Incongruities

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Years ago, I worked in a library…

Incongruities

so little depends
upon

the half-Japanese
bookman

reading Italian
haiku

in the Texas
library.

Once again, my apologies to William Carlos Williams, whose poetry inspires and therefore often bears the brunt of my little diversions into whimsy. “Incongruities” first appeared here in October 2015. The original WCW poem can be found here.

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Firewood

firewood 

Firewood

For two years the oak
loomed, leafless.
We had aged
together, but somehow
I survived the drought
and ice storms, the
regret and wilt,
the explosions within,
and it did not.

I do not know
the rituals of trees,
how they mourn
a passing, or if
the sighs I hear
betray only my own
frailties, but even
as I fuel the saw and
tighten the chain,
I look carefully
for new growth.

chain saw

“Firewood” is included in my forthcoming chapbook, From Every Moment a Second, available for pre-publication order (shipping in October) at Finishing Line Press.

Sunday Compulsion: Luanne Castle (Why I Write)

Welcome to “Sunday Compulsion,” in which creatives answer one question: Why do I create? Here’s poet Luanne Castle:

When I pondered why I write, my mind flipped the question to why I don’t write during so many fallow periods. There have been so many reasons over the years: school, work, social life, teaching, raising kids.

It’s not that I haven’t had plenty of active writing periods. I wrote poetry as a kid and, later, as a teen. I attended grad school for an MFA in poetry and fiction.  When casual poetry workshops formed online, I joined them. When schools offered more formal online workshops, I attended some of those, too.

But I would write with passion for weeks or months or even years—and each writing period would be followed by a period where I wrote little, if anything. I didn’t have writer’s block. I don’t even know what that is. I’ve just lived my life and waited for writing to demand my time again.

Even now, I am always finding something that keeps me from writing. I spend time on my elderly mother’s needs. I foster (and adopt, too—it’s called foster failure in the shelter biz) homeless cats and volunteer at the local shelter. My husband and I travel for work and we travel for pleasure.

So the question that might help me answer Bob’s initial one is what brings me back to writing? It must be the pressure of not writing. The idea bin in my head and the idea list hidden under my daily to-do list both spill over. I realize I can no longer sort through my thoughts and feelings. Thoughts and feelings begin to merge, to blend together. I get cranky. Really cranky.

And then I start to write again. At first it’s a little bit like throwing crap on the wall, but then my mind develops some clarity. I feel more in the moment and can process my emotions as separate events from my thoughts. I become less cranky, even a bit amiable, and when I’m tired, I turn off the computer screen and have a glass of wine, happy to put away a draft of a poem for tomorrow.

* * *

Listen to Luanne read “When Your Grandfather Shows You Photographs of His Mother,” a poem from her recent publication, Kin Types.

Read the poem here: When Your Grandfather Shows You Photographs of His Mother

* * *


Winner of the 2015 New Mexico-Arizona Book Award, Doll God, Luanne Castle’s first collection of poetry, was published by Aldrich Press. Luanne’s poetry and prose have appeared in Grist, Copper Nickel, River Teeth, Glass Poetry Press, Barnstorm Journal, Six Hens, Lunch Ticket, The Review Review, and many other journals. Kin Types, a chapbook of poetry and flash nonfiction, was published July 2017 by Finishing Line Press. Kin Types was a semi-finalist in the Concrete Wolf chapbook contest.

Luanne has been a Fellow at the Center for Ideas and Society at the University of California, Riverside. She studied English and creative writing at the University of California, Riverside (Ph.D.); Western Michigan University (MFA); and the Stanford University writing certificate program. Her scholarly work has been published in academic journals, and she contributed to Twice-Told Children’s Tales: The Influence of Childhood Reading on Writers for Adults, edited by Betty Greenway. For fifteen years, she taught college English.

An avid blogger, Luanne can be found at luannecastle.com. She divides her time between California and Arizona, where she shares land with a herd of javelina.

Find Luanne at these sites:

Luanne Castle
Writer Site
The Family Kalamazoo
Facebook
Twitter

Watch the trailer for Kin Types.

Kin Types is available here:
Amazon
Barnes and Noble
Finishing Line Press

Doll God may be found here:
Amazon

 

 

Recording of “The Resonance of No”

dishes

“The Resonance of No,” was published in December 2016 in Gravel, and is included in my forthcoming chapbook, From Every Moment a Second, available for prepublication order at Finishing Line Press.

Music Credit: Cool Vibes Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

Recording of Bottom, Falling

bird silhouette

“Bottom, Falling” was published in Into the Void in October, 2016, and appears in my forthcoming chapbook, From Every Moment a Second, available for prepublication order at Finishing Line Press.

femas-mock-cover

FIVE CREATIVE USES FOR MY BOOK, FROM EVERY MOMENT A SECOND

More than just poetry!

So you don’t read poetry? No worries. This book is a multi-tasker’s dream. Buy it and let your practical nature take over. No reading necessary!

