Ode to Being Placed on Hold

phone

Ode to Being Placed on Hold

The music rarely
entertains,
but I find
peace between
the notes,
sometimes,
and embrace
the notion that
I’ve been inserted
in that peculiar
capsule between
speech and the
void, imagining
myself somewhere,
floating, free
of care and
gravity,
beer can
satellites
orbiting my head,
with bites of
pungent cheeses
and baguette
circling in
their wake,
a gift, you see,
like rain in
August or
a warm voice
saying hello.

* * *

“Ode to Being Placed on Hold” was drafted during the Tupelo Press 30-30 marathon in August 2015. Many thanks to Mary “marso” of the blog “marsowords” who sponsored and provided the title. The poem has also appeared here several times.

cheese

Chipotle

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Chipotle

Sometimes it pauses and the light
translates what we’ve lost,

momentarily framing the taste
entering our bodies through

mouth and nose and eye,
the knowledge of dissolution

enhanced. One bite
and it all returns: fire, peat,

water, the retracted
flesh become another’s

endeavor, as if giving form
to the world of air.

Without remorse,
we steal its most intimate self.

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“Chipotle” first appeared here in January 2015.

Vision in Far Infrared

Vision in Far Infrared

Considering the implications of dust and cold gas, the expanding
universe and cryostats, I climb the stairs and shiver.

Thermal infrared may propagate in a vacuum, but we require
oxygen and warmth. Pillows and a sense of humor help, too.

What will come of the images captured by the Herschel telescope
in the next eon and those following? These maelstroms, blossoming.

I look up from my front porch and see the streetlight’s glare
rather than stars. Yesterday, lizards coupled on my shack’s wall.

Nebulosity in vision, in politics. Look through this eyepiece to find
horseheads and archers, bright flames and clouds. Or nothing.

Red and yellow filaments could indicate newly forming low-mass
stars. The visible is only one component of perception.

Hubble observes in multiple spectra, but not the far infrared.
Even the long-reaching may be overcome by inadequacies.

Do not forget the body’s warmth. Remember black lights and purpose,
the tangible thought. Recall that we exist at rest, ever in motion.

* * *

“Vision in Far Infrared” was drafted during the August 2016 Tupelo Press 30/30 Challenge. I am grateful to Angela for sponsoring the poem and providing the title and these three words: nebulosity, eon, maelstrom.

Because You Cook

Because You Cook

You know the pleasure of
hunger, of patience
and a task well done.

Dice onion, peppers – one hot,
one sweet – saute them in olive oil,

fold them into an egg
cooked flat. Add
crumbled goat cheese, basil.

Look away.
Morning ascends, then declines,
but night drifts in, confident,
ferrying these odors among others.

Accept what comes but choose wisely.
Light the candle. Shift the burden.

* * *

“Because You Cook” first appeared in Ristau: A Journal of Being in January 2018. I am grateful to editor Robert L. Penick for taking this piece.

two hundred and seven words. 2

I love Marie Marshall’s writing. While I may not always understand what’s going on, the ride is always worth it.

kvennarad's avatarKvenna ráð

Sucks her fingers when they freeze, wet with snowballs, wee woolen gloves tightening and loosening. The catch of a summer dress, long onto the tops of wellies that bite the back of her legs, that kick up the smell of wet grass and mud underfoot. This is the sin of experiencing other, still your basic ignorance, still warring with knowledge – those fingers ache, then numb, then warm, no matter that the duffle coat’s worn as a cape, a play costume, doesn’t she know that to pretend other puts her in danger for ever? And yet she strides across that field, that trapped green by houses, to the red/yellow flaked swing set and the slide, wipes wet from the seat and the chute with her sleeve, sets her tongue to a chain and tangs iron, sits in the baby-swing, skirt/dress tucked once, twice, the same way she attempts handstands against…

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Well Pump

Well Pump

To be within, yet without: the rootless seed.
Staring through glass, we see only the surface
sliced thin like cell-thick specimen slides.
I dream of knowing, of inclusion.
The well pump is fried, but only thieves
return our calls. How to deflect the lure
of complicity? Stack stone, observe clouds.
Tap the cistern. Absorb its hollow tune.

* * *

“Well Pump” first appeared in January 2018 in Amethyst Review.

Many thanks to editor Sarah Law for accepting it.

Prescribed

 

Prescribed 

Some seeds are buried, others scattered.

April’s wildflower reflects October’s rain.
Bluebonnet, fragrant gaillardia. Texas paintbrush.

Cause and effect is seldom so clear with people.

Left hand offers money, right strikes a match
and the voice sings praise without conviction.

Perhaps we are guileless,
and true motive lies in the completed deed,
underground or above,

blossoming or charred after the burn.

* * *

My poem “Prescribed” was featured in December 2017 at The Clearing, a British online magazine focusing on landscape.

Thanks to editor Michael Malay for taking this one.

Black Lilies

Black Lilies

Flensing words, slicing deeper: all, nothing,
red to redder. Their skin, paling to nothing.

I speak today but you hear yesterday.
Black lilies in the chill of nothing.

Drifted apart, the two halves reconcile.
Yellowed, whitened. Older. Both stitched in nothing.

How many words have we lost to morning? Shredded
syllables sparring for sound. The nothing of nothing.

A coated voice, turquoise and calm, spreading across the room.
Buttered light. Pleasantries, unfolding. You, being nothing.

The language of night sleeps unformed in my bed.
I remember your hand on my cheek; flesh forgets nothing.

* * *

Another near-ghazal, “Black Lilies” first appeared in ISACOUSTIC* in January 2018.

Call for Submissions: Poems for Peace: Anthology

Some of you might be interested in submitting poems to this anthology. I know I am.

August 1, 2018 deadline!

poems for peace: an anthology to uplift encourage & inspire

This anthology, poems for peace (forthcoming, fall 2018), is the love-child of a group of poets and listeners who have been gathering quarterly in San Antonio, Texas since Nov. 11, 2017 in association with the San Antonio peaceCENTER.  This anthology will be published as a peaceCENTERbook, with all proceeds going to support the CENTER.

While we are aware that many horrors occur in our world and that, as a people, we seem to be in turmoil and conflict on many fronts, our aim is to provide respite from the apparent problems and to purposefully turn our attention to the good, the Whole, the Holy, that which is full of peace and comfort.

For this inaugural issue of poems for peace, we seek work that is metaphysical, celebratory, fun, funny, lighthearted, playful, thoughtful, warm, tender, beautiful, compassionate, heart-opening, or spiritual without proselytizing, nostalgic without being overly sentimental, empowered without being politically charged and rich with imagery and story but not with graphic insensibility or dealing with overtly, hot topics that may trigger anxiety or anger in the listener (like abuse issues, natural disasters, or tragedy in general).

Rather, we seek work that uplifts, encourages and inspires.  We are especially interested in the metaphysically broad; we look for the profound, real, fearless, gender-inclusive, curious voice.

Guidelines:

Please send 3-5 previously unpublished poems of up to ten pages in length and in any form in a single Word document, making sure that no identifying information appears within the document.  Include a brief, bio (100 words or less) in your cover letter.  Submissions are being hosted by Moon Shadow Sanctuary Press via Submittable only (see link below).

The book will be perfect bound and available online through the  peaceCENTERbook link and other online venues plus locally in bookstores TBA.  Poets included in the anthology may be invited to participate in future poets for peace events.  For more information or to ask questions about poets for peace or submissions, look for us on Face Book, or send us a message here:  fb.me/poetsforpeaceSA

Deadline: August 1, 2018

Click here to submit: https://moonshadowsanctuarypress.submittable.com/submit