Letter to Schwaner from the Toad-Swallowed Moon

 

Letter to Schwaner from the Toad-Swallowed Moon

 

Dear Jeff: The glow here betrays our fantasies,

and between day and night and that uncertain

moment when neither holds sway, I have gained

a toehold on consequence. Who knew darkness

could shine so? Last November the surgeon

incised my belly six times but no light oozed

out and little crept in. I say little, but feel

a peculiar radiance emanating from my middle

which I can only attribute to the moon, although

the medical professionals would say it’s just

gas. But what do they know of Sheng-Yu or

Li Ho, of jade wheels and spilled cups? Last

night, to honor our marching sisters, I looked

to the cloud-filled sky and toasted them and

our ancestors, the poets and scapegoats, friends,

allies, compatriots, Five White and Jackboy,

shedding a solitary tear of joy in the process.

We won’t label the other tears, but I shudder

at our country’s current course and how the

bulging wallets of the rich continue swelling

at the expense of the poor and unhealthy,

the elderly, the unacknowledged, and those

living on the fringes, in colored shadows.

If we meet in person on some desolate, moon-

free road in a country that could never be,

how will I know you but from the ghosts and

smiles sparkling in the surrounding fog,

and the little voices singing their sad tune

of happiness into the night. This is where

we stand today, but tomorrow? Look for me

on that bench. I’ll be the full-bellied fellow,

the one with an eclipse leaking from his shirt

in a six-point pattern, two glasses in hand,

wine uncorked, ready for reptiles and politicians,

mirth and causation and good conversation

in brightness or tenebrous calm, whichever

needs replenishing more. But bring another

bottle. Or two. Talking makes me thirsty. Bob.

 

 

* * *

My poem “Letter to Schwaner from the Toad-Swallowed Moon” was first published at The Hamilton Stone Review in October 2017. Much gratitude to editor Roger Mitchell for taking this piece.

 

 

My Chapbook is on Sale

 

A few days ago I received a notice from Amazon that I might be interested in this book. Well, yeah. Maybe. I wrote the damned thing. I clicked on the link and discovered that it’s on sale for $3.98 (a 60% discount). I have no idea why it’s on sale, but if you have any interest in reading it, now’s a good time to order. Or just use it as a coaster. It’s paper — it absorbs water!

 

To Sing the Ever Present Farewell

 

To Sing the Ever Present Farewell

The way your breast rises,
small pillows,
two doves in autumn,
so, too, the song escapes.

I admit my part,
warbled promise, uncombed
and shivering,
free to worry
under its pull.

Still it comes,
inexorable tide
lowing a sorrow
through filtered light
till dawn.

 

 

Poem Up at Muleskinner Journal

ManyDoors

My poem “The Song of Exits” is live at Muleskinner JournalThank you to Gary Campanella and the Muleskinner Team for taking this piece.

Self-Portrait with Shadow

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Self-Portrait with Shadow

Sometimes light reveals our thoughts.
Separate and unequal, we blend.

The predominant sibilant in English,
its pronunciation varies.

Sciaphobia is the fear of shadows. Last
winter the wellhead froze and we

chain-sawed our way to warmth,
synchronized in the fading light.

And which decides the other’s fate?
In the flame I detect new life, a hissing

in the cast iron box. Though ranked only 8th
in frequency of use, more words in English

begin with S, leaving additional questions.
Is hiss the opposite of shh?

The umbra is the darkest part
of the shadow, where light is completely

blocked. Not the serpent, but the bow
and a misperception. Shadows grow

in proportion to the distance
between the object blocking the light

and the projection surface. Resembling
infinity, yet missing the link. Two facets

of one darkness. A faint suggestion. Amphiscians
cast shadows in two directions. Or not at all.

This appeared on the blog in April 2015, and another version appeared in Otoliths in fall of 2013, but it appears that I’m not quite done with it. I’d been exploring our alphabet, tracing letters’ origins from hieroglyphs to present form, and attempting to merge some of those findings with disparate details. One of these days I’ll get back to it…

A Q&A and more successful examples of what I was trying to achieve can be found at Prime Number Magazine:

image

Poem Up at The Bluebird Word

Bluebird

My poem “Night’s Turning” is live at The Bluebird Word. I am grateful to the Bluebird team for taking this piece.

April 23rd National Poetry Month Zoom Reading: Poets in the Blogosphere

Poets of the Blogosphere

The theme for National Poetry Month 2022 is There’s A Poem in This Place. Two places to find contemporary poetry at its most vibrant are in the blogging community and at live readings. On 23 April 2022 from 4-5:30 PM ET, the two places come together when a select group of poets from the blogosphere present a live reading of their poetry at Poets in the Blogosphere. Most poetry is meant to be read aloud, and hearing poets read their own work is a heightened experience.The event is moderated by Elizabeth Gauffreau.

Please join me and my friends TODAY, Saturday, April 23, 2022 4-5:30 PM ET

Registration required: https://tinyurl.com/Poets-in-the-Blogosphere

It’s going to be fun!

Self-Portrait with Blue

Blue

 

Self-Portrait with Blue

Darker shades contain black or grey. I claim
the median and the shortened spectrum, near dawn’s terminus.

In many languages, one word describes both blue and green.

Homer had no word for it.

The color of moonlight and bruises, of melancholy and unmet
expectation, it cools and calms, and slows the heart.

Woad. Indigo. Azurite. Lapis lazuli. Dyes. Minerals. Words. Alchemy. 

On this clear day I stretch my body on the pond’s surface and submerge.

Not quite of earth, blue protects the dead against evil in the afterlife, 
and offers the living solace through flatted notes and blurred 7ths.

Blue eyes contain no blue pigment.

In China, it is associated with torment. In Turkey, with mourning.

Between despair and clarity, reflection and detachment,
admit the leaves and sky, the ocean, the earth.

Water captures the red, but reflects and scatters blue.

Look to me and absorb, and absorbing, perceive.

 

This originally appeared in the Silver Birch Press Self-Portrait Series, and is included in The Circumference of Other, my offering in the Silver Birch Press chapbook collection, IDESpublished in October 2015.

ides front cover 92915

 

Life among the Prickly Pear

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Life among the Prickly Pear

Rain’s twofold curse: not enough
too much. Still, I take comfort

even among the thorns.
There is much to like here.

Its moonlight flowers.
Paddles fried with minced garlic.

Wren’s jubilant shriek.
The fruit’s red nectar.

I wake to distant screech owls
purring their desires on separate

slopes. Late spring, storms looming.
I close my eyes and the creek rises.

* * *

A draft of this first appeared here in June 2015, and I posted this version in May 2016.

In the meantime, two of my guitar heroes:

Recording of “Door”

door

Door 

What would you conceal?
Or open to. Could you unfurl

your fist to daylight
and shudder loss away — one key,

one digit, one death — presuming the universe
and all its hinges available for inspection

behind yet another unlatched presence.
And this spinning disk,

how shall we step off? Every moon
sheds its coat. Listening, I turn the knob.

mooncoat

“Door” first appeared on the blog in September 2016.