Theology of Carrots
We hide our best
underground
plumed by ornamental
headpieces
allowing the wisdom
of taproots
to prosper
in darkness.
“Theology of Carrots” first appeared here in September 2017.

Confession to Montgomery, Asleep on the Church Steps
If I walk quietly by
it is not to avoid disturbing you,
but rather myself. What
could I give you
but another bagel, the
boiled dough of nothingness
rising in cloudy water,
delaying, perhaps, another
guilty twinge. You have no
answers but when you
speak to the air, sometimes
a smile creaks through
the broken words, and I
think even in this cloistered
darkness we may close
the circle between halves
and might-have-beens,
an understanding, if only
in the language of bread
and coffee and the
disregarded. But today I stride
on, without pause, counting
on nothing that can’t be
pocketed or spoken aloud,
my steps echoing down
the alley and its secrets,
along the crosswalk’s painted
guides, under the sagging
power lines and through
your streetlight’s dim halo.

This first appeared on the blog in January 2016, and was published in Compassion Anthology in March 2019. I have not seen the man who inspired this poem in over three years. I hope he has found shelter and kindness.
Take Away
Take away the blackness,
what does night become?
Remove arugula’s bitterness,
the reddened prints on a slapped
cheek, or yeast from leavened bread.
The coroner’s mask denies emotion.
We possess no less now than we did then.
One hand holds the root, the other, a trowel.
Soil, compost. Ash. Water, dreams. Renewal.
The economy of dying continues.
One mother stands alone, cradling pain in
both arms. The second shares her shadow.
“Take Away” is included in my chapbook, From Every Moment a Second, available for order now via Amazon.com and Finishing Line Press.
In Response to Nadia’s Misdirected Email, I State Exactly What I Am Looking For
Balance. The ability to stand on one foot, on a tightrope, and juggle AR-15s,
ethics and dollar bills, while chanting the U.S. Constitution, in tongues.
Or good health.
Unweighted dreams.
A mechanism for disagreeing without needing to annihilate the opposition.
Doorways without doors, truth without fear.
A simple tulip.
One word to describe that instant between thought and pulled trigger,
intent and wish, the elevated pulse and sense of diminished space and time.
Sanctuary. Regret. Apology. Respect.
A tonic to the bitterness, a foil to the sweet.
Fitted sheets that fold. Uncommon sense.
Love in the abstract. More bacon. Smiles.
A closet that embraces everything you place in it. Everything.
The means of unfiring guns, of reversing wounds to undamaged flesh,
and rounds to their magazines, full and never used.
Self-organizing drawers. Due process.
Mothers who know only tears of joy.
One peaceful day.
Just one.
This first appeared on the blog in July 2016. The poem was a response to an email asking a question intended for someone else: “What exactly are you looking for?”
My poems “The End of Something” and “Poem Ending with a Whimper” have been published in Volume 3 of Lamplit Underground. Thank you, Janna Grace, for taking these pieces.
Lamplit Underground is a beautifully illustrated publication. Please take a look!
* * *
My poem “Letter to Schwaner from the Toad-Swallowed Moon” was first published at The Hamilton Stone Review in October 2017. Much gratitude to editor Roger Mitchell for taking this piece.
My poem “Postcard from Pandemic” was published in March at Vox Populi. A week after the poem was published, I was laid low by the corona virus. Mine was a mild case, but it rendered me worthless for most of a month. I’m appalled by the nonchalance a large portion of the population displays towards the pandemic, particularly in recent days. Please wear masks, practice social distancing. Show that you care for others. Masks should not be political statements.
I am grateful, as always, to editor Michael Simms for his continued support.
I wish you all good health and peace in these troubling times. Stay safe!
Politics
No snakes here,
but a little voice
says the mice
will return,
and which
do you prefer,
the one that
gnaws open
ramen packages
then craps
on your plate
or the one
who takes
its prey
under the house
and swallows
it whole,
leaving
no bones
behind?

“Politics” first appeared here in January 2017.
Scarecrow Calls Out the Man
These things I cannot name: that finger of night
between fear and peace, in which darkness both cloaks
and hugs the wide-eyed. A snake, in the open. And that space
behind the watcher? Perhaps it is easier to call it something
else – a gasp, or the immeasurable measure. A presidential
folly. My friends, ever cautious, swoop in and away, taking
with them only those grains they need, unlike you. What use
is a hoarded larder if it rots? How does one come to want
everything and nothing at the same time? A gilded house
spotlights wealth, not right. Is this edifice your legacy,
your monument to self? The heart monitor’s blip paints one
forever, your pursed lips, another. But even the concrete
you cringe behind lacks permanency; regard your hands
and all they can’t stuff into your pockets. Loosen that
coiled tie lest it choke you. Accept what the mirror sees,
and await karma. Though you will not hear my voice,
I offer this: may the combined weight of your lies and
larcenies, your unpaid debts and power plays, rapes,
casual racism, privilege and coarse, childish taunts, merge
into one fist-size bankroll placed upon your chest, and
fueled by the gravitational forces of forty-four black holes,
slowly, with each turn of the earth’s axis, press down and
down and down in search of that shriveled organ, and finding
it, pluck out and replace it with one resembling that of a
genuine human, one honoring respect and love, empathy
and humility. I am the sum of integrated, discarded
pieces assembled to observe and warn, collecting only
diminishment and the means to become less. Wanting
little, the world welcomes me. It arrives free, honest, on
wings, bringing wealth beyond your reach, your greed.
I own nothing. I know nothing. But this: I name you
Scourge, and laugh at the smallness of you. I name you
Farce. I name you Empty. I name you Gone.
* * *
I feel old and tired and angry, unable to speak coherently. So today Scarecrow’s voice will have to do.
“Scarecrow Calls Out the Man” first appeared on Vox Populi in August 2017.