Something Lost, Something Trivial

broom

Something Lost, Something Trivial

Another word, another bewildered
moment in transition: the phrase
barely emerges from your mouth
before crumbling back into a half-opened
drawer in the loneliest room of a house
that died seventeen years ago.

I nod as if in understanding, and stoop
to pick up a crushed drinking straw,
the kind with the accordion elbow
that facilitates adjustment.

From a rooftop across the street,
a mockingbird warbles his
early morning medley of unrelated
songs, and you say left oblique,
followed by matches, then
collapse on a bench,
winded. I sit next to you

and we both enjoy the warmth
and birdsong, though I know
this only through the uplifted
corner of your mouth, which
these days is how you indicate
either deep pleasure or

fear. I have to leave soon,
I say, and you grab my wrist
and stare into my eyes.
Broom, you reply. And more
emphatically, Broom!

Though I cannot follow you
directly, knowing both path
and destination, I pick my way
carefully through the years
stacked high like cardboard
banker’s boxes stuffed with
papers and receipts no one
will ever see. I know, I say.
I love you, too. Broom.

* * *

“Something Lost, Something Trivial” was published in January 2016 in the first issue of MockingHeart Review. Many thanks to editor Clare L. Martin, for her multiple kindnesses. I am reading with Clare and Bessie Senette on Saturday, October 20, at 7:00 p.m. at Malvern Books in Austin.

Scarecrow Joins the Circle Dance

Beautiful images. Beautiful writing. Kerfe Roig honors Scarecrow, and knocks it out of the park once again!

method two madness

corw dance dark s

Autumn. I fall into disrepair.  The sky still covers me, but my shadow dissolves into the remains of the golden ocean that heretofore eddied and flowed at my feet.  My skin lies ragged, unfilled.

I was crowned, once, with dark discordant ornaments. They sit on other thrones now, unrepentant pretenders, still calling the sun, the wind–the land itself–to task.

A crow flies over
a graveyard—blackness on stone–
change hangs in the air

crow dance close up s

When I saw Frank Tassone’s Haikai Challenge about scarecrows, I was intrigued.  I can’t think of Scarecrow without  thinking of Robert Okaji’s wise sage.  So whatever I did would be colored by what Robert has written.  I also decided to use the words from Colleen’s Tanka Tuesday, synonyms for ghost and hollow, as many of them seemed to fit on Scarecrow too.

crow dance bright s

As to Crow–he’s always around here somewhere.

Once again, different light makes the metallic paint…

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Family Road Trip

Follow along with Stephanie L. Harper!

SLHARPERPOETRY

Family Road Trip

Family Road Trip

As we cross from Idaho into Utah,
the speed limit increases to 80 MPH,
& the evening empties
itself of the day’s summer ire,
letting it bubble on the horizon,
like the burgeonings that grace
the faces of teenagers just emerged
from backseat oblivion

to find themselves
metamorphosed from neophytes
into sleek, lanky-limbed
molehill-monumentalization
experts overnight.

Somewhere between the relative
metropolises of Ogden & Salt Lake City,
we breeze past a little town
that sprouted in the morning
shadow of a mountain,
& is now
consummating its time-dilated version
of a storm-cloud’s single day & night;

& I think how this place must be
the torpor of teenagers incarnate—
tucked in its little bed, & brimming
with confoundedness—

mustering the elements
it will tower into a thing of splendor.

STEPHANIE L. HARPER

See the source image

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Scarecrow Believes

Scarecrow Believes
 

What is a ghost if not misplaced energy,
an apprehension or the sum of invisible integers
and the properties they possess? I preside over
this sea of maize, tracking clouds, noting patterns
up high and among the flowing stalks, absorbing
minutiae, assigning connections, piecing together bits,
moment to thought, soil to trickle, flutter to gain.
Energy. Inertia. Waves, converted. If I had a bed
I would not neglect to look under it. The closet door
would remain open, a nightlight positioned nearby
with perhaps a mirror or two angled to offer clarity,
and the radio tuned always to jazz, providing little
purchase to any ill-intentioned spirit. The power of
beauty transfixes, even as it carries me far from my
station, from hilltop to plains to glowering moon.
If neither place nor reason, what consumes
our spiritual remnants, what directs our currents
to the next, and each successive, landing? Crows
have long been considered conduits to the afterlife,
but they exist here, in the now. I do not perspire but
fix my gaze on numbers and their tales, on zero and
the history of nothing, on unseen fingers walking up
my spine, shedding a residue of snow, of mercury
and latent images and dormant seeds in the world
underfoot, acknowledging the wonders of what
can’t be proven, what won’t be held or seen. Still, I
add and subtract, unclench my fingers and accept the
quiet, caught forever within the limits of the boundless,
under the sky, in space, within the improbable.

“Scarecrow Believes” was published in May 2017 in GFT Presents: One in Four, a semiannual, print literary journal published by GFT Press.

 

 

 

Truchas (Elevation 8,000 Feet)

trout

Truchas (Elevation 8,000 Feet)

Climbing
these stairs,

I resemble
a trout

flopping
in dry air,

another gasp
and a ratcheting

heart rate, up,
out, and through

that opening,
into the pale glow.

steep

I spent a glorious four days in New Mexico, in the company of poets. The Tupelo Press Truchas Conference outdid itself again.

And All Around, the Withered

And All Around, the Withered

I total the numbers printed
on passing boxcars,

multiply by seven, then add two,
subtracting every third odd number,

only to find, in the end, myself
tethered to this empty platform,

spelling hapless with integers,
acknowledging Zahlen and

the infinite. Sometimes gravel, too,
calls to me and I observe space

in the path’s patterns, constellation
stacked upon constellation,

multi-dimensional galaxies
expanding in one swooping arc,

heroic eagles and exploding stars
complicit in their deeds and forever

locked in sequence, yet when I explain
my vision, the words emerge

as convex polyhedrons or inverted,
drooled gasps, and people turn aside.

That boy’s two bricks shy a full load, they
say. The lights are on but nobody’s home.

“And All Around, the Withered” was published in Steel Toe Review in January 2017.

Nocturne with a Line after Kees

country

Nocturne with a Line after Kees

I close my eyes and see nothing but rain.
And after, take pity

for what turns beyond sight: the wretched
flower, a hiss from the road. Last night the wind
stole sleep from my body,

leaving me alone, wordless, listening
for her next breath. An alchemist,

I transmute the memories of old wounds laid open.

*****

This first appeared in Ijagun Poetry Journal, in December 2013.

Antique pharmacy

In Praise of Gravity

world technology(1)

In Praise of Gravity

Which bestows weight
or slings me around
some other heavenly

body, a version of you
wondering whether
I’ll rise from my next

plummet, victim of
curvature and infinite
range held in place,

attractive in nature,
bent perhaps and
scarred, proud to have

survived but never wiser.
Cleansed, we continue
our orbit, our mirrored fall.

KONICA MINOLTA DIGITAL CAMERA

“In Praise of Gravity” is included in my chapbook, If Your Matter Could Reform.