Two Poems Up on Bindlestiff

redcloud

I was pleased to discover that the first issue of Bindlestiff is live. My poems “I’ll Turn but Clouds Appear” and “Human Distance” are included.

 

Door

door

Door 

What would you conceal?
Or open to. Could you unfurl

your fist to daylight
and shudder loss away — one key,

one digit, one death — presuming the universe
and all its hinges available for inspection

behind yet another unlatched presence.
And this spinning disk,

how shall we step off? Every moon
sheds its coat. Listening, I turn the knob.

mooncoat

I Look for You with Satellite View

binoculars

I Look for You with Satellite View

But binoculars are my oldest friend.
Watching you flash between leaf and branch, stone
and sky, I remember, as the black groans
in, obliterating light at the end

of the day’s voice, that everyone descends,
our debts counted, stacked and restacked, the loans
unpaid and endless, like breath or the moans
of autumn’s bed spiraling back. Light sends

you elsewhere – the silver-tipped moon leaf, a
wisp of fog tracing your leg’s passage in
the sand. That empty bottle. You could be

there, above ground, or scattered where I lay,
an orbiting eye forever open,
looking, searching always, trying to see.

This is the 31st poem written for the August 2016 Tupelo Press 30/30 Challenge. Many thanks to Ken Gierke for sponsoring and providing the title.

Day Thirty, Tupelo Press 30/30 Project, August 2016

brick

“Waiting for the Windshield on the Freeway” is among today’s offerings of the Tupelo Press 30/30 Project (9 poets have agreed to write 30 poems apiece in 30 days, to raise funds for Tupelo Press, a non-profit literary publisher). I am grateful to the title’s sponsor, Leigh Ward-Smith, whose generosity and good nature never ceases to amaze me.

Waiting for the Windshield on the Freeway

Take velocity into account, figure height and distance,
add trajectory plus time, then let her rip. Billy likes solid
paving stones, while I prefer hollow cinder blocks. Karen
chooses traditional red bricks, as she lacks the upper body…

Click here to see the rest of the poem.

While this is indeed the 30th of 30 poems, I’ll post one more tomorrow, thanks to the generosity of Ken Gierke, who sponsored a 31st title: “I Look for You with Satellite View.”

THERE ARE STILL OPENINGS FOR SEPTEMBER’S 30/30 CHALLENGE! If you’ve considered participating but have questions or concerns, please feel free to contact me. There are rewards beyond producing thirty poems a day…

The  sponsored poems have been a blast to write; the titles and 3-words have led me to poems I’d not otherwise have conceived. Thank you all for helping make this such an enjoyable month.

If you’ve enjoyed reading the participating poets’ daily poems and would like to donate, other opportunities remain:

For a $15 donation, I’ll send you a signed copy of one of my 30-30 poems. Your choice!

If you need something to read, Think Dink! A $30 donation will get you my 2015 chapbook If Your Matter Could Reform, Barton Smock’s Infant Cinema, Jamie Hunyor’s A New Sea, and Tim Kahl’s full length work, The String of Islands, thanks to the generosity of Dink Press founder and editor Kristopher Taylor!  I hear that Kristopher Taylor is providing a little something extra with the collection. You can read about it here, thanks to Ken at RIVRVLOGR.

Or simply click here.

Thank you for supporting poetry! Only one more to go!

 

Day Twenty-seven, Tupelo Press 30/30 Project, August 2016

gravy

My poem “As the Gravy Flows” is among today’s offerings of the Tupelo Press 30/30 Project (9 poets have agreed to write 30 poems apiece in 30 days, to raise funds for Tupelo Press, a non-profit literary publisher). I am grateful to Lady Phoenix for sponsoring this title and inspiring other delvings into food and language.

As the Gravy Flows

Viscosity is always a consideration, as is definition:
traditionally a sauce composed of meat juices and
thickeners, or, a sediment of melted tallow, which
somehow brings to mind a laborer rising early after…

Click here to see the rest of the poem.

Tomorrow’s poem, “” was sponsored by Susan Nefzger (Seeing Beyond the Ordinary), who provided these three words: fireflies, dancing, twilight.

THERE ARE STILL OPENINGS FOR SEPTEMBER’S 30/30 CHALLENGE! If you’ve considered participating but have questions or concerns, please feel free to contact me. There are rewards beyond producing thirty poems a day…

The  sponsored poems have been a blast to write; the titles and 3-words have led me to poems I’d not otherwise have conceived. Thank you all for helping make this such an enjoyable month.

If you still want to donate, other opportunities remain:

For a $15 donation, I’ll send you a signed copy of one of my 30-30 poems. Your choice!

If you need something to read, Think Dink! A $30 donation will get you my 2015 chapbook If Your Matter Could Reform, Barton Smock’s Infant Cinema, Jamie Hunyor’s A New Sea, and Tim Kahl’s full length work, The String of Islands, thanks to the generosity of Dink Press founder and editor Kristopher Taylor!  I hear that Kristopher Taylor is providing a little something extra with the collection. You can read about it here, thanks to Ken at RIVRVLOGR.

For information on sponsorships (and my other incentives), click here.

Thank you for supporting poetry! Only 4 poems to go!

