The Ecstatics

chimney


The Ecstatics

Divisions and separations, a summing of consequences,
the brother whose ashes remained forever lost. Two cities
and their survivors’ shame. The loud, kind young man
whose words fell to the restaurant’s floor, unbidden.
What came next in the drift, untoward and misspent,
in the grammar of between? Darkness, suppressed.
Smoke. Pleasure and fear, unclothed.


sorrow bw

“The Ecstatics” first appeared here in January 2016. It’s an odd piece, part of a larger sequence that I put on hold several years ago. Perhaps I’ll return to it someday.

PLEASURE IN ABSENCE OF ENDING (ENSŌ)

Pleasure in Absence of Ending (Ensō)

Thoughtful, proposing not end, but process.

In this noon’s grayness I disclose my need.

Which is a lotus floating in your pond, a clutch of zeros
blooming in moonlight. Last night’s missing sleep.

An ending, by definition, concludes.

But what occurs in a circle’s body, or infinity’s border?

Imprecision acknowledged, I sip wine and gauge distance.

Take comfort in the disorderly.

Starting at the top, the brush moves down and right,
clockwise, then rising in opposition, halts.

Drifting, incomplete, I step back.

Some leave a gap; others do not.

* * *

This first appeared in Posit: A Journal of Literature and Art in September 2017.

This Island is a Stone

 

This Island Is a Stone

Raking the sand, I leave only the infinite
trickling behind; our first bed bore your

parents’ memories. This one grows weeds. The
heavenly bamboo (a shrub and not a grass)

issues white petals and inedible red fruit. My
fingertip callouses have softened from disuse;

coyotes no longer answer my yips and howls.
Who replies to liars anyway? A snail’s love

dart impales the object of its affection, but
often inconveniently. This is not a metaphor

for bad sex, but a means of transferring an
allohormone. Today the overburdened creeks

erode their banks and 492 seconds after
departing the sun a ray greets my lawn. I snap

the towel at the fly on the door, but miss
again. The once sacred now lies open and

emptied; a few months ago my father could not
remember my birthdate although he recognized

the season. Some totals may never satisfy.
If I collect my life’s accumulated wastings, will

that sum temper me or merely accentuate the
fool? Nothing is as it seems. We mark our

remaining days with unread books. These
waves are plotted creases, this island is a stone.

“This Island Is a Stone” was published in MockingHeart Review in September 2017. I am grateful to editor Clare L. Martin for publishing this piece.

Overlooked

 

Overlooked

How immemorable, he thinks,
drilling into the wall.
Another hole, another day.
Fill them, and still others
beg creation.

Say mouth. Say void,
followed by tongue and burden,
by orifice and bland. Say
invisible. Empty. Say forget.

That we plan is given.
But who writes the manual
to our lives? The hammer

does not shiver at the thought
of itself. Take this board
and remove only that portion
the screw will occupy.

Level the hook. Admire
the work. Adjust.
Do this twice.

“Overlooked” was published in Mantle in August 2017.

Interview Up at The Quiet Letter

The Quiet Letter, a platform dedicated to contemporary literature, is based in India and operates from a small provincial town. Editor Pawan N. Hira recently interviewed me. The poetry world is indeed great and small, global and local.

Poem Up At The Pangolin Review

My poem “No One Knows” is live at The Pangolin Review, an interesting little journal out of Mauritius. You’ll have to scroll down to find my piece.

And if you don’t know what a pangolin is, picture an armadillo with scales and the ability to emit a foul odor reminiscent of a skunk.

I Must Be Doing Something Right, Somewhere, Sometime, Maybe?

Since New Year’s Day, 24 publications have turned down my writing. Before that, I received ten rejections in December, which only tied my sixth worst monthly total for 2017! So yeah, I know the sting of rejection. Mostly it resembles a mosquito’s bite – a bit annoying, it disappears quickly. But one will occasionally strike like a scorpion – WHAM – and it swells and throbs for a while and I wonder why the hell I continue dallying with this odd thing we call poetry. I suppose it’s enough that from time to time a complete stranger will respond kindly, or an editor will ask to see a few pieces for consideration. Or a few poems get published in print…

My poetry has appeared in these print publications over the past year. Although much of my writing is published online, I’m still enamored with print. Something about the smell, the feel of paper. Ah, bliss.

And why do I continue writing? It’s the doing of it, the process. That is what really matters.

Alabaster

This poem! Read it out loud. Feels good, doesn’t it?

stephanielharper's avatarSLHARPERPOETRY

alabaster
Alabaster

I am a pink rose petal’s pale glow

black ash tamped in furrows
between the breaths of the living
& the droning of the dead

the dawn’s blush unfurling over sand dunes

& seagulls soaring on thermal spirits
of iodine     salt     & shellfish

& sometimes     scattering in the wind
I can’t find where everything else ends     & I begin

Now rising from the morning hush     this cloud of me
speaks to the red tail hawk perched on a streetlamp
& tells her I’m fine     because I’m still not sure
how to talk about not being fine

I am an instar     trying to be
the clearest version of myself     to sculpt
a final skin of lucent crystal

so that when you come to see my cinder eyes
glinting diamond dust     I will be
the embered dusk bleeding into the sea

& you will know the truth of me

STEPHANIE L…

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Some Dogs Are Larger Than Others

ozzy


Some Dogs are Larger Than Others

How he stares
at you,

relentless
in his desire,

offering
belly to scratch

and head to pet
just when you most

need them,
even if

you don’t know it,
then curling

against you, saying
in the language

of warmth and fur,
this, just this.

* * *

“Some Dogs are Larger Than Others” first appeared here in January 2017.