Elegies for the Night (2002)

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Elegies for the Night (2002)
                                        for W

1
You might palm a small token, damp and misshapen as the words
you expel, never admitting the dark truth.

Or the plundered life, neither black nor white, invisible yet whole.

Someone prays, yet all around silence reigns and the snow melts.

Possibilities cleansed in the light of misplaced certainty.

2
The charred wind’s fruit bears little resemblance to its predecessor.

And later, within the garden’s stones, what remains
but an acrid taste on the tongues of the speechless?

And if the bones have dispersed where might their thoughts reside?

The wind takes nothing it does not want.

The wind wants nothing.

Nothing remains.

                    I am afraid, she said. Please tell me.

3
Though the moon returns in its diminished
state, I shall not listen. Words

turn back and eat
themselves, exposing intent

behind form, consonants beneath
vowels lying in wait. Abandonment.

And further senseless
debates: gain from loss, shock and awe,
the incessant demand for others to do

not what you would do but what you would have them do.
I claim no insight,

but even the light you reveal burns unclean.

4
Despair and its siblings fall to mind.
Scarcities: clean water, air, the simplest meal

when ashes swirl and fingers burn long after
the rain. My son, my son,

and other cries lost in the sand.
If he listened what sounds could he bear,

what sights, which odors? I tremble and lie still.

* * *

“Elegies for the Night” first appeared in Boston Poetry Magazine in April 2014.

 

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Kites

string

Kites

Will viewpoint shift with my spine’s slow
compression, or will this

window admit only true images
in the shortened days to come?

I pencil phrases on bone-shaped kites
and release them to the afternoon.

Call them prayers, name them moans.
Each string is a regret freed, a separate

skeleton, let go. My two selves shudder
in the attempt. I await the perfect breeze.

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3 Poems in Eclectica’s July/August Issue

scarycrow

I’m delighted that the July-August issue of Eclectica includes three of my Scarecrow poems. Last year I bought a book on corvids (crows, ravens, jays), thinking that I’d likely produce a few poems centered on these fascinating birds. But as I started writing the first one, the Scarecrow’s voice eased in and took control. Thus far we’ve collaborated on about a dozen pieces. Such is poetry…

Hummingbird (3)

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Hummingbird (3)

Arriving from nowhere,
its mouth opens

but what escapes
comes not from within

and is never complete.
Words, too, falter

in this space,
struggling to remain

aloft, challenged yet free,
an exchange

between air and wing,
of sound and thought,

occurring as it must
without design

or desire, simply
there, then gone,

a presence one notices
in its absence.

* * *

“Hummingbird (3) made its first appearance  on the blog in December 2014.

words

Hummingbird (2)

humming moon-2

Hummingbird (2)

It embraces what the mind cannot.
To touch, to be
acquired in the way that light

is drawn to the seed’s
core, one must imagine
silence in the purity of

space – that emptiness between
thought and utterance – filled
with what precedes

intent. The movement
has no end; it is

the breath inhaling us all.

glasshummer

Poem Featured on Imperfect Life

 

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My poem “If We Burn,” which has appeared on the blog twice, is featured on Imperfect Life, an Australian online magazine. It is, sadly, topical.

 

Mockingbird

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Mockingbird

Withdrawn, it unfolds
to another
voice, like that

of a child lost in the wind.
Or, lonely, it rises from its place

and sings, only
to return and start again.
The pleasure we accept derives from

the knowledge that we are not alone.
Each morning we walk out and sit
by the stones, hoping to observe some

new patterns in his life. What we
see is an answer. What we hear is no song.

* * *

“Mockingbird” made its first appearance here in January 2015. It was written
in the 1980s, probably around 1987-1989.

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In Response to Nadia’s Misdirected Email, I State Exactly What I Am Looking For


tulip

 

In Response to Nadia’s Misdirected Email, I State Exactly What I Am Looking For

Balance. The ability to stand on one foot, on a tightrope, and juggle AR-15s,
ethics and dollar bills, while chanting the U.S. Constitution, in tongues.

Or good health.

Unweighted dreams.

A mechanism for disagreeing without needing to annihilate the opposition.

Doorways without doors, truth without fear.

A simple tulip.

One word to describe that instant between thought and pulled trigger,
intent and wish, the elevated pulse and sense of diminished space and time.

Sanctuary. Regret. Apology. Respect.

A tonic to the bitterness, a foil to the sweet.

Fitted sheets that fold. Uncommon sense.

Love in the abstract. More bacon. Smiles.

A closet that embraces everything you place in it. Everything.

The means of unfiring guns, of reversing wounds to undamaged flesh,
and rounds to their magazines, full and never used.

Self-organizing drawers. Due process.

Mothers who know only tears of joy.

One peaceful day.

Just one.

 

lights n sirens

 

 

Hummingbird

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Hummingbird

The thought makes
trembling so

incomplete, a consequence
of knowledge attained. I look out

and see leaves flitting in the dusk,
the air closing around them

like the mouth of an old well
swallowing light. Such

hunger we find difficult
to comprehend. The wind shivers

through our lives and repeats itself,
though differently each time.

Every departure is a return.

“Hummingbird” made it’s first appearance on the blog in December 2014. I wrote it in the 1980s, probably between 1987-1989.

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Forever

photo

Forever

Our dogs hide under the bed,
escaping thunder.

But the sun shatters
a cloud and I know

we will live forever.
Each hour is the sky,

every day, another
star. Now the trees

join the wind
in rejoicing. This

is what we make,
they say. Only this.

* * *

“Forever” made its first appearance in July 2015.

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