Which is an Eye or a Bowl, a Dream

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Which is an Eye or a Bowl, a Dream

Or well-placed mirror in a sunburnt room, shivering through shifted
images: that hand, blackened and stout, opened like a dark peony;
the tattooed chin; shovel and torch; hook and owl. You say no one
chooses one fist over another, that bread’s rise completes its cycle
and begins anew, pressed flat and rounded. Take this heart and seal
its chambers. Note the anterior descent. Compression, lesion. Plaque.
Consequence. And your friend, who slept, never to awaken. Lying
in that strange bed, you taste salt, acknowledge change, whisper
to no one: audible house…audible tree, knowing that time’s limit
remains unclear. The air swirls and you accept this new light.

 

Note: “Audible house…audible tree” is from Jane Hirshfield’s “Not Moving Even One Step,” from The Lives of the Heart.

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Icarus

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Icarus

the answer is
not the history
of flight but

a question of
wings a notion
born of desperation

and fright each
quill ruffled by
the delicate tongue

of air can
only reflect this
fortune a dream

but never a
tragedy the gift
of gravity’s denial

 

sun

 

Written probably in 1985 or 1986, this is the first poem I titled “Icarus.” After lurking in a drawer for decades, it made its first public appearance here on the blog in December 2017.

 

 

Shadow (with Recording)

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Shadow

walking,
crushing juniper berries
at dusk

the dog shadows me
in his absence

 

* * *

“Shadow” first appeared here in April, 2015. It could be considered a companion piece to “Mother’s Day,” which is included in the July 2016 edition of The Lake.

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Music: “Thunderbird” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

 

Aubade (Inca Dove)

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Aubade (Inca Dove)

Such delicacy
evokes the evolution of hand
and wing, a growth

reflecting all we’ve come
to know. Two doves

sit on the fence, cold wind ruffling
their feathers. What brings them
to this place of no

shelter, of wind and rain
and clarity defied? Fingers

often remember what the mind
cannot. Silence
complicates our mornings.

This was originally published in The Balcones Review in 1987. Seems I was enthralled with birds back then, too…

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Because You Cook

 

Because You Cook

You know the pleasure of
hunger, of patience
and a task well done.

Dice onion, peppers – one hot,
one sweet – saute them in olive oil,

fold them into an egg
cooked flat. Add
crumbled goat cheese, basil.

Look away.
Morning ascends, then declines,
but night drifts in, confident,
ferrying these odors among others.

Accept what comes but choose wisely.
Light the candle. Shift the burden.

 

* * *

“Because You Cook” first appeared in Ristau: A Journal of Being in January 2018. I am grateful to editor Robert L. Penick for taking this piece.

 

Aleppo

 

 

Aleppo

A father sings to his son,
dead two days,
and the platitudes persist.
Widow of night. Lantern’s trick.
What trace, you wonder,
exists of humanity in these etched
walls? Light bleeds through a crack
like rules unheeded and scattered.
Another sheer looming of hours.
The song, continued.

 

“Aleppo” was first published in Vox Populi in August 2018. I am grateful to editor Michael Simms for his continuing support of my work.

 

 

Poem Up at SLedgehammer

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My poem “Persimmon Galette” is live at Sledgehammer. Many thanks to editor J. Archer Avary and team for taking this piece.

 

(Hotel Eden) In Full Light We Are Not Even a Shadow

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(Hotel Eden) In Full Light We Are Not Even a Shadow

Which is to say clarity persists in
increments, in the silent space between
color and lens, within parables seen
in the incomplete: straw, hand. Imagine

white valued more than manner as hidden
thought remains obscured. Lower your eyes, lean
forward. Perspectives tilt towards the mean,
suggesting purpose. When we examine

intent, do we find it? The irony
of bottled cork, of sullied paradise,
a coiled wire, the parrot whose voice,

unheard, implicates us. What felony
must we commit to admit the device
in play? Pull or release? The mimic’s choice.

 

* * *

Notes: “In full light we are not even a shadow” is a line from Antonio Porchia’s Voices.

Hotel Eden is the title of a piece of art by Joseph Cornell. An image may be found here:
http://www.wikiart.org/en/joseph-cornell/untitled-the-hotel-eden-1945

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This made its first appearance here in March 2015.

 

Poems Up at Wildness

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I’m thrilled to have two poems up at Wildness, a topflight journal out of the UK. One of the poems has a curious history – written in 2013, accepted quickly but not published, then rejected sixteen times over the course of seven years before landing at Wildness. Such is my life in poetry…

Many thanks to editor Michelle Tudor for taking these two poems.

Night Smoke

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Night Smoke

Incomplete, it rises
only to dissipate

like the griefs we shape,
somehow unnoticed,

beyond reach but felt.
Last night’s moon, the glance.

Forgotten stars, a withheld
kiss, words we never formed.

How difficult to be lost.
So easy to remain unseen.

 



* * *

“Night Smoke” last appeared here in February 2019.

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