Theology of Carrots
We hide our best
underground
plumed by ornamental
headpieces
allowing the wisdom
of taproots
to prosper
in darkness.
“Theology of Carrots” first appeared here in September 2017.
Feeling Squeezed at the Grocery Store I Conclude that the Propensity to Ignore Pain is Not Necessarily Virtuous, but Continue Shopping and Gather the Ingredients for Ham Fried Rice because That’s What I Cook When My Wife is Out-of-Town and I’m Not in the Mood for Italian, and Dammit I’m Not Ill, Merely a Little Inconvenienced, and Hey, in the 70’s I Played Football in Texas, and When the Going Gets Tough…
I answer work email in the checkout line. Drive home, take two aspirin.
Place perishables in refrigerator. Consider collapsing in bed. Call wife.
Let in dog. Drive to ER, park. Provide phone numbers. Inhale. Exhale.
Repeat. Accept fate and morphine. Ask for lights and sirens, imagine the
seas parting. On the table, consider fissures and cold air, windows and
hagfish. Calculate arm-length, distance and time. Expect one insertion,
receive another. Dissonance in perception, in reality. Turn head when
asked. Try reciting Kinnell’s “The Bear.” Try again, silently this time.
Give up. Attempt “Ozymandias.” Think of dark highways. Wonder about
the femoral, when and how they’ll remove my jeans. Shiver uncontrollably.
The events in this poem took place seven years ago. A lifetime ago.
Something Lost, Something Trivial
Another word, another bewildered
moment in transition: the phrase
barely emerges from your mouth
before crumbling back into a half-opened
drawer in the loneliest room of a house
that died seventeen years ago.
I nod as if in understanding, and stoop
to pick up a crushed drinking straw,
the kind with the accordion elbow
that facilitates adjustment.
From a rooftop across the street,
a mockingbird warbles his
early morning medley of unrelated
songs, and you say left oblique,
followed by matches, then
collapse on a bench,
winded. I sit next to you
and we both enjoy the warmth
and birdsong, though I know
this only through the uplifted
corner of your mouth, which
these days is how you indicate
either deep pleasure or
fear. I have to leave soon,
I say, and you grab my wrist
and stare into my eyes.
Broom, you reply. And more
emphatically, Broom!
Though I cannot follow you
directly, knowing both path
and destination, I pick my way
carefully through the years
stacked high like cardboard
banker’s boxes stuffed with
papers and receipts no one
will ever see. I know, I say.
I love you, too. Broom.
* * *
“Something Lost, Something Trivial” was published in January 2016 in the first issue of MockingHeart Review. Many thanks to founding editor Clare L. Martin, for her multiple kindnesses.
Giving Time
The supplicant’s desire:
mornings sliced into perfect pieces, afternoons
dipped in honey, evenings freed.
A gift of absence.
To gather and bear, shaping
the resultant minutes,
she takes yeast from the air, adds
flour, water and salt.
Matched with the ripening
hour and the sweetened bitter taste,
I recall how blood
seeped through the towel, and
observe on the table the
cheese, plums, the harvested day.
* * *
This originally appeared on Bonnie Mcclellan’s International Poetry Month website. A recording is also available there: https://bonniemcclellan.wordpress.com/2015/02/17/giving-time-by-robert-okaji/
Home: Living Between
My younger self dwelled in shadows propelled by light.
Indigo to ebony, in variant shades.
Concealed in language and skin, surrounded by shelved words.
Departed friends. Grass grown tall or baked to a brittle yellow.
The central order of a life arranged in sequence, orbiting through mother,
father, sister and passers-by glancing through our windows.
A parachute of discomfort billowing in the blue.
Distance and uncertainty beyond the nuclear family.
Acknowledging the new, still I looked inward.
The house as structure, as symbol, but always impermanent, unattainable.
Not rejection, but a liminal sense of being, of place.
Faces changed, but books carried me from city to state to country.
Translated from three views and speaking in brushstrokes across the wall,
slowly filled from edge to center, layer upon layer.
Containment, conjunction, circumstance. Triangle to circle.
No headstones mark my locus, no place bears my name.
Borders, the threshold of shared lives.
* * *
“Home: Living Between” was originally published at Allegro Poetry Magazine. Thank you, Sally Long, for taking this poem.
While Looking Up at a Working Wasp, I Trip
How do these things I once barely acknowledged
now snare toes or twist ankles, causing me to stumble,
spill coffee and curse. Steps, rocks, pavement, curbs.
Door sills. No matter which, without provocation.
Solitary wasps mate not in flight but in the vicinity
of their nesting area. Three years ago a female
violated our unspoken agreement of mutual
existence; my arm purpled and ballooned
to twice its normal size, and I demolished her nest
for fear that attacks would become habit. Today,
another builds in the same spot. I stoop by,
beneath notice, as she labors to make room
for eggs fertilized with stored sperm from a single
drone. Such diligence should earn rewards.
I stroll to the mailbox and marvel at their ability
to manufacture wood pulp for nests, how
certain species avoid mating with siblings
on the basis of chemical signatures, and that
they voluntarily control the sex of their offspring.
Ah, the wonders of nature! Approaching the door,
I look up and observe the growing nest with
admiration, enter the house without stumbling,
and inhale the fragrance of the perfectly arranged
lilies. The books on the table entice me, so I
pour a glass of malbec and thumb through them
with great pleasure. Soon, after sunset, she will die.
* * *
“While Looking Up at a Working Wasp, I Trip” was published in MockingHeart Review in May 2018.

Confession to Montgomery, Asleep on the Church Steps
If I walk quietly by
it is not to avoid disturbing you,
but rather myself. What
could I give you
but another bagel, the
boiled dough of nothingness
rising in cloudy water,
delaying, perhaps, another
guilty twinge. You have no
answers but when you
speak to the air, sometimes
a smile creaks through
the broken words, and I
think even in this cloistered
darkness we may close
the circle between halves
and might-have-beens,
an understanding, if only
in the language of bread
and coffee and the
disregarded. But today I stride
on, without pause, counting
on nothing that can’t be
pocketed or spoken aloud,
my steps echoing down
the alley and its secrets,
along the crosswalk’s painted
guides, under the sagging
power lines and through
your streetlight’s dim halo.

This first appeared on the blog in January 2016, and was published in Compassion Anthology in March 2019. I have not seen the man who inspired this poem in over three years. I hope he has found shelter and kindness.
Jazz Study in Time: Migraine
How the body expends its pain,
receptors enunciating their message,
all of one pulse: outward then in,
ice pushing through glass,
metal’s red glow searing flesh,
and the moments between
the piercing and acceptance, the
dull and incomprehensible whirl
of lights flashing from midnight
to snowflake, returning, always there.
“Jazz Study in Time” first appeared on the blog in December 2015.
Flood Gauge in the Morning
It reclines on its side, submerged.
So far, so good, it seems
to say. Still here, still intact.
And the bridge looks so clean
from this angle
underwater.
I toss
a fist-size stone
onto the upstream
side of the road,
and watch it wash away.
Maybe we’ll cross tomorrow.
“Flood Gauge in the Morning” is included in my chapbook, From Every Moment a Second, available for order via Amazon.com and Finishing Line Press.
Drawer of Possibilities
In the drawer of possibilities
you find stasis, the lure of the unknown.
To what should this hinged orb
be subservient? Or that wrinkled blade?
An egg, the bald potato. The sacrificial
carrot? To everything its purpose.
Like that light in the crook of the
altered frame, attracting the winged
beings. You, of course, serve nothing.
“Drawer of Possibilities” first appeared in The New Reader in March 2018.