Confession to Montgomery, Asleep on the Church Steps

bagels and cream cheese MGD©

Confession to Montgomery, Asleep on the Church Steps

If I walk quietly by
it is not to avoid disturbing you,

but rather myself. What
could I give you

but another bagel, the
boiled dough of nothingness

rising in cloudy water,
delaying, perhaps, another

guilty twinge. You have no
answers but when you

speak to the air, sometimes
a smile creaks through

the broken words, and I
think even in this cloistered

darkness we may close
the circle between halves

and might-have-beens,
an understanding, if only

in the language of bread
and coffee and the

disregarded. But today I stride
on, without pause, counting

on nothing that can’t be
pocketed or spoken aloud,

my steps echoing down
the alley and its secrets,

along the crosswalk’s painted
guides, under the sagging

power lines and through
your streetlight’s dim halo.

Homeless

This first appeared on the blog in January 2016. I have not seen the man who inspired this poem in over a year. I hope he has found shelter and kindness.

Setting Fire to the Rose Garden

flame

 

Setting Fire to the Rose Garden

Each flower is a gift, a testament to
another morning’s arrival.
I watch you tend the firestar, its
mango-colored petals flirting with

the fire ’n’ ice’s elegant
red, accepting the pink indictment
of the flaming peace, and the
scarlet fireglow’s blush. You are like

a new sunlight crossing the day,
yet when I wave, a cloud passes over
you. Flames differ in this regard,
knowing they exist only as the product

of heat, oxidation and combustible
material, yet sharing their brief lives
with all who care to notice. I inhale
your dark thoughts, holding them

within, but later assemble my own
bouquet — wood chips and diesel
fuel, ground spinners, snakes,
strobes, rockets, candles, shells,

repeaters and a spark timer — and
plant it fondly in the garden. Oh,
how they’ll blossom before dawn’s
first touch. How they will shine.

 

roses

 

“Setting Fire to the Rose Garden” was drafted during the August 2015 Tupelo Press 30/30 Challenge, and was recently published in The Paragon Journal’s [Insert Yourself Here]: an Anthology of Contemporary Poetry

Glass with Memory

lamp

 

Glass with Memory

When I remember you
glass comes to mind,
but nothing so transparent
as an unclothed thought

or warmth trickling in
through the pipes or
under the haze of
the second night’s sheet,

no two alike except
in appearance, but under
the lamp’s unconscious glare
I find warmth spreading

across the hard surface,
telling me all is
not lost, that smoothness
persists beyond our reflection.

 

glass

 

“Glass with Memory” made its first appearance on the blog in February 2017, and was published in September in the anthology Texas’s Best Emerging Poets.

Icarus

feather02-2

 

Icarus

the answer is
not the history
of flight but

a question of
wings a notion
born of desperation

and fright each
quill ruffled by
the delicate tongue

of air can
only reflect this
fortune a dream

but never a
tragedy the gift
of gravity’s denial

 

sun

 

Written probably in 1985 or 1986, this is the first poem I titled “Icarus.” It’s fun to unearth these old pieces.

I’ll Turn But Clouds Appear

spaghetti

 

I’ll Turn But Clouds Appear

You gather and disperse and nothing I do salves my hunger.
Where are you, if not here among the roots of dead flowers

or inches below the window’s opening
in the leaf-filtered light. Or spread across

the ceiling, caught in filaments of expelled
hope. Savoring motion, I look up and address the Dog Stars,

longing to catch your attention. But clouds muffle
my words, and instead I turn

to the fragrance of tomato and garlic and spice
wafting into the night. What could bring you back?

Not love. Not wine. Not solitude, nor the sound of my voice.
I spoon out the sauce, cautiously, and wait.

* * *

“I’ll Turn but Clouds Appear” first appeared in Bindlestiff.

 

treecloud

Recording of “Every Wind”


Every Wind

Every wind loses itself,
no matter where

it starts. I want
a little piece of you.

No.

I want your atmosphere
bundled in a small rice paper packet
and labeled with strings of new rain
and stepping stones.

I want
the grace of silence
blowing in through the cracked
window, disturbing only
the shadows.

Everywhere I go, bits of me linger,
searching for you.

Grief ages one thread at a time,

lurking like an odor
among the lost
things,

or your breath,
still out there,

drifting.

 

* * *

Music: “Gymnopedie No. 1” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

 

“Every Wind” first appeared in The Lake in July 2016, and is included in my chapbook, From Every Moment a Second, available for order now via Amazon.com and Finishing Line Press.

 

Every Wind


Every Wind

Every wind loses itself,
no matter where

it starts. I want
a little piece of you.

No.

I want your atmosphere
bundled in a small rice paper packet
and labeled with strings of new rain
and stepping stones.

I want
the grace of silence
blowing in through the cracked
window, disturbing only
the shadows.

Everywhere I go, bits of me linger,
searching for you.

Grief ages one thread at a time,

lurking like an odor
among the lost
things,

or your breath,
still out there,

drifting.

 

“Every Wind” first appeared in The Lake in July 2016, and is included in my chapbook, From Every Moment a Second, available for order now via Amazon.com and Finishing Line Press.

 

Waiting for the Windshield on the Freeway

brick

 

Waiting for the Windshield on the Freeway

Take velocity into account, figure height and distance,
add trajectory plus time, then let her rip. Billy likes solid
paving stones, while I prefer hollow cinder blocks. Karen
chooses traditional red bricks, as she lacks the upper body
strength to throw anything heavier. What she’s missing in
muscle, she makes up with accuracy – one bull’s-eye last
month, with three kills to her credit. Imagine driving down
the highway, singing along with Toby Keith when wham,
a brick spiderwebs your windshield and without thinking you
mash down the brakes and the idiot tailgating you crunches
your rear end, launching you off the road and into the muddy
ditch, while another obliviot crashes into him – Karen’s work.
The only time I’ve seen her smile. Billy says she’s meaner
than me and the old man put together, which is quite the
compliment. We don’t see each other often, but Daddy’s
up for parole in a few months, and if his lying has improved,
well, who knows. Billy’s aim ain’t much – he’s managed
to dent a few roofs and truck beds, and caused a Ford
F-150 to swerve, but that’s about it. Me, I’m hunting the big
game, the 18-wheelers. I got a good feeling about tonight.

 

“Waiting for the Windshield on the Freeway” was drafted during the August 2016 Tupelo Press 30/30 Challenge, and ten days later was featured on Algebra of Owls. Thanks to Leigh Smith for sponsoring the poem and providing the title, and editor Paul Vaughan for choosing this piece. 

With No Mountain in View

 

With No Mountain in View

Like a mirage, you shift ever forward,
blonde hair concealing your eyes, one
long leg draped over the chair’s arm,
a reminder of inconstancy and promises
constructed to collapse. Such power,
such wisdom, at seventeen.
Through the window I see
horses in the paddock, a lone
figure by the road, and steam
rising from the earth. Your voice,
as it was, and mine, as it never sounded,
merged only in fantasy. Something
crumbles at the edge. A crow flaps away.

“With No Mountain In View” is included in my chapbook, From Every Moment a Second, available for order now via Amazon.com and Finishing Line Press.