 

Day Twenty-six, Tupelo Press 30/30 Project, August 2016

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My poem “It was 10 A.M. When the Angel Said You Have to Go Now” is among today’s offerings of the Tupelo Press 30/30 Project (9 poets have agreed to write 30 poems apiece in 30 days, to raise funds for Tupelo Press, a non-profit literary publisher). I am grateful to D. Ellis Phelps, alum of the 30/30 project, for sponsoring this title on her birthday. Happy Birthday, D!

It was 10 A.M. When the Angel Said You Have to Go Now

Forgive me for seeking clarity, but do you have a specific
destination in mind, or are you saying, with a little less
force, get lost, go away, I’m done with you, or might you
merely be suggesting that I go forth? And what exactly is…

Click here to see the rest of the poem.

Tomorrow’s poem, “As the Gravy Flows” was sponsored by Lady Phoenix.

THERE ARE STILL OPENINGS FOR SEPTEMBER’S 30/30 CHALLENGE! If you’ve considered participating but have questions or concerns, please feel free to contact me. There are rewards beyond producing thirty poems a day…

No more title sponsorships remain, but I could squeeze in one more 3-word sponsorship.

The  sponsored poems have been a blast to write; the titles and 3-words have led me to poems I’d not otherwise have conceived. Thank you all for helping make this such an enjoyable month.

If you still want to donate, other opportunities remain:

For a $15 donation, I’ll send you a signed copy of one of my 30-30 poems. Your choice!

If you need something to read, Think Dink! A $30 donation will get you my 2015 chapbook If Your Matter Could Reform, Barton Smock’s Infant Cinema, Jamie Hunyor’s A New Sea, and Tim Kahl’s full length work, The String of Islands, thanks to the generosity of Dink Press founder and editor Kristopher Taylor!  I hear that Kristopher Taylor is providing a little something extra with the collection. You can read about it here, thanks to Ken at RIVRVLOGR.

For information on sponsorships (and my other incentives), click here.

Thank you for supporting poetry! Only 5 poems to go!

 

Day Twenty-five, Tupelo Press 30/30 Project, August 2016

pleiades

My poem “Prize money shall be equally divided between the Sunset Sisters even though Buddhism can be more accurately called non-theistic than atheistic and Kepler is now aimed at the Pleiades” is among today’s offerings of the Tupelo Press 30/30 Project (9 poets have agreed to write 30 poems apiece in 30 days, to raise funds for Tupelo Press, a non-profit literary publisher). I am most grateful to someone who wants to be known only as “an admirer of Okaji poetry” for providing this title.

Prize money shall be equally divided between the Sunset Sisters even though Buddhism can be more accurately called non-theistic than atheistic and Kepler is now aimed at the Pleiades

What is direction to a sphere’s center where
all points lead up or down, left to right, or

nowhere. While resting there, do I pray to myself?
To one god, to many? I brew tea and pour some …

Click here to see the rest of the poem.

Tomorrow’s poem, “It was 10 A.M. When the Angel Said You Have to Go Now” was sponsored by D. Ellis Phelps, an alum of the 30/30 challenge.

There are no more title sponsorships remaining, but I could squeeze in one or two  3-word sponsorships.

The  sponsored poems have been a blast to write; the titles and 3-words have led me to poems I’d not otherwise have conceived. Thank you all for helping make this such an enjoyable month.

If you still want to donate, other opportunities remain:

For a $15 donation, I’ll send you a signed copy of one of my 30-30 poems. Your choice!

If you need something to read, Think Dink! A $30 donation will get you my 2015 chapbook If Your Matter Could Reform, Barton Smock’s Infant Cinema, Jamie Hunyor’s A New Sea, and Tim Kahl’s full length work, The String of Islands, thanks to the generosity of Dink Press founder and editor Kristopher Taylor!  I hear that Kristopher Taylor is providing a little something extra with the collection. You can read about it here, thanks to Ken at RIVRVLOGR.

For information on sponsorships (and my other incentives), click here.

Thank you for supporting poetry! Only 6 poems to go!

 

Kites

string

Kites

Will viewpoint shift with my spine’s slow
compression, or will this

window admit only true images
in the shortened days to come?

I pencil phrases on bone-shaped kites
and release them to the afternoon.

Call them prayers, name them moans.
Each string is a regret freed, a separate

skeleton, let go. My two selves shudder
in the attempt. I await the perfect breeze.

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3 Poems in Eclectica’s July/August Issue

scarycrow

I’m delighted that the July-August issue of Eclectica includes three of my Scarecrow poems. Last year I bought a book on corvids (crows, ravens, jays), thinking that I’d likely produce a few poems centered on these fascinating birds. But as I started writing the first one, the Scarecrow’s voice eased in and took control. Thus far we’ve collaborated on about a dozen pieces. Such is poetry…

Hummingbird (3)

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Hummingbird (3)

Arriving from nowhere,
its mouth opens

but what escapes
comes not from within

and is never complete.
Words, too, falter

in this space,
struggling to remain

aloft, challenged yet free,
an exchange

between air and wing,
of sound and thought,

occurring as it must
without design

or desire, simply
there, then gone,

a presence one notices
in its absence.

* * *

“Hummingbird (3) made its first appearance  on the blog in December 2014.

words