hand      mirrors its mate’s      arc.

I say warmth flows through you, the roof     our sky.

glare

“Roof Charm” made its first appearance here in June 2016.

Wet Grass, Weeds

dandelion

Wet Grass, Weeds

A lone raven
circling the neighbor’s oak,

an oddity in this neighborhood,

lending mystery to the afternoon,
a gateway through dandelion

fluff and the blue seeping through clouds.
A car rumbles by,
stereo hammering the air,

warnings everywhere for the wary.

carmirror

“Wet Grass, Weeds” first appeared here in May 2016.

The “Hidden” Secret of The Creative Process: パート3

In part 3 of The “Hidden” Secret of the Creative Process, Daniel Schnee discusses diatactical thinking.