Ode to Being Placed on Hold

phone

 

Ode to Being Placed on Hold

The music rarely
entertains,
but I find
peace between
the notes,
sometimes,
and embrace
the notion that
I’ve been inserted
in that peculiar
capsule between
speech and the
void, imagining
myself somewhere,
floating, free
of care and
gravity,
beer can
satellites
orbiting my head,
with bites of
pungent cheeses
and baguette
circling in
their wake,
a gift, you see,
like rain in
August or
a warm voice
saying hello.

 

* * *

“Ode to Being Placed on Hold” was drafted during the Tupelo Press 30-30 marathon in August 2015. Many thanks to Mary “marso” of the blog “marsowords” who sponsored and provided the title. The poem has also appeared here several times.

 

cheese

 

Aftermath

 

Aftermath 

   rust. Being one phase of corruption, a matter of
resolve. When I surrender, the implication is of giving
over, moving above, allowance. Delivering despite
the steady flaking away at what colors me intact.
The quiet evening had lulled me to this inevitability:
when oxides subsume the original metal, the expansion
may result in catastrophe. Yesterday’s arc, tomorrow’s
trial. Failure’s bloom.

 

* * *

 

“Aftermath” first appeared in the print publication Sheepshead Review. Thank you to Audrey Schultz and staff for taking this poem.

Night Journey (after Tu Fu)

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Night Journey (after Tu Fu)

Wind bends the grass along the road.
A lonely truck passes by.
Stars reach down to touch these hills
and the moon drifts behind.

No one will ever know my poems.
I am too old and ill to work.
Circling, floating, who am I
but a vulture looking down.

First posted in March, 2014.

This is not a translation, but rather a version, my “take” on a famous Tu Fu poem. I claim no abilities in translation, neither speak nor read Chinese, and instead depend upon the skills of those who have ventured into these difficult reaches. This is where the poem carries me, a middle-aged Texas hill county dweller, in the Year of the Horse, 2014.

“Night Journey” is included in my micro-chapbook, No Eye But The Moon’s, available via free download at Origami Poems Project.

Here’s the transliteration on chinese-poems.com:

Nocturnal Reflections While Traveling

Gently grass soft wind shore
Tall mast alone night boat
Stars fall flat fields broad
Moon rises great river flows

Name not literary works mark
Official should old sick stop
Flutter flutter what place seem
Heaven earth one sand gull

My goal was to retain the mood, as I understand it, of the original, and to place it into my personal context. An interesting exercise.

Prayer

 

Prayer

Death does not choose you at random.
It approaches at your pace, rumbling
downhill or floating in the air,
debris or dandelion fluff,
concealed yet evident.
Listen: a small cloud bumps another,
merging into one larger being —
can you hear its ecstasies?
All the world’s souls, gathered.

If You Drop Leaves

 

If You Drop Leaves

If you drop leaves when she walks by,
does that signify grief for those
cut down early,

or merely drought?
How easily we abandon and forget.

Yet a whiff of lemon verbena or the light
bouncing from a passing Ford
can call them back,

tiny sorrows ratcheted in sequence
above the cracked well casing

but below the shingles
and near the dwindling shade
tracing its outline on the lawn.

And what do you whisper
alone at night within sight
of sawn and stacked siblings?

Do you suffer anger by way
of deadfall or absorption,

bark grown around and concealing
a penetrating nail, never shedding
tears, never sharing one moment

with another. Offered condolences,
what might you say? Pain earns no
entrance. Remit yourselves.

 

* * *

“If You Drop Leaves” was published at Bad Pony in November 2017. Many thanks to editor Emily Corwin for taking this piece.

While Reading Billy Collins at Bandera’s Best Restaurant, Words Come to Me

 

While Reading Billy Collins at Bandera’s Best Restaurant, Words Come to Me

And having no other paper at hand,
I scrawl on a dollar bill, “I want to speak
the language of smoke.” My invisible friend
interrupts. That is a white man’s dilemma.

 At least you have a dollar and a pen.
“But I’m only half-white,” I reply, “with half
the privilege.” Then you must bear double
the burden,
he says. This version of math

twists my intestines into a Gordian knot,
as does the concept of half equals twice,
or in terms I might better comprehend,
one beer equals four when divided by color

or accent and multiplied by projection.
The unsmiling waitress delivers my rib-eye
as I’m dressing the salad, and the check appears
just after the first bites of medium-rare beef

hit my palate, certainly before I can answer the
never-voiced question “would you like dessert?”
Cheese cake, I would have said. Or cobbler. And I
seldom turn down a second beer. This too, I’m told,

is another example of my unearned entitlement. I
contemplate this statement, scribble a few other
phrases on bills, drop them on the table, and walk out,
wondering which direction to take, which to avoid.

