Life among the Prickly Pear

image

 

Life among the Prickly Pear

Rain’s twofold curse: not enough
too much. Still, I take comfort

even among the thorns.
There is much to like here.

Its moonlight flowers.
Paddles fried with minced garlic.

Wren’s jubilant shriek.
The fruit’s red nectar.

I wake to distant screech owls
purring their desires on separate

slopes. Late spring, storms looming.
I close my eyes and the creek rises.

 

* * *

A draft of this first appeared here in June 2015, and I posted this version in May 2016. I’ve had to deal with a flooded creek recently…

In the meantime, two of my guitar heroes:

Poem Up at Kissing Dynamite

 

My poem “Clandestine” is live in Issue 6 of Kissing Dynamite. I am grateful to the KD team for taking this piece.

 

 

While Reading Billy Collins at Bandera’s Best Restaurant, Words Come to Me

 

While Reading Billy Collins at Bandera’s Best Restaurant, Words Come to Me

And having no other paper at hand,
I scrawl on a dollar bill, “I want to speak
the language of smoke.” My invisible friend
interrupts. That is a white man’s dilemma.

 At least you have a dollar and a pen.
“But I’m only half-white,” I reply, “with half
the privilege.” Then you must bear double
the burden,
he says. This version of math

twists my intestines into a Gordian knot,
as does the concept of half equals twice,
or in terms I might better comprehend,
one beer equals four when divided by color

or accent and multiplied by projection.
The unsmiling waitress delivers my rib-eye
as I’m dressing the salad, and the check appears
just after the first bites of medium-rare beef

hit my palate, certainly before I can answer the
never-voiced question “would you like dessert?”
Cheese cake, I would have said. Or cobbler. And I
seldom turn down a second beer. This too, I’m told,

is another example of my unearned entitlement. I
contemplate this statement, scribble a few other
phrases on bills, drop them on the table, and walk out,
wondering which direction to take, which to avoid.

* * *

“While Reading Billy Collins at Bandera’s Best Restaurant, Words Come to Me” was a finalist last fall for the Slippery Elm Prize in Poetry. It was published in Slippery Elm (print only) in December 2017. You may be amused to hear that shortly after the winner was announced, I had lunch in Bandera with one of the other finalists in this competition, but not at the restaurant featured in the poem. The photo is of a local bar, not the eatery, but it offers some of the flavor of the town.

Odi et amo (Zero)

zero sign

 

Odi et amo (zero)

How I fear what you contain.
Reaching through,

I find only more you,
but when I multiply your being,

the result limits me.
I add myself to your body and obtain

only myself. If nothing is something,
how, what, may I claim?

Your beginning and end, a line
become circle, become identity.

I enter, and entering, depart.

 

zero MGD©

“Odi et amo (Zero)” first appeared on the blog in December 2015, and was published in The Basil O’Flaherty in October 2016.

Earth

puddle

 

Earth

Tremor and
stone

beset upon the calm.

Now water
lines the road’s

bed, and we see
no means to pass.

Even so
you break what falls.

 

* * *

This first appeared in Ijagun Poetry Journal in December 2013, and is also included in my micro-chapbook, You Break What Falls, available (free of charge) for download from the Origami Poems Project: http://www.origamipoems.com/poets/236-robert-okaji


image

Mirror

image

 

Mirror

The attraction is not
unexpected. We see

what is placed
before us, not

what may be.
The mirror is empty

until approached.

 

* * *

One of six short poems included in my micro-chapbook, You Break What Falls. Available for free download here: http://www.origamipoems.com/poets/236-robert-okaji

image

“Mirror” first appeared here in May 2015.

Nocturne with a Line after Kees

country

 

Nocturne with a Line after Kees

I close my eyes and see nothing but rain.
And after, take pity

for what turns beyond sight: the wretched
flower, a hiss from the road. Last night the wind
stole sleep from my body,

leaving me alone, wordless, listening
for her next breath. An alchemist,

I transmute the memories of old wounds laid open.

 

*****

This first appeared in Ijagun Poetry Journal, in December 2013.

 

Antique pharmacy

 

Water Witching, We Hear

dry

 

Water Witching, We Hear

The rattle of stalks
along dirt roads,

whispery days
sifting through
parched
light,

you say
patience, my
friend
, and again,

patience.

 

* * *

“Water Witching, We Hear” first appeared on the blog in April 2017.

Strollermelon

 

 

Strollermelon

In the summer I roll them from grocer to bus stop, little bonnets
affixed, cooing all the while – cantaloupe, watermelon, honey dew,
casaba, canary, sugar, you name it, they all come home with me,
in pairs or solo, snuggled tightly in blankets and ensuring
dropped-jaw, raised-eyebrow gapes from those who approach.
Don’t they look just like their mother, I ask, and no one ever disagrees.
Everybody is so nice, even the teen-age boys who no longer offer up
their seats. But Damon, who recently purchased new pants to impress
Wanda-I’m-An-Attorney, enjoys whispering secrets to us. Did you
know they’re actually berries? And that some are called fruit,
others, vegetables? They’re not much good for pies, though. I just
call them “Mel,” which is funny because I know that you’re not
supposed to name something you’re going to eat, and really, I do
recognize the difference between sentient beings and plants, but
then candidate Harumph comes to mind, and how do you explain
him and his followers? When cool weather approaches, I turn to
squash. Happy acorn, the elongated, sad butternut, pumpkin. Each
holds a niche in my heart, and I love strolling down the sidewalk
with them, humming tunes, adjusting stems, planning meals.

 

* * *

“Strollermelon” was first drafted during the August 2016 Tupelo Press 30-30 challenge, and was published in Quiet Letter in April 2017. Thanks to Plain Jane for providing the odd title. One never knows what’ll arise from sponsored titles!

 

Door Haibun

 

Door Haibun

The glass remains unchanged but what I see through it differs moment by moment. This door is truly of a port in air; I observe these shifting worlds, their translucent seconds ever ticking. Nothing rests – the Texas mountain laurel’s blossoms fade and flutter to the ground while the wind weaves intricate patterns through its branches. Rogue onion sprouts scatter throughout this small section of yard, and a squirrel scampers along the cedar pickets. Light slants through a hole in the clouds. A hummingbird buzzes by. Even the earth moves, and five minutes ago rain tapped out an inconsistent tune on my metal roof. I lift the shakuhachi to my lips, and exhaling, enter the day.

three dogs yapping
announce spring’s arrival
oh, sweet music!

 

“Door Haibun” first appeared here in April 2018.