Ghazal of the Half

 

Ghazal of the Half  

Singing virtues, she swings to the east, claims half,
accepts what’s given, smiles, nods, names half.

What stone lies unturned in this bluest of graves?
Where love’s darkest lancet intrudes, inflames half.

The beauty of intercession and the divided become
one. Pushing them into two piles, she blames half.

Incomplete, I ride the lost memory’s pale vein,
as the motion of capture, of trickling, maims half.

You read the history of driftwood in its scars.
“Never whole. Always,” she exclaims, “half.”

My other name is a hill in a windstorm of sleep.
Forever apart and uneven, just the surname’s half.

 

“Ghazal of the Half” first appeared in Manzano Mountain Review in November, 2018. Many thanks to editors Justin Bendell and Kristian Macaron for taking this piece.

 

Transduced Ruin

desolate

 

Transduced Ruin

From bad to worse.
The hospital’s walls, shredded.

A turning back, the retrieval.
Frayed edges, unraveling, pulled down.

Conveyance and change, or, conversion.
Tying the knot, I think of home.

Things fallen apart.
She stands alone under the sky’s umbrella.

“Destroy infrastructure, destroy livelihood. Destroy.
Water leaking from the cistern’s wounds.

Wind to voltage; passive to active.
My church is the sky, the earth below, and everything between.

The center of one, of two.
Rounds, piercing armor.

A spiritual hole, leakage.
“It was easier to view them as targets, not human.”

Sequences: from water to ice, to vapor and back again.
I will surrender to flame and be scattered.

Firewing, starbolt, tearmaker.
Guided from afar, they sense but cannot feel.

Recursive death.
Counting graves, he considers relief.

The road to everywhere.
Looking back, I discover that I had already arrived.

 

* * *

I’d forgotten about “Transduced Ruin,” which was written during the August 2016 Tupelo Press 30/30 Project, a fundraiser for the non-profit literary publisher, Tupelo Press. I am grateful to Atomic Geography, who sponsored the poem and provided the title and these three words: spiritual, sequences, things. 

 

Poem in Brave Voices

 

My poem “The Gift” was published in Brave Voices in January 2019. I somehow missed it…

Many thanks to Audrey Bowers and her editorial staff for taking this piece.

 

The Shadow Behind You

  

The Shadow Behind You

That moment, spent. And another.
This goes on for hours,

days, metal pails filled with condensate,
emptied onto the parched soil
and sucked away within minutes.

What stares back at that precise second?

A void forms flesh, becomes a vessel
tumbled into the darkest rectangle,
leaving no evidence behind.

Our natures, revealed in absentia.

The dog barks at his reflection,
never thinking to examine himself,

while you stoop under the weight
of the tethered black, adjusting

your conscience, killing time.

 

* * *

“The Shadow Behind You” first appeared in Issue 125 of Right Hand PointingThank you to editors Dale Wisely, Laura M. Kaminski, F. John Sharp and José Angel Araguz for taking this piece.

 

Bread

OLYMPUS DIGITAL CAMERA

Bread

That year we learned the true language of fear.
I baked boule and you haunted medical sites.

You said to arrive I must first depart
or be willing to suffer self-awareness. Let’s not

mention our pact just yet. My basic boule requires a
Dutch oven, 20 ounces of flour, water, yeast and salt.

At twenty I learned the finer points
of sausage-making, how to butcher chicken, and

that your hair smelled like dawn’s last flower.
Back then we owned the night. Now I harvest

wild yeast and sharpen pencils, make to-do lists,
pour Chianti, run numbers. I agreed

to your proposal. It would be a kindness, you said.
The pancreas produces hormones

and aids digestion. I chopped off my left thumbtip
and a year later the abscission point

still felt numb. After rolling the dough
into a ball, let it proof for an hour in an oiled bowl.