1) Scorpion swatter – let the aggressive, pain-inducing arachnid know the full weight of poetry! SLAM! No more second moments for you, scorpion!

2) Coaster – a half-dozen copies of the book will keep you out of the doghouse, if you, like certain unnamed poets, occasionally, and without malice, set sweating pint glasses of frothy ale directly on antique cherry end-tables. Just place a copy of From Every Moment a Second on all tabletops and flat surfaces around the home, and never worry about marring the furniture. Put your beverage glass directly upon the colorful cover, and let the poetry perform its magic. Who knew that paper was so absorbent!

3) Body armor – well, maybe not. The pen is mightier than the sword, and all that, but Kevlar is a better bet when it comes to bullets. So scratch that idea, unless you’d like to print up Kevlar dust jackets. Hmm. Not a bad idea. Nyah, nyah! Your bullets can’t pierce my verse! Just saying…

4) Hot pad – need something on which to place a gurgling pot of “OMG This Stuff Burns, Really, Really Burns” chili? A short stack of From Every Moment a Second will do the trick. I recommend at least three copies to achieve maximum efficiency. For larger pots, six copies, in stacks of three, are considered the norm, but you may, for personal reasons, use more.

5) Furniture and appliance leveler – are you tired of your fried eggs running downhill and forming lazy crescent moons instead of perfectly centered suns? Simply stick a copy of From Every Moment a Second under the offending corner of the stove. Presto. Sunny side up? No problem. And this is a portable solution! How many times have you been to a trendy, hipster coffee shop and found your table, the only unoccupied one, of course, wobbling, and in danger of spilling precious drops of that costly triple-mocha-vodka latte? Carry copies of the book with you, and shove one (or more) under the responsible table leg. Done!

 

To order this scorpion-swatting, moisture-absorbing, heat-deflecting and furniture-leveling book, visit Finishing Line Press. And hey, you might even look at some of the words. It’s okay. Really.

Undecided? Read a review here. Alas, no mention of the five uses described above…

 

 

Recording of To the Light Entering the Shack One December Evening


To the Light Entering the Shack One December Evening

No prayers exit here, nothing
limits you. I never knew
before.

The pear tree’s ghost shudders.

Water pools in the depression of its absence.

For years I have wandered from shadow to
source, longing. Now, at rest,
you come to me and fear
evaporates. I would like to count
the smallest distraction.
I would like to disturb.

You are the name
I whisper
to clouds.

Will you leave if I open the door?

A carnival germinates in my body.

You are not death, but its closest friend.

Darkness parts, folds around you.

I close my eyes and observe.

* * *

“To the Light Entering the Shack One December Evening” first appeared in Shantih in December 2016, and is included in my chapbook, From Every Moment a Second available for pre-publication order through Finishing Line Press.

The Utility of Poetry

Thomas Davis writes on the utility of poetry, using the recently published Indra’s Net as a launching point.

Thomas Davis's avatarfourwindowspress

an essay by Thomas Davis written after reading the poetry anthology, Indra’s Net

When I was a teenager, determined to become a poet and writer, Look Magazine, one of the United States’ most popular publications at the time, wrote an editorial that denigrated the utility of poetry. A lot of decades have passed since I read the editorial, but its assertion that poetry had no real use in a world filled with the marvels of science and technology still stirs me to a passion. As I thought back then, what an exercise in the hubris of trying to stir up controversy.

Look Magazine, of course, has been defunct for some time, and while I was in Lake Geneva, Wisconsin at the Breadloaf Bookstore doing a book signing, Indra’s Net, published by Bennison Books (who also published my epic poem, The Weirding Storm, A Dragon Epic) came…

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To the Light Entering the Shack One December Evening


To the Light Entering the Shack One December Evening

No prayers exit here, nothing
limits you. I never knew
before.

The pear tree’s ghost shudders.

Water pools in the depression of its absence.

For years I have wandered from shadow to
source, longing. Now, at rest,
you come to me and fear
evaporates. I would like to count
the smallest distraction.
I would like to disturb.

You are the name
I whisper
to clouds.

Will you leave if I open the door?

A carnival germinates in my body.

You are not death, but its closest friend.

Darkness parts, folds around you.

I close my eyes and observe.

* * *

“To the Light Entering the Shack One December Evening” first appeared in Shantih in December 2016, and is included in my chapbook, From Every Moment a Second, available for pre-publication order through Finishing Line Press.

Another Review of My Forthcoming Chapbook

Jaffa Kintigh has posted a review of From Every Moment a Second on his blog and Goodreads.

 

 

 

Order through Finishing Line Press.

 

 

 

 

Please note:  prepublication sales determine the print run, which means this stage is crucial in terms of how many copies will be printed and the number of copies I’ll receive as payment. So if you feel inclined and are able to help me in this commercial endeavor, please purchase your copy during this period, which runs through August 11. The book’s tentative release date is October 6.