Heroes

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Heroes

And the rain, again, takes up our day,
folds it into threes, and watches
as the world wraps up its gift,
first at the edges, then centered,
with more confidence and force
than justified. Who will forget
the hollow horse and its stifled
coughs, the stench of men too
long unbathed and drenched
in fear. Or the small girl running
naked, arms outstretched, skin
peeling, her life become a litany
of pain embroidered across
the unfeeling sky. Do not thank me
for your freedom, the mortgage
and its tax breaks, your designer
shoes. We didn’t bleed for you.

“Heroes” first appeared in Blue Fifth Review. Many thanks to editor Sam Rasnake for accepting this piece.

If We Burn

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If We Burn

What flares instead to replace our
privileged nights? And which

assemblage of words could reorder these
deaths into comprehension,

change I can’t breathe from epitaph
to actuated plea for help?

Are words ever enough?
Can we stack our indifference and fear

into a mile-high pyre, and torching it
watch them rise to nothingness,

disappearing through the clouds
into the streaming light of cold, dark stars?

Raise your hands and sing. Blow softly
upon the ember. Inhale and recall.

Do you still feel? Will you breathe?
Every fire needs oxygen.

* * *

“If We Burn” first appeared on this blog in December, 2014. It’s also included in my chapbook, If Your Matter Could Reform.

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Mockingbird

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Mockingbird

Withdrawn, it unfolds
to another
voice, like that

of a child lost in the wind.
Or, lonely, it rises from its place

and sings, only
to return and start again.
The pleasure we accept derives from

the knowledge that we are not alone.
Each morning we walk out and sit
by the stones, hoping to observe some

new patterns in his life. What we
see is an answer. What we hear is no song.

* * *

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“Mockingbird” made its first appearance here in January 2015. It was written
in the 1980s, probably around 1987-1989.

Kites

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Kites

Will viewpoint shift with my spine’s slow
compression, or will this

window admit only true images
in the shortened days to come?

I pencil phrases on bone-shaped kites
and release them to the afternoon.

Call them prayers, name them moans.
Each string is a regret freed, a separate

skeleton, let go. My two selves shudder
in the attempt. I await the perfect breeze.

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“Kites” first appeared here in July 2016.

Nocturne (Blue Grosbeak)

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Nocturne (Blue Grosbeak)

Why tremble
when nothing
arrives to be seen?

The architecture
of the day
comes and goes

in the same
heartbeat,
a disturbance

more felt than heard.
But listen.
The grosbeak sings

his presence
and departs,
leaving behind

the echo
of a motion
blending with night.

The air is cool.
A leaf utters
its own message

and falls
unnoticed.
Nothing awaits it.

* * *

This last appeared in November  2016.

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Countdown: #1, Recording of “The Draft”

My last five posts of 2017 are reruns of five of the most viewed posts on this site during the year.

 

The Draft

All memories ignite, he says, recalling
the odor of accelerants and charred

friends. Yesterday I walked to the sea
and looking into its deep crush

sensed something unseen washing
out, between tides and a shell-cut foot,

sand and the gull’s drift, or the early names
I assign to faces. This is not sadness.

Somewhere the called numbers meet.

* * *

“The Draft” first appeared in Taos Journal of International Poetry & Art.

By far, the most popular post on the blog in 2017, bolstered, no doubt, by a plug on WordPress’s Discover.

Shakuhachi Blues

 

Shakuhachi Blues

That waver,
like the end of a long

dream flickering to wakefulness,
or an origami crane

unfolding between whiskey
poured and the tale of deceit

and a good woman done wrong.
Air flutters through this bamboo

tube, and it seems I control
nothing. Inhaling, I try again.

 

My latest enthusiasm. A simple instrument that will take a lifetime to learn…

What We Say When We Say Nothing

glass

 

What We Say When We Say Nothing

The rain has died and everything follows:
black, white – the law’s supposition. Their bodies

glisten only in memory. One says look at me from the steel
table as the scale registers the heart’s

weight. Another cries uncertainty in the most certain
of circumstances — laid open, emptied then closed,

the simple mechanics of ritual and form. Throughout my
dreams a line of dark figures shimmer in the cold

corridor, end-to-end, supine and unmoving, assigning
loss. I have fifty-six years and more questions than

answers. The drought testifies to a wrong. A woman
visits her son, a father weeps. Our silence, complicit.

My poem, “What We Say When We Say Nothing,” was published in Glass: A Journal of Poetry  in January 2017. Many thanks to editor Anthony Frame for taking this piece and aligning it with some great poems.

On Air Conditioning

 

 On Air Conditioning

The man who owns everything wants more.

Another offers his sandwich,
accepting grace with a smile.

Like vapor condensing in a coil
to remove heat from the air.
Difficult to comprehend.

Harder to live.