We shared a taste for sharp cheese
but never agreed on pillows. You loved

down comforters and found vultures fascinating.
Years together honed our lives

but we never considered what that meant. Score
the dough, bake it for 30 minutes with the lid on,

remove the lid and bake for another 15.
Kneading resembles breathing: in,

out. Rise, fall. Bright lights made your eyes water,
so I kept them dimmed. You swallowed

and said “Tell me how to knead bread.”
With the heel of your right hand, push down

and forward, applying steady pressure.
The dough should move under your hand.

Within minutes it will transform.

 

* * *

“Bread” was first published in Extract(s) in April 2015.

pillows

I’ll Turn But Clouds Appear

spaghetti

 

I’ll Turn But Clouds Appear

You gather and disperse and nothing I do salves my hunger.
Where are you, if not here among the roots of dead flowers

or inches below the window’s opening
in the leaf-filtered light. Or spread across

the ceiling, caught in filaments of expelled
hope. Savoring motion, I look up and address the Dog Stars,

longing to catch your attention. But clouds muffle
my words, and instead I turn

to the fragrance of tomato and garlic and spice
wafting into the night. What could bring you back?

Not love. Not wine. Not solitude, nor the sound of my voice.
I spoon out the sauce, cautiously, and wait.

 

* * *

“I’ll Turn but Clouds Appear” first appeared in Bindlestiff.

 

treecloud

Some Dogs Are Larger Than Others

ozzy


Some Dogs are Larger Than Others

How he stares
at you,

relentless
in his desire,

offering
belly to scratch

and head to pet
just when you most

need them,
even if

you don’t know it,
then curling

against you, saying
in the language

of warmth and fur,
this, just this.

* * *

“Some Dogs are Larger Than Others” first appeared here in January 2017.

 

 

Two Poems in Voices

 

I’m delighted to report that my poems “Sometimes Love is a Dry Gutter” and “Every Drop” are included in the new Nigerian publication Voices: The Journal of Emotions and Motions. Thank you, Victor Eshameh, for selecting these pieces.

 

 

Setting Fire to the Rose Garden

flame

 

Setting Fire to the Rose Garden

Each flower is a gift, a testament to
another morning’s arrival.
I watch you tend the firestar, its
mango-colored petals flirting with

the fire ’n’ ice’s elegant
red, accepting the pink indictment
of the flaming peace, and the
scarlet fireglow’s blush. You are like

a new sunlight crossing the day,
yet when I wave, a cloud passes over
you. Flames differ in this regard,
knowing they exist only as the product

of heat, oxidation and combustible
material, yet sharing their brief lives
with all who care to notice. I inhale
your dark thoughts, holding them

within, but later assemble my own
bouquet — wood chips and diesel
fuel, ground spinners, snakes,
strobes, rockets, candles, shells,

repeaters and a spark timer — and
plant it fondly in the garden. Oh,
how they’ll blossom before dawn’s
first touch. How they will shine.

 

roses

 

“Setting Fire to the Rose Garden” was drafted during the August 2015 Tupelo Press 30/30 Challenge, and was subsequently published in The Paragon Journal’s [Insert Yourself Here]: an Anthology of Contemporary Poetry

 

Your Armpits Smell Like Heaven

glacier

Your Armpits Smell Like Heaven

But your breath could melt a glacier at three
miles, she says, and then we might consider
the dirt under your nails, the way you slur
your sibilants, and how you seldom see

the cracked eggs in a carton, a downed tree
branch in front of you, the ripened blister
of paint in the bedroom, or your sister
lying drunk on the floor in her own pee.

Back to your armpits. Do you realize
we could bottle that aroma and make
a fortune? I inhale it and forgive

your many faults. The odor provokes sighs
and tingles, blushes I could never fake.
Ain’t love grand? Elevate those arms. Let’s live!

 

 

Never in my wildest dreams did I envision writing a poem about armpits. But the August 2015 Tupelo Press 30-30 challenge, and Plain Jane, the title sponsor, provided that opportunity. This first appeared here in April 2016, and was subsequently published in Algebra of Owls. Many thanks to editor Paul Vaughan for taking it.

armpits