* * *

“While Reading Billy Collins at Bandera’s Best Restaurant, Words Come to Me” was a finalist  for the 2017 Slippery Elm Prize in Poetry. It was published in Slippery Elm (print only) in December 2017. You may be amused to hear that shortly after the winner was announced, I had lunch in Bandera with one of the other finalists in this competition, D.G. Geis, but not at the restaurant featured in the poem. The photo is of a local bar, not the eatery, but it offers some of the flavor of the town.

Poetry Readings

Airport Reading

Over the past three decades, I’ve participated in public readings in some interesting places: bars, cafes, auditoriums, bookstores, churches, classrooms, in people’s homes, in various arts facilities, on a river bank and, of course, online. But until this week, I’d never read at an airport. Now that was truly different! I am grateful to Brick Street Poetry and Indianapolis Airport Authority for this amazing opportunity.

Letter to Gierke from the Future’s Past

 

Letter to Gierke from the Future’s Past

Dear Ken: I’m fixated on open faucets and drained tanks,
on cracked PVC and browned grass, denial and what’s to
come, thinking of old dogs and accusations and how
the morning’s lopsided beginning has wrung out every
shred of positive emotion absorbed overnight. Then
a pinpoint emerges, swelling, until I can see, as through
a spidery windshield, tomorrow and its improbabilities.
Last weekend I built a window screen to exact measurements,
only to discover the sill tilted on the north by a quarter-inch,
and in order to install the damned thing I had to shorten
its right side, ruining the rectangle. Perfection eludes me,
even when guided by tape and square, especially in this
climate of exacerbated deterioration, which has not, alas,
excluded me – sciatic nerve, shoulders, knees, hands, etc.
But enough whining. Tea leaves predict that in a few hours
I’ll cross the creek trickling over the road, check the cisterns
and drop off tomorrow’s drinks before heading home to
swat mosquitoes and grill sage-rubbed pork kebabs while
sipping hoppy brews. That’s as far into the future as I
care to venture. The Cowboys drafted a lineman named
Taco, the weeds need mowing and my belly says noon
is fast approaching. I’d like carnitas, but have only rice
and beans, which probably signifies something far deeper
than my conscience will admit, trials I’ll never face. A
thunderstorm looms in the forecast, but my left ankle says
it ain’t happening. What do your mended bones claim?
Mine usually plead the fifth, but hey, they’re careful,
these days, and with good reason. Take care. Bob

 

* * *

“Letter to Gierke from the Future’s Past” was featured at Vox Populi in December 2017.

 

Overlooked

 

Overlooked

How immemorable, he thinks,
drilling into the wall.
Another hole, another day.
Fill them, and still others
beg creation.

Say mouth. Say void,
followed by tongue and burden,
by orifice and bland. Say
invisible. Empty. Say forget.

That we plan is given.
But who writes the manual
to our lives? The hammer

does not shiver at the thought
of itself. Take this board
and remove only that portion
the screw will occupy.

Level the hook. Admire
the work. Adjust.
Do this twice.

 

* * *

“Overlooked” was published in Mantle in August 2017. Many thanks to editor James Croal Jackson for his kind words and for taking this poem.

Somewhere: 28 Rue St. Jacques

 

Somewhere: 28 Rue St. Jacques

Or eating spam fried rice in the courtyard
after kindergarten, and playing cowboys
with Thierry, the kid next-door. We shared toys,
but not comics. Written language was hard

to decipher, unlike the spoken. I
never captured the nuances, and lost
the rest over the years. Today the cost
eludes me, like moths fluttering by. Try

to recall that particular morning light,
how it glanced off the French snow, and the
way our mother smiled at breakfast, no trace

of sadness, yet, the lines marking our heights
rising along the wall, limbs of a tree
we’d never climb, out there, somewhere, in space.

 

* * *

This was originally drafted during the August 2015 Tupelo Press 30/30 Challenge. I was never satisfied with it, and didn’t see any reason to revise. But those memories are worth sharing!