
Unwinding
As in a day’s long
thread
or with cold drink
in hand,
glass sweating,
ice
shrinking, a little
sweet,
some salt, her
smile saying
relax, put up
your feet,
I’ll take care
of this,
don’t worry,
tomorrow’s
a full moon
away.


Unwinding
As in a day’s long
thread
or with cold drink
in hand,
glass sweating,
ice
shrinking, a little
sweet,
some salt, her
smile saying
relax, put up
your feet,
I’ll take care
of this,
don’t worry,
tomorrow’s
a full moon
away.

Dream of Wheels and Lights
Bells clang in the night. The lamp post belted
by mist offers little comfort. A stone’s
toss away junipers curved like melted
spoons shudder silently. There are no phones
in this place. A thought sneaks into your mind
quietly, like a straw piercing the oak’s
armor in a bad wind. You turn and grind
the thought with your heel. A wheel rolls by, spokes
flashing like scythes. Crouching by a puddle
a man studies his face. He looks at you
and cries: “All I want is to be subtle.”
You think you know him, but you’re not sure who
he used to be. You throw a rock and shout
at him. The wheel slows and the light burns out.
Originally published in Amelia, in 1985, and posted here in March 2015. I remember writing this, but it still puzzles me.

This appeared in Volume 29, Issue 1, released in October 2016. I first encountered riverSedge in 1983, and vowed that one day my poetry would be published in this journal. It took a while…
My poem, “What We Say When We Say Nothing,” is up at Glass: A Journal of Poetry. Ten poems, ten poets. The work is exquisite. Many thanks to editor Anthony Frame for taking this piece and aligning it with these poems. And hey, while you’re there, you might consider subscribing to The Glass Chapbook Series. Great writing and publication standards. I look forward to receiving the rest of the series.

New Year
How transparent you’ve become:
even the leaves blow through
your pockets, and penitents
line up, awaiting the latest word.
Those who have, fear the most.
Each day collapses under its own
weight, rising again into the new.
Surgery brooks no illusions;
this house, too, will fail.
Owning little, I pour tea and wait.


My last five posts of 2016 are reruns of the five most viewed poems on this site during the year. This one, by far the most popular, also made its first appearance here in June, and received a large bump in views due to a Halloween link on Discover. Many thanks to editor Cheri Lucas Rowlands for her support.
Letter to a Ghost
Had I not dreamed your death, I would have praised this day.
Your name rests in a wooden box on a desk
in a room far away and twice as old as we were then.
My penance in this phase: to continue.
I gather words close and refrain from admissions.
The clock on the wall seldom chimes,
like one whose vows circumvent convenience, or
a shade allowing the barest sliver of light
through the window. That tock preceding
a long silence. Snow blanketing the mounded earth.
Your scent never lingers past sleep, where you remain.
At last I no longer covet those sheets you’ve shared.
Your name rests in a box. I gather words and refrain.

My last five posts of 2016 will be reruns of the five most viewed poems on this site during the year. Number two made its debut here in March.
How to Write a Poem
Learn to curse in three languages. When midday
yawns stack high and your eyelids flutter, fire up
the chain saw; there’s always something to dismember.
Make it new. Fear no bridges. Accelerate through
curves, and look twice before leaping over fires,
much less into them. Read bones, read leaves, read
the dust on shelves and commit to memory a thousand
discarded lines. Next, torch them. Take more than you
need, buy books, scratch notes in the dirt and watch
them scatter down nameless alleys at the evening’s first
gusts. Gather words and courtesies. Guard them carefully.
Play with others, observe birds, insects and neighbors,
but covet your minutes alone and handle with bare hands
only those snakes you know. Mourn the kindling you create
and toast each new moon as if it might be the last one
to tug your personal tides. When driving, sing with the radio.
Always. Turn around instead of right. Deny ambition.
Remember the freckles on your first love’s left breast.
There are no one-way streets. Appreciate the fragrance
of fresh dog shit while scraping it from the boot’s sole.
Steal, don’t borrow. Murder your darlings and don’t get
caught. Know nothing, but know it well. Speak softly
and thank the grocery store clerk for wishing you
a nice day even if she didn’t mean it. Then mow the grass,
grill vegetables, eat, laugh, wash dishes, talk, bathe,
kiss loved ones, sleep, dream, wake. Do it all again.
My last five posts of 2016 are reruns of the five most viewed poems on this site during the year. Number five made its appearance here in June.
In the Place of Cold Doors
We have a word for everything,
or seven for nothing. Soon
you’ll enter and I’ll talk
on the other side,
watch for signs in every
dropped crumb,
every nailhead and
embedded phrase remembered
in another’s voice. The light
will dim and I’ll look for rain and
go on speaking. My words will wander
unnoticed. You hear only yesterday.
“In the Place of Cold Doors” first appeared in Gossamer: An Anthology of Contemporary World Poetry, published by Kindle Magazine in Kolkata, India. I was thrilled to have several poems included in the anthology.
Epiphanies
What greater doubt
than if
preceding only,
or hope cascading through the withheld
unspoken phrase?
Or the conditional, as it slows to place
an obstacle in its very own
path. If only I could
I would deny its existence,
but the conjunctive
bears blame as well,
though nothing’s put before
the preposition (which one
would certainly never end with).
* * *
“Epiphanies” first appeared here in April 2015.